739 core topics
+ 1 prerequisite topics taught
as needed · approximately 228 hours of instruction
including spaced review
An adaptive diagnostic (up to
40 questions) places the student on the course's knowledge
graph - topics already known are credited, and instruction begins exactly
at the learning frontier. Every topic is taught with a worked-example
lesson and auto-graded practice; a topic is mastered at
75%+ and then maintained through spaced reviews on an
expanding schedule. Mixed checks follow every 6 lessons;
each unit ends with a 12-item quiz, and course-wide assessments appear at
25%, 50%, 75%, and 100% mastery. Prerequisite gaps below the course are detected and taught rather
than skipped, so completion certifies the whole tower, not just the top.
| Hearing Rhymes
[E] |
Tell when two words end with the same sound. |
| Finding the Word That Does Not Rhyme
[E] |
Pick the odd word out of a rhyming set. |
| Counting Syllables
[E] |
Break a word into its beats. |
| Hearing the First Sound
[E] |
Tell which sound a word starts with. |
| Hearing the Last Sound
[E] |
Tell which sound a word ends with. |
| Hearing the Middle Vowel Sound
[E] |
Find the vowel sound in the middle of a short word. |
| Blending Sounds into Words
[M] |
Push separate sounds together to make a word. |
| Breaking Words into Sounds
[M] |
Split a word into every separate sound. |
| Taking a Sound Away
[M] |
Say a word again with one sound removed. |
| Changing One Sound
[M] |
Swap one sound for another to make a new word. |
| Words That Begin Alike
[E] |
Group words by their beginning sound. |
| What Makes a Sentence
[E] |
Tell a complete sentence from a group of words. |
| Naming Part and Telling Part
[E] |
Split a sentence into who it is about and what happens. |
| Capital Letters and End Marks
[E] |
Start every sentence with a capital and end it with a mark. |
| Choosing the Right End Mark
[E] |
Use a period, question mark, or exclamation point. |
| Capitalizing Names
[E] |
Capitalize names, places, days, months, and the word I. |
| Digraphs at the Start of a Word
[E] |
Read sh, ch, th, wh and ph at the beginning of a word. |
| Digraphs at the End of a Word
[E] |
Read sh, ch, th, ck and ng at the end of a word. |
| Counting Sounds, Not Letters
[M] |
Count the sounds in a word that has a blend or a digraph in it. |
| ph Says /f/
[E] |
Read ph as the f sound. |
| Blends at the Start of a Word
[M] |
Read two and three consonants blended together at the start of a word. |
| Blends at the End of a Word
[M] |
Read blends like -nd, -mp, -st and -nk at the end of a word. |
| Three-Letter Blends
[M] |
Read str, spr, scr, thr and spl. |
| Blend or Digraph?
[M] |
Tell a blend from a digraph by listening to the sounds. |
| Reading Blend and Digraph Words
[M] |
Sound out and read a word containing a blend or a digraph. |
| Spelling Blends and Digraphs
[M] |
Write the right letters for a blend or digraph you hear. |
| -ng and -nk
[M] |
Hear the difference between the endings in ring and rink. |
| Long Vowel Sounds
[E] |
Hear a vowel saying its own name. |
| One Letter Changes the Word
[M] |
Add or remove a silent e and read the new word. |
| Short Vowel or Long Vowel?
[M] |
Decide from the spelling whether a vowel is short or long. |
| Reading Silent-e Words
[M] |
Read a silent-e word accurately, without dropping the e. |
| Spelling with Silent e
[M] |
Decide whether a word needs a silent e at the end. |
| Open Syllables: go, he, my
[M] |
Read a long vowel that got that way by ending the word. |
| The Silent e Makes No Sound
[M] |
Count sounds, not letters: a letter team counts once and a silent e not at all. |
| When Silent e Breaks the Rule
[M] |
Know the common words where a final e does not make the vowel long. |
| What a Vowel Team Is
[M] |
Find the letters that team up to spell one vowel sound in a word. |
| Long a: ai and ay
[M] |
Read long a spelled with the vowel teams ai and ay. |
| Long e: ee and ea
[M] |
Read long e spelled with the vowel teams ee and ea. |
| Long o: oa and ow
[M] |
Read long o spelled with the vowel teams oa and ow. |
| Long i and Long u: igh, ie, ew, ue
[M] |
Read long i spelled igh or ie, and long u spelled ew or ue. |
| Which Spelling Goes Where
[H] |
Choose the right vowel team for a word from the way the word is built. |
| The Two Sounds of oo
[M] |
Decide which of its two sounds the vowel team oo is making. |
| Sounds That Are Neither Long Nor Short
[H] |
Read the vowel sounds in coin, cloud and saw. |
| One Team, Two Jobs
[H] |
Try a team's other sound when the first one does not make a real word. |
| When the r Takes Over the Vowel
[M] |
Find the vowel that an r has changed, and tell it from an r that only starts a blend. |
| ar Says /ar/
[M] |
Read the /ar/ sound, and know the words where a w changes it. |
| or Says /or/
[M] |
Read the /or/ sound, and know the words where a w changes it. |
| er, ir, ur: One Sound, Three Spellings
[M] |
Hear that er, ir and ur all make the same sound. |
| Choosing Between er, ir, and ur
[H] |
Pick the right spelling of the /er/ sound for a particular word. |
| Sorting the Five R-Controlled Spellings
[M] |
Group ar, or, er, ir and ur by the sound each one makes. |
| Soft c: When c Says /s/
[M] |
Decide whether a c says /k/ or /s/ by looking at the letter after it. |
| Soft g: When g Says /j/
[M] |
Read soft g, and know the common words that break the rule. |
| The Letter After Decides
[H] |
Use the following letter to predict what a c or g will say, even in a new word. |
| Counting Syllables by Vowel Sounds
[M] |
Count the syllables in a written word by counting its vowel sounds. |
| Closed Syllables: The Vowel Is Short
[M] |
Recognize a syllable that ends in a consonant and know its vowel is short. |
| Open Syllables: The Vowel Is Long
[M] |
Recognize a syllable that ends in a vowel and know that vowel is long. |
| Open or Closed? Deciding the Vowel Sound
[M] |
Use the last letter of a syllable to predict whether its vowel is long or short. |
| The Six Kinds of Syllable
[M] |
Name which of the six syllable types a chunk of a word is. |
| Two Consonants in the Middle
[M] |
Divide a word between two middle consonants and read the closed first syllable. |
| One Consonant in the Middle: Try Long First
[H] |
Divide a word with one middle consonant by trying the long vowel first, then flexing. |
| The -le Ending Takes One Consonant With It
[M] |
Split off a consonant-le ending and use what is left to set the first vowel. |
| Reading a Long Word You Have Never Seen
[H] |
Chunk an unfamiliar multisyllable word and read it one syllable at a time. |
| More Than One: Adding -s
[M] |
Make a naming word mean more than one by adding -s. |
| When a Word Hisses: Adding -es
[M] |
Add -es to words that end in s, x, z, ch, or sh. |
| Words That End in y
[M] |
Decide whether a y changes to i by looking at the letter before it. |
| Words That End in f or fe
[M] |
Change f to v before the plural ending on the words that take it. |
| The Plurals You Have to Know by Heart
[M] |
Use the plural of words that change instead of adding -s. |
| Reading an -s at the End
[H] |
Tell a plural -s on a naming word from a verb -s that marks one doer. |
| Adding -ed and -ing
[H] |
Apply the doubling, drop-e and y-to-i rules when an ending goes on. |
| Two Words Made Into One
[H] |
Match a contraction to the two words it stands for, both ways. |
