109 core topics
+ 23 prerequisite topics taught
as needed · approximately 37 hours of instruction
including spaced review
An adaptive diagnostic (up to
40 questions) places the student on the course's knowledge
graph - topics already known are credited, and instruction begins exactly
at the learning frontier. Every topic is taught with a worked-example
lesson and auto-graded practice; a topic is mastered at
75%+ and then maintained through spaced reviews on an
expanding schedule. Mixed checks follow every 6 lessons;
each unit ends with a 12-item quiz, and course-wide assessments appear at
25%, 50%, 75%, and 100% mastery. Prerequisite gaps below the course are detected and taught rather
than skipped, so completion certifies the whole tower, not just the top.
| Who the Story Is About
[E] |
Name the characters in a story and say what one of them is like. |
| Where the Story Happens
[M] |
Name the place a story happens, and say why that place matters. |
| When the Story Happens
[M] |
Say what time of day, day of the week, or season a story happens in. |
| How a Character Feels
[M] |
Name a feeling a story shows through what a character does. |
| What a Character Wants
[M] |
Say what a character is trying to get or trying to do. |
| What Happens in the Story
[M] |
Pick out the things that happen, and which one matters most. |
| Why It Happened
[M] |
Explain why something in a story happened, using the story. |
| Character, Setting, or Event?
[M] |
Sort a piece of a story into character, setting, or event. |
| Who the Story Is About
[E] |
Name the character a story follows. |
| First, Next, and Last
[M] |
Say what happened first, what came in between, and what came last. |
| Putting the Whole Story in Order
[M] |
Arrange all the events of a story from beginning to end. |
| Finding the Problem
[M] |
Name what goes wrong in a story. |
| Finding the Solution
[M] |
Say how a story's problem gets resolved. |
| Summarizing a Story
[H] |
Retell a story keeping only what matters. |
| Knowing What to Leave Out
[H] |
Spot the detail a summary does not need. |
| Beginning, Middle, End
[M] |
Say which part of a story an event belongs to, and what that part is for. |
| What a Character Wants, and What Is in the Way
[M] |
Name both halves of a story problem: the want and the thing blocking it. |
| What Kind of Trouble Is It?
[M] |
Tell trouble with a person from trouble with the world or with yourself. |
| The Tries That Do Not Work
[M] |
Follow the middle of a story as a run of attempts, and say why each fails. |
| The Moment It Turns
[H] |
Find the one moment after which a story cannot go back. |
| How It Ends, and What Is Different
[H] |
Say how a story settles - fixed, gone around, or accepted - and what changed. |
| Because of That, Not And Then
[H] |
Follow a plot as a chain of causes instead of a list of events. |
| Topic or Theme?
[M] |
Tell the subject of a story apart from what the story says about it. |
| What a Character Learns
[M] |
Find the theme by watching what a character understands at the end that they did not understand at the start. |
| The Moral a Story States
[H] |
Read a stated moral or saying and check what the story actually backs up. |
| Saying a Theme in One Sentence
[H] |
Word a theme so it is neither about one character nor true of every story. |
| The Evidence for a Theme
[M] |
Point to the detail that actually supports a theme, not just a true detail. |
| Themes Nobody Writes Down
[H] |
Work out a theme from an ending, a silence, or a word the writer chose. |
| Objects That Carry the Message
[H] |
Read the object or image a story keeps returning to. |
| What a Story Does Not Say
[H] |
Refuse a lesson the text will not support, including the tidy one. |
| Who Is Telling This
[M] |
Find the teller of a text before deciding what the text means. |
| How Much the Teller Knows
[H] |
Work out how far a teller can see, and what is therefore missing. |
| What the Teller Cannot See
[H] |
Assemble what a text shows but its teller has not noticed. |
| What a Person Makes of It
[H] |
Separate what happened from what a person in the text made of it. |
| Words That Give a View Away
[H] |
Notice the single words that carry a teller's attitude. |
| One Event, Two Views
[H] |
Explain why two honest accounts of one event can disagree. |
| Telling It From Somewhere Else
[H] |
Predict what changes when the same events get a different teller. |
| Why the Author Chose This Teller
[H] |
Explain what a writer gains and loses by choosing a particular teller. |
| Lines, Stanzas and Where a Poem Breaks
[M] |
Read a poem's shape on the page as part of what it means. |
| Rhyme, Rhyme Scheme and Poems Without Either
[M] |
Hear rhyme, name the pattern it makes, and read a poem that has none. |
| Repetition, Alliteration and the Sound of a Line
[M] |
Notice what a poem's sounds are doing besides rhyming. |
| The Picture a Poem Puts in Your Head
[M] |
Read the sensory pictures a poem or a stage sets, and say what they do. |
| Figures of Speech Inside a Poem
[H] |
Read similes, metaphors and personification where poems pack them tightest. |
| Who Is Talking in a Poem
[M] |
Identify the voice speaking a poem, and what that voice reveals. |
| What the Poem or the Scene Is Saying
[H] |
State what a poem or a scene is finally about, in a sentence. |
| How a Play Is Written Down
[M] |
Read a script: cast list, scene heading, dialogue and stage directions. |
| Reading What a Scene Is Really Doing
[H] |
Work out what characters want, what blocks them, and what they will not say. |
| Comparing on the Same Point
[H] |
Name one point that both texts speak to before you say anything about either of them. |
| Two Characters, Side by Side
[H] |
Compare two characters by what each one decides, not by what each one is called. |
| What the Setting Changes
[H] |
Ask what a setting makes possible or impossible, not just what it looks like. |
| Patterns of Events Across Stories
[H] |
Recognize the shape two stories share, and find the exact place where they stop sharing it. |
| Same Idea, Different Story
[H] |
State what each text says about a shared subject, then compare the two statements. |
| Two Tellers of One Event
[H] |
Compare who is telling each text and what that teller was in a position to know. |
| The Same Story in Another Form
[H] |
Compare what a poem, a play, a story or an explanation can and cannot carry. |
| Making a Comparison That Says Something
[H] |
Write a comparison that names the shared point, the difference, and why the difference matters. |
| What the Whole Text Is About
[M] |
Say in a few words what a whole true text is about. |
| Key Details You Can Point To
[M] |
Find a fact the text really states, and point to where it says so. |
| Questions a Text Can Answer
[M] |
Tell which questions a text answers and which ones it never touches. |
| New Words in a True Text
[M] |
Work out what a new word means from the sentences around it. |
| Titles, Labels, and Captions
[M] |
Use the title, labels, captions, and contents page to find what you need. |
| Two Facts That Go Together
[M] |
Say how one fact in a text leads to another. |
| Which Fact Matters Most
[M] |
Choose the facts worth telling back and leave the rest out. |
| Topic or Main Idea?