| Where the Apostrophe Goes
[H] |
Place the apostrophe exactly where the missing letters used to be. |
| Finding the Base Word
[M] |
Strip the extra parts off a word to find the word underneath. |
| What a Prefix Means
[M] |
Know what the common prefixes do to a word. |
| Using a Prefix to Read a Word
[M] |
Work out what a prefixed word means without being told. |
| What a Suffix Means
[M] |
Know what the common suffixes add to a word. |
| Using a Suffix to Read a Word
[M] |
Work out what a word with a suffix means. |
| Building Words from Parts
[M] |
Put a prefix, base word, and suffix together into one word. |
| Reading a Word You Have Never Seen
[H] |
Work out an unfamiliar word from its prefix, base, and suffix. |
| Spelling Changes When You Add an Ending
[H] |
Apply the three rules for adding a suffix to a base word. |
| Endings Change a Word's Job
[M] |
See how a suffix turns one kind of word into another. |
| Choosing the Right Form
[H] |
Pick the form of a word that a sentence actually needs. |
| What a Root Is
[M] |
Find the root inside a long word and tell it from a base word. |
| What the Common Roots Mean
[M] |
Know what the roots that build academic English actually mean. |
| Words That Share a Root
[H] |
Sort words into families by the root they are built on. |
| Words Built from Two Roots
[H] |
Read a word built out of two roots by putting both part meanings together, in order. |
| One Root, Many Prefixes
[H] |
Use the prefix to tell apart words built on the same root. |
| Reading a Word You Have Never Met
[H] |
Work out an unfamiliar word from its root and the sentence together. |
| When the Letters Lie
[H] |
Test a root by meaning, not by letters, and catch the look-alikes. |
| Greek Spelling Clues
[H] |
Spell the Greek words in science and math, and know why they look odd. |
| Words That Sound the Same
[M] |
Recognize two words that share one sound and nothing else. |
| Choosing the Right Spelling
[M] |
Use the meaning of a sentence to choose between two spellings. |
| its and it's, your and you're
[M] |
Tell a contraction from a possessive using the long-form test. |
| One Spelling, Two Meanings
[H] |
Use the sentence to choose between two unrelated meanings of one word. |
| One Word, Many Meanings
[H] |
Pick which of a word's several related meanings a sentence is using. |
| Words That Are Nearly Twins
[H] |
Separate two words that look almost alike and mean nothing alike. |
| The Mistake a Spell Checker Misses
[H] |
Find a word that is spelled correctly and is still the wrong word. |
| Same Spelling, Different Sound
[H] |
Decide how a word is pronounced from the job it does in the sentence. |
| Words That Go Together
[M] |
Spot the word that belongs with a group, and the word that does not. |
| Naming the Group
[M] |
Give a group of words the name that covers all of them. |
| Parts and Wholes
[M] |
Tell a piece of something from one kind of something. |
| Words That Mean Almost the Same
[M] |
Find a word that means nearly the same as another word. |
| Words That Mean the Opposite
[M] |
Find the word that means the opposite of another word. |
| How Two Words Go Together
[H] |
Name the relationship between a pair of words. |
| Some Words Are Stronger
[M] |
Put words with the same meaning in order of how strong they are. |
| Choosing the Word That Fits
[H] |
Choose the word whose strength matches what the sentence says. |
| When the Sentence Just Tells You
[M] |
Find a word's meaning written into the sentence itself. |
| A Nearby Word That Means the Same
[M] |
Use a synonym elsewhere in the passage to unlock a word. |
| When a Contrast Points the Other Way
[M] |
Use a contrast word to work out the opposite meaning. |
| Working Back From Examples
[M] |
Use a list of examples to work out the category. |
| When There Is No Clue Word
[H] |
Work out a meaning from the whole situation. |
| Naming the Clue
[M] |
Say which kind of context clue a sentence is using. |
| Putting Your Guess Back In
[H] |
Check a guessed meaning by reading the sentence again with it. |
| Words With More Than One Meaning
[M] |
Choose the meaning a sentence needs, not the one you thought of first. |
| When the Clue Is Somewhere Else
[H] |
Find the meaning of a word when the clue sits in a different sentence. |
| Shades of Meaning
[H] |
Choose the word whose size matches what actually happened. |
| Words That Carry a Feeling
[H] |
Hear the approval or disapproval hidden inside a word choice. |
| Reporting or Arguing?
[H] |
Tell a sentence that reports from one that argues, and name the word doing it. |
| Word Parts Plus Context
[H] |
Take an unfamiliar word apart and check the pieces against the sentence. |
| Everyday Words With a School Meaning
[H] |
Catch a familiar word being used in its science, math, or history sense. |
| The Words the Directions Use
[H] |
Know the words that every subject and every test direction line uses. |
| Can You Swap That Word?
[H] |
Test a replacement word against meaning, size, and feeling all at once. |
| Noticing When Words Are Not Literal
[M] |
Tell when a sentence is not meant exactly as written. |
| Working Out What It Really Means
[M] |
Say in plain words what a figure of speech is telling you. |
| Similes
[M] |
Read a comparison made with like or as. |
| Metaphors
[M] |
Read a comparison that says one thing IS another. |
| Simile or Metaphor?
[M] |
Tell the two kinds of comparison apart. |
| Personification
[M] |
Spot something not human doing something only people do. |
| Hyperbole
[M] |
Read an exaggeration that nobody is meant to believe. |
| Idioms
[H] |
Learn set phrases whose meaning the words do not give you. |
| Naming the Device
[H] |
Say which kind of figurative language a sentence uses. |
| Three Kinds of School Word
[M] |
Sort a word into everyday, used in every subject, or belonging to one subject. |
| The Words Every Subject Uses
[H] |
Give the exact meaning of the words that show up in every subject. |
| The Everyday Word and the School Word
[H] |
Match a school word to the everyday wording that means the same thing. |
| One Word, Many Forms
[H] |
Choose the right form of an academic word for the slot it has to fill. |
| The Same Word in a Different Class
[H] |
Work out which meaning a familiar word carries in a school subject. |
| Command Words: What the Task Asks For
[H] |
Name what a direction word is telling you to do before you start writing. |
| Reading the Question Before You Answer It
[H] |
Say what a test question requires before looking at the choices. |
| How Sure Does the Writer Sound?
[H] |
Tell what a writer is claiming from the verb that carries the claim. |
| Who the Story Is About
[E] |
Name the characters in a story and say what one of them is like. |
| Where the Story Happens
[M] |
Name the place a story happens, and say why that place matters. |
| When the Story Happens
[M] |
Say what time of day, day of the week, or season a story happens in. |
| How a Character Feels
[M] |
Name a feeling a story shows through what a character does. |
| What a Character Wants
[M] |
Say what a character is trying to get or trying to do. |
| What Happens in the Story
[M] |
Pick out the things that happen, and which one matters most. |
| Why It Happened
[M] |
Explain why something in a story happened, using the story. |
| Character, Setting, or Event?
[M] |
Sort a piece of a story into character, setting, or event. |
| Who the Story Is About
[E] |
Name the character a story follows. |
| First, Next, and Last
[M] |
Say what happened first, what came in between, and what came last. |
| Putting the Whole Story in Order
[M] |
Arrange all the events of a story from beginning to end. |
| Finding the Problem
[M] |
Name what goes wrong in a story. |
| Finding the Solution
[M] |
Say how a story's problem gets resolved. |
| Summarizing a Story
[H] |
Retell a story keeping only what matters. |
| Knowing What to Leave Out
[H] |
Spot the detail a summary does not need. |
| Beginning, Middle, End
[M] |
Say which part of a story an event belongs to, and what that part is for. |
| What a Character Wants, and What Is in the Way
[M] |
Name both halves of a story problem: the want and the thing blocking it. |
| What Kind of Trouble Is It?
[M] |
Tell trouble with a person from trouble with the world or with yourself. |
| The Tries That Do Not Work
[M] |
Follow the middle of a story as a run of attempts, and say why each fails. |
| The Moment It Turns
[H] |
Find the one moment after which a story cannot go back. |
| How It Ends, and What Is Different
[H] |
Say how a story settles - fixed, gone around, or accepted - and what changed. |
| Because of That, Not And Then
[H] |
Follow a plot as a chain of causes instead of a list of events. |
| Topic or Theme?
[M] |
Tell the subject of a story apart from what the story says about it. |
| What a Character Learns
[M] |
Find the theme by watching what a character understands at the end that they did not understand at the start. |
| The Moral a Story States
[H] |
Read a stated moral or saying and check what the story actually backs up. |
| Saying a Theme in One Sentence
[H] |
Word a theme so it is neither about one character nor true of every story. |
| The Evidence for a Theme
[M] |
Point to the detail that actually supports a theme, not just a true detail. |
| Themes Nobody Writes Down
[H] |
Work out a theme from an ending, a silence, or a word the writer chose. |
| Objects That Carry the Message
[H] |
Read the object or image a story keeps returning to. |
| What a Story Does Not Say
[H] |
Refuse a lesson the text will not support, including the tidy one. |
| Who Is Telling This
[M] |
Find the teller of a text before deciding what the text means. |
| How Much the Teller Knows
[H] |
Work out how far a teller can see, and what is therefore missing. |
| What the Teller Cannot See
[H] |
Assemble what a text shows but its teller has not noticed. |
| What a Person Makes of It
[H] |
Separate what happened from what a person in the text made of it. |
| Words That Give a View Away
[H] |
Notice the single words that carry a teller's attitude. |
| One Event, Two Views
[H] |
Explain why two honest accounts of one event can disagree. |
| Telling It From Somewhere Else
[H] |
Predict what changes when the same events get a different teller. |
| Why the Author Chose This Teller
[H] |
Explain what a writer gains and loses by choosing a particular teller. |
| Lines, Stanzas and Where a Poem Breaks
[M] |
Read a poem's shape on the page as part of what it means. |
| Rhyme, Rhyme Scheme and Poems Without Either
[M] |
Hear rhyme, name the pattern it makes, and read a poem that has none. |
| Repetition, Alliteration and the Sound of a Line
[M] |
Notice what a poem's sounds are doing besides rhyming. |
| The Picture a Poem Puts in Your Head
[M] |
Read the sensory pictures a poem or a stage sets, and say what they do. |
| Figures of Speech Inside a Poem
[H] |
Read similes, metaphors and personification where poems pack them tightest. |
| Who Is Talking in a Poem
[M] |
Identify the voice speaking a poem, and what that voice reveals. |
| What the Poem or the Scene Is Saying
[H] |
State what a poem or a scene is finally about, in a sentence. |
| How a Play Is Written Down
[M] |
Read a script: cast list, scene heading, dialogue and stage directions. |
| Reading What a Scene Is Really Doing
[H] |
Work out what characters want, what blocks them, and what they will not say. |
| Comparing on the Same Point
[H] |
Name one point that both texts speak to before you say anything about either of them. |
| Two Characters, Side by Side
[H] |
Compare two characters by what each one decides, not by what each one is called. |
| What the Setting Changes
[H] |
Ask what a setting makes possible or impossible, not just what it looks like. |
| Patterns of Events Across Stories
[H] |
Recognize the shape two stories share, and find the exact place where they stop sharing it. |
| Same Idea, Different Story
[H] |
State what each text says about a shared subject, then compare the two statements. |
| Two Tellers of One Event
[H] |
Compare who is telling each text and what that teller was in a position to know. |
| The Same Story in Another Form
[H] |
Compare what a poem, a play, a story or an explanation can and cannot carry. |
| Making a Comparison That Says Something
[H] |
Write a comparison that names the shared point, the difference, and why the difference matters. |
| What the Whole Text Is About
[M] |
Say in a few words what a whole true text is about. |
| Key Details You Can Point To
[M] |
Find a fact the text really states, and point to where it says so. |
| Questions a Text Can Answer
[M] |
Tell which questions a text answers and which ones it never touches. |
| New Words in a True Text
[M] |
Work out what a new word means from the sentences around it. |
| Titles, Labels, and Captions
[M] |
Use the title, labels, captions, and contents page to find what you need. |
| Two Facts That Go Together
[M] |
Say how one fact in a text leads to another. |
| Which Fact Matters Most
[M] |
Choose the facts worth telling back and leave the rest out. |
| Topic or Main Idea?
[M] |
Tell what a text is about from what it says about it. |
| Finding the Main Idea
[M] |
Say in one sentence what a whole text is telling you. |
| Main Ideas That Are Not Written Down
[H] |
Work out the main idea when no sentence states it. |
| Details That Back It Up
[M] |
Find the fact in a text that supports a particular idea. |
| Choosing the Best Title
[M] |
Pick a title that names the main idea rather than one detail. |
| Writing a Summary
[H] |
Retell a text keeping only what matters. |
| Telling a Detail from the Main Idea
[M] |
Spot the sentence that is only a detail. |
| What a Heading Promises
[M] |
Use a title or a heading to say what a part of a page will be about. |
| Finding the Page You Need
[M] |
Use a contents page, an index, and headings to find a fact fast. |
| Bold Words and the Glossary
[M] |
Notice a word printed in bold and look it up where the book keeps meanings. |
| The Words Under a Picture
[M] |
Read a caption for what it adds to the picture and to the text. |
| Reading a Labeled Diagram
[M] |
Follow labels and arrows to read a drawing that names its own parts. |
| Reading a Chart
[M] |
Read across a row and up a column, and name what the numbers leave out. |
| Reading a Map and Its Key
[M] |
Use a key, a compass rose, and a scale to read what a map is showing. |
| Why the Author Put It There
[M] |
Say what a text feature does that the sentences alone could not do. |
| Words That Give the Shape Away
[M] |
Spot the words and sentences that tell you how a nonfiction text is organized. |
| Description: Groups, Parts and Kinds
[M] |
Recognize a text that describes one thing closely or sorts things into kinds. |
| Sequence: Time Order and Steps
[M] |
Follow a text built on the order things happen or the order they are done. |
| Compare and Contrast
[M] |
Read a text that sets two things side by side and says how they are alike and different. |
| Cause and Effect
[M] |
Trace a text where each thing described makes the next thing happen. |
| Problem and Solution
[M] |
Read a text that states a difficulty and then what was done about it. |
| Naming the Structure of a Whole Text
[H] |
Decide which structure a whole passage is built on, and notice when it uses more than one. |
| Why the Writer Chose That Shape
[H] |
Explain what a text's structure does for the reader, and what would be lost in another shape. |
| Why the Author Wrote It
[H] |
Name what a text was built to do, not just what it is about. |
| The Evidence for a Purpose
[H] |
Point to the move in the text that proves what the writer wanted. |
| Why This Part Is Here
[H] |
Explain the job a single paragraph, sentence or phrase is doing. |
| Who It Was Written For
[H] |
Work out the reader a text was aimed at, and how you can tell. |
| The Author's Point of View
[H] |
Say what the writer thinks about the subject, even when no opinion is stated. |
| Words That Take a Side
[H] |
Notice how a writer's wording steers what a reader concludes. |
| Facts, Judgments, and Honest Uncertainty
[H] |
Sort what can be checked from what is argued, and spot a writer naming their own limits. |
| Two Writers, One Subject
[H] |
Compare two texts on one subject and find the exact point where they part. |
| Stated or Implied?