[M] |
Tell what a text is about from what it says about it. |
| Finding the Main Idea
[M] |
Say in one sentence what a whole text is telling you. |
| Main Ideas That Are Not Written Down
[H] |
Work out the main idea when no sentence states it. |
| Details That Back It Up
[M] |
Find the fact in a text that supports a particular idea. |
| Choosing the Best Title
[M] |
Pick a title that names the main idea rather than one detail. |
| Writing a Summary
[H] |
Retell a text keeping only what matters. |
| Telling a Detail from the Main Idea
[M] |
Spot the sentence that is only a detail. |
| What a Heading Promises
[M] |
Use a title or a heading to say what a part of a page will be about. |
| Finding the Page You Need
[M] |
Use a contents page, an index, and headings to find a fact fast. |
| Bold Words and the Glossary
[M] |
Notice a word printed in bold and look it up where the book keeps meanings. |
| The Words Under a Picture
[M] |
Read a caption for what it adds to the picture and to the text. |
| Reading a Labeled Diagram
[M] |
Follow labels and arrows to read a drawing that names its own parts. |
| Reading a Chart
[M] |
Read across a row and up a column, and name what the numbers leave out. |
| Reading a Map and Its Key
[M] |
Use a key, a compass rose, and a scale to read what a map is showing. |
| Why the Author Put It There
[M] |
Say what a text feature does that the sentences alone could not do. |
| Words That Give the Shape Away
[M] |
Spot the words and sentences that tell you how a nonfiction text is organized. |
| Description: Groups, Parts and Kinds
[M] |
Recognize a text that describes one thing closely or sorts things into kinds. |
| Sequence: Time Order and Steps
[M] |
Follow a text built on the order things happen or the order they are done. |
| Compare and Contrast
[M] |
Read a text that sets two things side by side and says how they are alike and different. |
| Cause and Effect
[M] |
Trace a text where each thing described makes the next thing happen. |
| Problem and Solution
[M] |
Read a text that states a difficulty and then what was done about it. |
| Naming the Structure of a Whole Text
[H] |
Decide which structure a whole passage is built on, and notice when it uses more than one. |
| Why the Writer Chose That Shape
[H] |
Explain what a text's structure does for the reader, and what would be lost in another shape. |
| Why the Author Wrote It
[H] |
Name what a text was built to do, not just what it is about. |
| The Evidence for a Purpose
[H] |
Point to the move in the text that proves what the writer wanted. |
| Why This Part Is Here
[H] |
Explain the job a single paragraph, sentence or phrase is doing. |
| Who It Was Written For
[H] |
Work out the reader a text was aimed at, and how you can tell. |
| The Author's Point of View
[H] |
Say what the writer thinks about the subject, even when no opinion is stated. |
| Words That Take a Side
[H] |
Notice how a writer's wording steers what a reader concludes. |
| Facts, Judgments, and Honest Uncertainty
[H] |
Sort what can be checked from what is argued, and spot a writer naming their own limits. |
| Two Writers, One Subject
[H] |
Compare two texts on one subject and find the exact point where they part. |
| Stated or Implied?
[H] |
Tell what a text says outright from what it only lets you conclude. |
| What One Detail Tells You
[H] |
Draw the conclusion a single detail supports, and stop there. |
| The Line That Proves It
[H] |
Given a claim, find the sentence in the text that actually supports it. |
| Putting Two Details Together
[H] |
Reach a conclusion that no single sentence in the text states. |
| An Objective Summary
[H] |
Say what a text argued, in its own terms, without taking a side. |
| Deciding What to Leave Out
[H] |
Cut the details a summary can lose, and keep the ones it cannot. |
| Which Evidence Is Strongest
[H] |
Choose between two relevant details by asking which one settles it. |
| Inference or Guess?
[H] |
Spot the step that goes past what the text can carry. |
| What Your Sources Are Really About
[H] |
State the one question a set of sources is answering, precisely enough to compare them. |
| Where Sources Agree
[H] |
Find the ground two sources share before you look at where they split. |
| Where Sources Disagree
[H] |
Locate the exact sentence where two sources stop agreeing. |
| A Fact Fight or a Meaning Fight
[H] |
Tell whether two sources disagree about what happened or about what it means. |
| What Each Source Chose to Include
[H] |
Notice what one source puts first, and what another leaves out entirely. |
| Choosing the Source That Can Answer It
[H] |
Match a question to the source that is actually able to answer it. |
| Building One Answer from Several Sources
[H] |
Write one sentence that holds everything the sources support and nothing more. |
| What None of the Sources Tells You
[H] |
Name the question your sources leave open, and what would answer it. |