[H] |
Tell what a text says outright from what it only lets you conclude. |
| What One Detail Tells You
[H] |
Draw the conclusion a single detail supports, and stop there. |
| The Line That Proves It
[H] |
Given a claim, find the sentence in the text that actually supports it. |
| Putting Two Details Together
[H] |
Reach a conclusion that no single sentence in the text states. |
| An Objective Summary
[H] |
Say what a text argued, in its own terms, without taking a side. |
| Deciding What to Leave Out
[H] |
Cut the details a summary can lose, and keep the ones it cannot. |
| Which Evidence Is Strongest
[H] |
Choose between two relevant details by asking which one settles it. |
| Inference or Guess?
[H] |
Spot the step that goes past what the text can carry. |
| What Your Sources Are Really About
[H] |
State the one question a set of sources is answering, precisely enough to compare them. |
| Where Sources Agree
[H] |
Find the ground two sources share before you look at where they split. |
| Where Sources Disagree
[H] |
Locate the exact sentence where two sources stop agreeing. |
| A Fact Fight or a Meaning Fight
[H] |
Tell whether two sources disagree about what happened or about what it means. |
| What Each Source Chose to Include
[H] |
Notice what one source puts first, and what another leaves out entirely. |
| Choosing the Source That Can Answer It
[H] |
Match a question to the source that is actually able to answer it. |
| Building One Answer from Several Sources
[H] |
Write one sentence that holds everything the sources support and nothing more. |
| What None of the Sources Tells You
[H] |
Name the question your sources leave open, and what would answer it. |
| The Main Idea of a Science Text
[M] |
Find what a science passage is really explaining. |
| Science Words Defined in Place
[M] |
Work out a technical word from the sentence that introduces it. |
| Following a Process in Order
[M] |
Track the steps of a life cycle or a process. |
| Cause and Effect in Science
[M] |
Say why something happens, using the text. |
| Comparing Two Living Things
[M] |
Say how two organisms or processes differ, and why. |
| Finding the Evidence
[M] |
Point to the sentence that proves a claim. |
| What the Science Actually Says
[H] |
Use what the passage taught you to answer a real science question. |
| Technical Words: Parts and Context
[M] |
Work out a science word from its parts and from the sentence around it. |
| How a Science Text Is Built
[M] |
Name the shape a science passage is built in, and use it to find the point. |
| Reading the Numbers in a Science Text
[M] |
Read a figure in prose for its unit, its size and how sure it is. |
| Models and Where They Break
[H] |
Judge a scientific model by what it predicts and by what it leaves out. |
| Claim, Evidence, and Reasoning
[H] |
Separate what a science text asserts from what it shows, and the link between. |
| Reading an Investigation
[H] |
Read a described experiment for what it changed, held steady and can show. |
| Cause, Correlation, and Coincidence
[H] |
Tell a cause from two things that merely happen together. |
| What the Science Actually Says
[H] |
Use what a passage taught you to answer a real life-science question. |
| The Main Idea of an Earth Science Text
[M] |
Find what an Earth or space passage is really explaining. |
| Science Words Defined Right There
[M] |
Work out an Earth or space term from the sentence that introduces it. |
| Following a Cycle in Order
[M] |
Track the steps of an Earth or space process in the right order. |
| Cause and Effect in Earth Science
[M] |
Say why something on Earth or in space happens, using the text. |
| Comparing Two Things in Space and on Earth
[M] |
Say how two places, bodies, or processes differ, and why it matters. |
| Numbers in a Science Text
[M] |
Read the measurements in a science passage and reason with them. |
| Finding the Evidence
[M] |
Point to the detail that actually proves a claim about Earth or space. |
| What the Science Actually Says
[H] |
Use what a passage taught you to answer a real Earth or space question. |
| Words Earth Science Redefines
[M] |
Read an earth science term for its exact meaning, not its everyday one. |
| Numbers Too Big to Picture
[H] |
Handle the huge distances, slow rates and long times an earth science text reports. |
| Diagrams That Cannot Be to Scale
[H] |
Judge an earth science model or diagram by what it is built to show. |
| Loops, Not Lines
[H] |
Follow a cause around a loop instead of straight down a list. |
| What Can and Cannot Be Predicted
[H] |
Tell a real prediction from a question no method can answer. |
| How We Know What Nobody Watched
[H] |
Name the measurement that supports a claim about something nobody saw happen. |
| What the Science Actually Says
[H] |
Use what a passage taught you to answer a real earth or space science question. |
| When Science Changes Its Mind
[H] |
Trace how new evidence overturned an idea scientists had accepted. |
| Physical Science Words, Defined in Place
[M] |
Work out a physical science term from the sentence that introduces it. |
| The Point of a Physical Science Text
[M] |
Find the mechanism a physical science passage is really explaining. |
| Running the Mechanism Forward
[M] |
Say why something physical happens, and follow the chain past one step. |
| Reading the Measurements
[M] |
Read numbers in a science passage for size, unit and what they compare. |
| Which Sentence Actually Proves It
[H] |
Point to the detail in a science text that settles a particular claim. |
| Reading a Fair Test
[H] |
Find what an investigation changed and what it deliberately held still. |
| What the Better Design Costs
[H] |
Name what an engineering choice gives up in exchange for what it gains. |
| Using the Physics on a New Case
[H] |
Apply a mechanism from the passage to a situation the passage never named. |
| The Main Idea of a History Text
[M] |
Find what a history passage is really about. |
| Putting Events in Time Order
[M] |
Work out what happened first, and how much time passed. |
| History Words in Context
[M] |
Work out what a historical term means from the text around it. |
| Causes and Consequences
[M] |
Explain why something happened, and what it led to. |
| Evidence in a History Text
[M] |
Point to the detail that actually proves a claim. |
| Whose Story Is Being Told
[H] |
Notice whose point of view a history text takes, and who is missing. |
| What the History Actually Says
[H] |
Use what the passage taught you to answer a real history question. |
| Reading a Source Like a Historian
[H] |
Ask who made a source, when, and what they wanted it to do. |
| Claims and the Evidence Under Them
[H] |
Separate what a history text asserts from what it shows. |
| When Sources Disagree
[H] |
Compare accounts of the same event instead of trusting one. |
| What the Wording Gives Away
[H] |
Notice how a writer's word choices shape what you conclude. |
| Putting a Source Back in Its Moment
[H] |
Read a source against what its writer could and could not know. |
| Summarizing Without Losing the Argument
[H] |
Write a summary that keeps the point, not just the facts. |
| Chains of Cause in History
[H] |
Follow why one thing led to another, and where the chain stops. |
| Whose Account Is This
[H] |
Work out whose view a history text carries, and who is missing. |
| What the History Actually Says
[H] |
Answer questions about the events themselves, from the text. |
| Civics Words With Exact Jobs
[H] |
Work out what a government word means from the sentence around it. |
| Who Holds Which Power
[H] |
Sort any government action by which job it is and at which level. |
| Steps, and Where They Stop
[H] |
Follow a civic process in order and find the points where it can end. |
| The Claim and the Support Under It
[H] |
Separate what a civics text asserts from what actually backs it up. |
| What a Rule Does After It Is Made
[H] |
Trace the effects a rule produces, including the ones nobody wrote down. |
| Who a Rule Lands On
[H] |
Ask whose interest a rule or an account serves, and who it leaves out. |
| What This Text Wants From You
[H] |
Identify what a civic text was written to make its reader do or think. |
| What the Key Tells You
[M] |
Read a map's key first, so its marks turn into meaning. |
| Which Way Is That?
[M] |
Say where one place is in relation to another, using the compass rose. |
| How Far Is That Really?
[M] |
Use a map's scale to turn a distance on paper into a distance on the ground. |
| Finding a Place Exactly
[H] |
Use grid squares, latitude and longitude to pin down where a place is. |
| Choosing the Right Map
[H] |
Match the kind of map to the question you are trying to answer. |
| The Shape Words
[M] |
Turn a geography text's shape words into a picture you can reason with. |
| People and the Land
[H] |
Explain how land shapes what people do, and how people change the land. |
| What a Map Cannot Tell You
[H] |
Name what a map left out, and judge what it can honestly be asked. |
| Economics Words in Context
[H] |
Pin down an economics term from the sentences around it. |
| The Cost of What You Did Not Choose
[H] |
Name what was given up when somebody in the text made a choice. |
| Why a Price Moved
[H] |
Explain a change in price by what happened to supply or to demand. |
| Reading the Numbers in the Text
[H] |
Work out what a figure in a social studies text does and does not measure. |
| Claims About Money, and What Backs Them
[H] |
Separate what an economics text asserts from what it actually shows. |
| Who Gains and Who Loses
[H] |
Trace a decision to the people it helped and the people it cost. |
| How Culture Moves and Changes
[H] |
Follow a practice as it travels between peoples and is changed by them. |
| What the Social Studies Actually Says
[H] |
Answer questions about the economics and the cultures themselves. |
| What a Noun Is
[E] |
Name the words that stand for a person, place, or thing. |
| Common Nouns and Proper Nouns
[M] |
Tell a general noun from the name of one particular thing. |
| What a Verb Is
[E] |
Name the words that tell what someone does. |
| Finding the Verb in a Sentence
[M] |
Pick out the verb inside a whole sentence. |
| Verbs That Do Not Show Action
[M] |
Find is, are, was and were doing a verb's job. |
| One Word, Two Jobs
[M] |
Decide whether a word is a noun or a verb from the sentence it is in. |
| Making the Verb Match
[M] |
Choose a verb form that matches one thing or many things. |
| Finding Both Parts
[M] |
Pick out the noun and the verb in the same sentence. |
| What an Adjective Is
[M] |
Name the words that tell what a noun is like. |
| Which Noun the Adjective Describes
[M] |
Match an adjective to the one noun it is telling you about. |
| Comparing: -er and -est
[M] |
Use the right form of an adjective to compare two things or many. |
| What an Adverb Is
[M] |
Name the words that tell more about what happened. |
| How, When, Where, How Often
[M] |
Say which question an adverb is answering. |
| Adjective or Adverb?
[H] |
Choose between a describing word and its -ly form. |
| What a Pronoun Is
[M] |
Replace a noun with the pronoun that fits its job. |
| The Noun a Pronoun Stands For
[H] |
Track a pronoun back to the noun it replaced. |
| I or Me, He or Him
[H] |
Pick the right pronoun form even when another person is named too. |
| The Four Kinds of Sentence
[M] |
Tell a statement, question, command, and exclamation apart. |
| Spotting a Fragment
[M] |
Tell when a group of words stops before it is a sentence. |
| Fixing a Fragment
[M] |
Add what is missing so a fragment becomes a sentence. |
| Spotting a Run-On
[M] |
Notice when two sentences have been jammed into one. |
| Three Ways to Fix a Run-On
[H] |
Repair a run-on, and choose the repair that fits the meaning. |
| Joining Two Sentences
[H] |
Combine short sentences with the joining word the meaning needs. |
| Sentence, Fragment, or Run-On?
[H] |
Sort any group of words into complete, too short, or too long. |
| Past, Present, or Future?
[M] |
Tell from the verb whether a sentence is about the past, the present, or the future. |
| Building the Past Tense with -ed
[H] |
Add -ed to a verb and make the spelling changes the ending forces. |
| Verbs That Do Not Take -ed
[H] |
Use the past tense of the irregular verbs, and keep it apart from the participle. |
| Actions Caught in the Middle
[H] |
Use am, is, are, was, were and will be with an -ing verb to show an action in progress. |
| Have, Has and Had
[H] |
Use have, has and had with a past participle, and say what had adds. |
| Keeping the Tense Steady
[H] |
Notice a sentence that slips into a different tense and put it back. |
| Making the Verb Match Its Subject
[H] |
Match a present-tense verb, including am, is and are, to its subject. |
| Subjects That Trick You
[H] |
Find the real subject when a phrase, a group word or a There sentence hides it. |
| Commas in a List
[M] |
Separate three or more items in a sentence with commas. |
| The Comma After an Opener
[M] |
Close off a word or phrase that comes before the main sentence. |
| The Comma Before and, but, or, so
[H] |
Use a comma when a joining word connects two whole sentences. |
| Commas Around the Person You Are Talking To
[H] |
Set off the name of the person being spoken to. |
| Commas in Dates, Places, and Letters
[H] |
Punctuate a full date, a city and state, and the lines of a letter. |
| Quotation Marks Around What Someone Says
[H] |
Punctuate a spoken line and the words that tell who said it. |
| Apostrophes in Contractions
[M] |
Put the apostrophe exactly where the missing letters were. |
| Apostrophes That Show Ownership
[H] |
Show who owns something with 's or s'. |
| its, it's, and the Plural That Needs No Apostrophe
[H] |
Choose between look-alike words that an apostrophe tells apart. |
| Clause, or Just a Phrase?
[H] |
Tell an independent clause, a dependent clause, and a phrase apart. |
| Prepositions and the Phrases They Start
[H] |
Find a prepositional phrase and say where it starts and stops. |
| The Subject Is Never Inside the Phrase
[H] |
Ignore the prepositional phrase and match the verb to the real subject. |
| All Seven Coordinating Conjunctions
[H] |
Choose among the seven - and, but, or, so, for, nor, and yet - by what each one claims. |
| The Comma Before a Joining Word
[H] |
When a joining word holds two halves together, the comma goes in only if a whole sentence follows it. |
| Subordinating Conjunctions
[H] |
Use because, although, unless, until, and their kin to say how two ideas relate. |
| Where the Comma Goes in a Complex Sentence
[H] |
Comma after a leading dependent clause, none after a trailing one. |
| Conjunctions That Come in Pairs
[H] |
Use both...and, either...or, neither...nor, and not only...but also, with matching halves. |
| Simple, Compound, Complex
[H] |
Name the structure of any sentence by counting its clauses. |
| Naming Words and Names
[M] |
Tell a word that names one particular thing from a word that names a whole group. |
| Titles That Go With a Name
[M] |
Capitalize a title or family word when it is part of somebody's name. |
| Place Names and Directions
[M] |
Capitalize the name of a particular place, but not a kind of place or a direction. |
| Days, Months, and Holidays
[M] |
Capitalize days, months, and holidays - and leave the seasons alone. |
| Languages, Peoples, and School Subjects
[H] |
Capitalize languages, countries, and the people from them, but not school subjects. |
| Capitals Inside Quotation Marks
[H] |
Capitalize the first word of a quoted sentence, and know when the second half does not get one. |
| Which Words in a Title Get a Capital
[H] |
Capitalize the first word, the last word, and every important word in a title. |
| Quotation Marks or Italics
[H] |
Choose quotation marks for a piece of a work and italics for a whole work. |
| Every Capital Rule at Once
[H] |
Check a whole sentence and name the rule behind each capital letter. |
| Doubling at the End of a Short Word
[M] |
Double a final f, l, s or z after one short vowel. |
| Spelling /k/ at the End: ck, k or ke
[M] |
Choose ck, k or ke for the /k/ sound at the end of a word. |
| The Extra Letter a Short Vowel Asks For
[M] |
Write tch and dge after a short vowel, ch and ge everywhere else. |
| Same Sound, Different Place in the Word
[M] |
Use ai and oi inside a word, and ay, oy and y at the end. |
| Letters You Cannot Hear
[H] |
Spell words that keep a letter nobody says. |
| ie or ei
[H] |
Choose between ie and ei using the sound and the letter before it. |
| The /shun/ Ending: -tion, -sion or -cian
[H] |
Choose between -tion, -sion, -ssion and -cian at the end of a word. |
| The Vowel You Cannot Hear
[H] |
Find an unstressed vowel by saying a related word out loud. |
| Catching It and Naming the Rule
[H] |
Find the misspelled word in a sentence and say which rule fixes it. |
| Knowing When You Have a Sentence
[M] |
Tell a finished sentence from a piece of one. |
| Saying More Than the Bare Fact
[M] |
Add detail that answers a question a reader would ask. |
| Verbs That Do the Work
[M] |
Choose a verb precise enough to replace a description. |
| Naming the Thing Exactly
[M] |
Replace a category word with the actual thing. |
| Joining Two Sentences
[M] |
Put two related sentences together without making a run-on. |
| Choosing the Right Joining Word
[M] |
Pick the joining word that states the real relationship. |
| Changing How a Sentence Starts
[H] |
Notice a repeated opening and rewrite one to break it. |
| The Sentence the Others Are About
[H] |
Find or choose the sentence a paragraph is built on. |
| The Sentence That Does Not Belong
[H] |
Spot a sentence that wanders off the paragraph's point. |
| Naming Why It Does Not Fit
[H] |
Say what is wrong with an off-point sentence, not just which it is. |
| Details That Actually Support
[H] |
Choose detail that backs the claim you made. |
| Ending Without Adding
[H] |
Close a paragraph by landing the point, not opening a new one. |
| Linking Words Between Sentences
[H] |
Use a transition that states the real relationship. |
| Where One Paragraph Ends
[H] |
Find the point where a new idea starts and split there. |
| A Claim or a Fact?
[H] |
Tell a position someone could argue with from a fact they could check. |
| The Reason Under a Claim
[H] |
Find the sentence that says why a position holds. |
| A Reason That Just Says It Again
[H] |
Spot a reason that goes in a circle instead of forward. |
| Evidence That Actually Proves It
[H] |
Tell measured evidence from a stronger way of repeating an opinion. |
| Claims You Cannot Defend
[H] |
Recognize a claim pushed past what any evidence could support. |
| Answering the Other Side
[H] |
Answer the strongest objection instead of talking past it. |
| The Shape of an Argument
[H] |
Name the job each sentence in an argument is doing. |
| Explaining or Arguing?
[H] |
Tell a sentence that explains from one that argues, tells a story, or gives orders. |
| Saying What You Will Explain
[H] |
Open a report with a sentence that says what about the subject will be explained. |
| Putting Facts Where They Belong
[H] |
Group related facts under the heading that answers the same question. |
| Sentences That Add Something
[H] |
Develop a point with real information instead of repeating it louder. |
| Defining a Word for Your Reader
[H] |
Write a definition that names the kind of thing and what sets it apart. |
| The Exact Word
[H] |
Use the subject's own word instead of describing your way around it. |
| Sounding Like a Report
[H] |
Keep the writer, the reader, and casual talk out of an explanation. |
| Your Own Words, the Same Facts
[H] |
Restate a source's fact in your own wording without changing it. |
| Starting Where the Story Starts
[M] |
Begin a story inside the moment instead of outside it. |
| Telling It in an Order a Reader Can Follow
[H] |
Keep events in order and mark the jumps with real time signposts. |
| Showing a Feeling Instead of Naming It
[H] |
Replace a named feeling with something a reader can watch. |
| The Detail That Earns Its Place
[H] |
Choose details that do a job instead of filling space. |
| Dialogue That Does a Job
[H] |
Keep the lines that change something and cut the ones that do not. |
| Slowing Down the Part That Matters
[H] |
Spend sentences in proportion to what a moment is worth. |
| One Narrator, One Time
[H] |
Hold a story in the same tense and the same person all the way through. |
| An Ending That Lands
[H] |
End by showing what is different now. |
| The Shape of a Story
[H] |
Name the job each sentence in a story is doing. |
| Revising and Editing Are Different Jobs
[M] |
Tell a change that fixes what a piece says from one that fixes how it is written. |
| Cutting Words That Do No Work
[H] |
Cut the words that repeat something the sentence has already said. |
| Pronouns That Point at Nothing
[H] |
Find a pronoun a reader cannot trace back and rewrite it so they can. |
| The Sentence in the Wrong Place
[H] |
Find the sentence a reader meets before they can understand it. |
| Where the Describing Words Landed
[H] |
Put a describing phrase next to the thing it is supposed to describe. |
| Lists That Match
[H] |
Build every item in a list out of the same kind of phrase. |
| Tense That Slips
[H] |
Keep a whole piece in one tense, and put a slipped sentence back. |
| What a Spellchecker Cannot Catch
[H] |
Catch a correctly spelled word that is the wrong word. |
| Finding the Error and Naming It
[H] |
Find the one error in a sentence, name what kind it is, and fix just that. |
| A Question Worth Researching
[M] |
Turn a subject into a question that sources can actually settle. |
| The Words Worth Searching
[H] |
Pull the searchable words out of a research question. |
| Choosing the Right Reference Work
[H] |
Match a research need to the reference work built to answer it. |
| Finding It Inside the Book
[H] |
Use contents, index, glossary and title page for what each is for. |
| Guide Words and Alphabetical Order
[H] |
Use guide words to decide whether a word is on a page. |
| Does This Source Answer My Question?
[H] |
Tell a source that answers your question from one that merely shares it. |
| Who Wrote It, and Why
[H] |
Weigh a source by its author, its date and its purpose. |
| Notes in Your Own Words
[H] |
Take a note that carries the idea without carrying the sentence. |
| Naming Where It Came From
[H] |
Record a source completely enough that a reader could find it. |
| What the End Mark Tells Your Voice
[M] |
Read a line the way its end mark says to read it. |
| Reading in Groups, Not One Word at a Time
[M] |
Group the words in a line the way they belong before you read it aloud. |
| Where the Marks Say Pause
[M] |
Pause where a comma is and stop where an end mark is, and nowhere else. |
| The Word You Lean On
[H] |
Choose which word to stress, and know what stressing it tells a listener. |
| Reading a Character's Voice
[H] |
Say only the quoted words in the character's voice, the way the tag says. |
| A Line Is Not a Sentence
[H] |
Read a poem by its punctuation instead of stopping at every line break. |
| Catching Yourself and Going Back
[H] |
Notice when what you read stopped making sense, and find the word to fix. |
| What Smooth Reading Is Made Of
[H] |
Name the five parts of fluent reading and tell which one a reader missed. |
| The Answer Is Right There
[M] |
Find the words in the text that answer the question. |
| What the Whole Thing Is About
[M] |
Say what a whole text is about, not just what one part of it says. |
| Which Question Does It Answer?
[M] |
Tell which questions a text can answer and which ones it cannot. |
| First, Next, Last
[M] |
Put the events or the steps of a text in the order they happen. |
| Who, Where, and How They Feel
[M] |
Name who a story is about, where it happens, and how the people feel. |
| Saying Why It Happened
[M] |
Give the reason something happened, using what the text says. |
| A Word You Can Work Out
[M] |
Work out what a new word means from the sentences around it. |
| Alike and Different
[H] |
Tell how two things in a text are alike and how they are different. |
| Who It Is About, Where, and When
[M] |
Name the person a text follows, the place it happens, and the time - even when the text never says them out loud. |
| What Happened First, Next, and Last
[M] |
Keep events in the order they happened, even when the text mentions them in a different order. |
| The Problem and How It Gets Fixed
[M] |
Name what is standing in a character's way, and name what finally moves it. |
| How Someone Feels, and How You Know
[M] |
Name a character's feeling from what the text shows, and notice when the feeling changes. |
| What the Whole Text Is About
[M] |
Say what a whole text is about instead of naming one detail from inside it. |
| Key Details, and the One That Proves It
[M] |
Go back and find the small fact a question asks for, then learn to pick the part of a text that proves a claim. |
| Why It Happened, and Why the Writer Said It
[H] |
Give the reason something happened, say why the writer put a part in, and use a reason the text gave you on a case it never mentioned. |
| A New Word or Phrase You Can Work Out
[H] |
Work out an unknown word - or a whole phrase - from the sentences around it instead of stopping. |
| Who, What, Where, When, Why, and How
[M] |
Answer a question about any text by going back and finding what the text actually says - even when it never says it in so many words. |
| Order, Steps, and What Made It Happen
[M] |
Keep events, steps and reasons hooked together in the right order, even when the text mentions them out of order. |
| What a Character Does About It
[M] |
Name how a character feels, and then name what the character actually does about it. |
| The Lesson a Story Teaches
[M] |
Say the lesson a story, folktale, poem or play is teaching, instead of retelling what happened in it. |
| The Main Topic, and What Each Part Adds
[M] |
Say what a whole true text is about, and say what one part of it is doing inside that whole. |
| Working Out a New Word or Phrase
[H] |
Use the sentences around an unknown word - or a whole phrase - to work out what it means, instead of stopping. |
| Why the Author Wrote It
[H] |
Name the job an author gave a text - to explain, to show how, to tell what really happened, or to talk you into something - and find the reasons an author gives. |
| Whose Voice Is This?
[H] |
Say who is telling a text, and see how two people can watch the same thing and describe it two different ways. |
| What the Whole Text Is About
[M] |
Say what a whole text is about, in any genre, instead of naming one striking detail from inside it. |
| The Detail That Proves It
[M] |
Go back and find the exact detail a question asks for, and pick the one piece of a text that actually proves a given claim. |
| Order, and Why It Happened
[M] |
Keep events in the order they really happened, and give the reason something happened using the text. |
| People on the Page
[M] |
Name what a character or speaker is like, how they feel, and how they change, using what the text shows rather than what it says outright. |
| The Lesson a Text Leaves You With
[H] |
State the message or lesson of a story, folktale, poem, play or life as a sentence about people, not as a one-word topic. |
| Words and Phrases You Can Work Out
[H] |
Work out an unfamiliar word from the sentences around it, and tell when a phrase does not mean what its words say. |
| Reading Between the Lines
[H] |
Answer a question the text never answers outright, using a clue from the page plus what you already know. |
| Why the Writer Wrote It That Way
[H] |
Name why a writer made a text, and why a particular part of it is there at all. |
| What the Whole Text Says
[H] |
State what a whole text says about its topic, in any genre, and tell a main idea apart from a striking detail. |
| The Detail, and the Line That Proves It
[H] |
Go back and find the exact detail a question asks for, and choose the one line in a text that actually proves a given claim. |
| How the Text Is Put Together
[H] |
Name the shape a text is built in, and say what a paragraph, a stanza or a stage direction is doing where it sits. |
| Working Out a Word, Plain or Not
[H] |
Work out what a word or phrase means from the text around it, including words that are not meant literally and words with a second meaning. |
| What the Text Does Not Say Outright
[H] |
Draw a conclusion the text supports but never states, and know where the text stops supporting you. |
| People, and What Changes Them
[H] |
Describe a character in depth from what they do, say and choose, and say what the setting or an event does to them. |
| The Message Under the Story
[H] |
State the message of a story, folktale, poem or scene as a sentence about life that the whole text supports. |
| Whose Account, and Why It Was Written
[H] |
Work out who is telling a text, whether the account is firsthand or secondhand, and what the writer wanted from you. |
| The Point, and How to Say It Short
[H] |
State what a whole text is saying about its topic, and summarize it without losing the point or adding your opinion. |
| The Line You Would Point At
[H] |
Pick the exact detail that settles a claim, rather than a detail that is merely true. |
| What the Text Made True Without Saying It
[H] |
Answer a question the text never answers outright, using a clue on the page plus what you already know - and stop where the clue stops. |
| The Shape of the Thing
[H] |
Name how a text is put together, and explain why a writer chose that shape and that order. |
| What the Whole Thing Says About People
[H] |
State the theme or message of a text as a sentence about people, and check it against the ending. |
| Who Is Telling You This
[H] |
Work out whose account you are reading, what that lets them know, and whose view is missing from the page. |
| Working Out a Word on the Page
[H] |
Use the sentences around a word to settle its meaning, including figurative phrases and ordinary words used in a special way. |
| Claims, Reasons, and Whether the Evidence Reaches
[H] |
Separate a writer's claim from the reasons under it, judge whether the evidence reaches that far, and name what the writer wanted the reader to do. |
| The Idea the Whole Text Is Serving
[H] |
Name what a whole text is saying about its topic, and write a summary that keeps the point instead of the most memorable facts. |
| The Line That Settles It
[H] |
Choose the exact detail that settles a particular claim, rather than a detail that is merely true or merely nearby. |
| What the Text Made True Without Saying It
[H] |
Answer a question the text never answers outright, using a line on the page plus what you already know - and stop where the line stops. |
| What the Whole Thing Says About People
[H] |
State the theme or message of a text as a sentence about people, and check it against the ending the writer actually chose. |
| Why That Part Is in That Place
[H] |
Name how a text is put together, and explain what a particular paragraph or stanza is doing where the writer put it. |
| Whose Account Is This
[H] |
Work out whose account you are reading, what it lets them know, what it makes them want you to think, and whose view is missing. |
| A Word Inside Its Sentence
[H] |
Settle what a word or phrase means from the sentences around it, including figures of speech and ordinary words doing a special job. |
| Claim, Reason, and How Far the Evidence Reaches
[H] |
Trace a writer's claim to the reasons and evidence under it, and judge whether the evidence reaches as far as the claim does. |
| The Idea the Whole Thing Is Built Around
[H] |
State what a whole text is about when it never says so, and write a summary that keeps its point instead of its most memorable fact. |
| The Line You Would Put Your Finger On
[H] |
Pick the one detail that settles a particular claim, and say why the other true details do not reach it. |
| What the Text Made True Without Printing It
[H] |
Build an answer the writer never wrote, from a clue on the page plus what you know - and stop exactly where the clue stops. |
| The Shape, and the Job of Each Part
[H] |
Name how a text is built, and explain what one paragraph is doing where it sits. |
| What the Whole Thing Says About People
[H] |
State a text's theme as a sentence about people, and check it against the ending the writer actually chose. |
| Who Is Telling You This, and Who Is Not
[H] |
Work out whose account you are reading, what it lets them know, what it keeps them from admitting, and whose view never appears. |
| Word Choice, and What It Is Doing to You
[H] |
Settle a word's meaning from the sentences around it, and name what a writer's particular choice of word is doing to the reader. |
| Claims, Reasons, and How Far the Evidence Reaches
[H] |
Separate a claim from its reasons and its evidence, and judge whether the evidence actually reaches as far as the claim goes. |
| Two Accounts of the Same Thing
[H] |
Compare what two texts on one subject emphasize, where they genuinely conflict, and what each kind of source can and cannot tell you. |
| The One Thing It Is All Serving
[H] |
State the idea a whole text is built to serve when it is never printed, and write a summary that carries the point instead of the best detail. |
| The Line You Would Put Your Finger On
[H] |
Pick the one detail that settles a particular claim, and say why the other true details do not reach it. |
| What the Text Made True Without Printing It
[H] |
Build an answer the writer never wrote, from clues on the page plus what you know, and stop exactly where the clues stop. |
| The Shape, and the Job of One Part
[H] |
Name how a text is built, and explain what one paragraph, line or stage direction is doing in the place where it sits. |
| What the Whole Thing Says About People
[H] |
State a text's theme as a sentence about people, and check it against the ending the writer actually chose. |
| What You Know That They Do Not
[H] |
Track the gap between what you have been told and what a person inside the text knows, in stories and in true accounts alike. |
| Word Choice, and What It Is Doing to You
[H] |
Settle a word's meaning from the sentences around it, and name what the writer's particular choice of word is doing to the reader. |
| How Far the Evidence Actually Reaches
[H] |
Separate a claim from its reasons and evidence, judge whether the evidence reaches as far as the claim goes, and spot a piece that does not belong at all. |
| When Two Accounts Do Not Agree
[H] |
Work out whether two texts on one subject disagree about a fact, about an interpretation, or about nothing at all. |
| Which Groups of Words Can Stand Alone
[H] |
Tell a phrase from a clause, and a clause that stands alone from one that cannot. |
| What a Phrase Is Doing in the Sentence
[H] |
Say which word a prepositional phrase goes with and what it tells you about it. |
| The Words That Rename a Noun
[H] |
Find the noun group that renames the noun beside it, and read what its commas mean. |
| Commas That Change Who Is Meant
[H] |
Read a pair of commas as the signal that a clause is extra rather than necessary. |
| An -ing Word Working as a Noun
[H] |
Recognize an -ing word that is naming an activity rather than acting as the verb. |
| An -ing or -ed Word Working as an Adjective
[H] |
Find the noun a participial phrase describes, including when the sentence attaches it to the wrong one. |
| To Plus a Verb, and the Job It Does
[H] |
Tell an infinitive from a prepositional phrase and say what job it does in the sentence. |
| Active, Passive, and the Missing Doer
[H] |
Say who did the action in a sentence, and notice when the sentence never tells you. |
| Stating, Commanding, Supposing
[H] |
Name what a sentence is for, and catch writing that switches partway through. |
| Peeling a Long Word Apart
[H] |
Take the prefix and the ending off a long word and find the root inside. |
| Endings You Read in One Piece
[H] |
Chop the last chunk off a long word and read it whole. |
| Chunking What Is Left
[H] |
Divide a long content-area word into chunks you can already read. |
| The Loud Chunk in a Long Word
[H] |
Find the syllable a long word is said loudest on. |
| Silent E Meets an Ending
[H] |
Decide whether a silent e survives when an ending is added. |
| Doubling in a Longer Word
[H] |
Decide whether the last consonant doubles when a base word is longer than one syllable. |
| When Y Becomes I
[H] |
Decide whether a final y changes to i when an ending is added. |
| Which Change Does This Word Need?
[H] |
Choose among the three spelling changes, including the case where none of them applies. |
| A Long Word in a Real Sentence
[H] |
Work out an unfamiliar long word from its parts and the sentence around it. |
| Breaking a Long Sentence Where It Breaks
[H] |
Group a long sentence at its clause and phrase joints instead of wherever your breath runs out. |
| Reading Straight Past an Aside
[H] |
Find the words a writer fenced off, and keep hold of the sentence while you read them. |
| Semicolons, Colons and Dashes Out Loud
[H] |
Give a semicolon, a colon, a dash and a set of parentheses the four different things they ask your voice to do. |
| The Sentence You Have to Regroup
[H] |
Notice when a sentence has handed you the wrong grouping, and find the word that proves it. |
| Dialogue Without Stumbling
[H] |
Say only the quoted words in a character's voice, and track who is talking when nobody is named. |
| The Word the Paragraph Tells You to Lean On
[H] |
Use what a paragraph has already said to decide which word in the next sentence carries the stress. |
| Saying What the Page Abbreviates
[H] |
Read titles, units, symbols and number ranges aloud as the words they stand for. |
| Mapping a Whole Paragraph Before You Read It
[H] |
Decide, from the marks alone, where your voice rests in a paragraph and where it keeps moving. |
| Draw It, Then Label It
[E] |
Write one naming word next to the part of your picture you mean. |
| Start by Naming It
[M] |
Write a first sentence that tells a reader what your writing is about. |
| Say Something New
[M] |
Add a sentence that tells your reader something they did not know. |
| Answer the Question Your Reader Asked
[M] |
Add the one detail that answers the question your reader asked. |
| First, Next, Last
[M] |
Tell the parts of what happened in the order they really happened. |
| Tell How It Felt
[M] |
End your story by saying how you felt about what happened. |
| Say What You Think
[M] |
Tell what you think about a book, not just what happens in it. |
| Tell Why You Think It
[M] |
Give one reason from the book for what you think about it. |
| Story, How-To, or Opinion?
[M] |
Tell a story, a how-to and an opinion apart by the job the piece is doing. |
| A Beginning That Tells the Reader
[M] |
Choose a first sentence that tells the reader what the piece is about. |
| The Sentence That Wandered Off
[M] |
Find the sentence that wandered off the point of a short piece. |
| Saying It Twice
[H] |
Spot a sentence that says something the piece has already said. |
| What Happened First
[M] |
Put the events of a story or the steps of a how-to in the order they really go. |
| The Step That Got Left Out
[H] |
Find the step a how-to left out. |
| An Opinion Needs a Because
[H] |
Back up an opinion with a sentence that says why. |
| An Ending That Closes
[H] |
Close a piece instead of just stopping it. |
| Who Did What?
[M] |
Hold on to who did which thing in something you only heard. |
| Where, When, and How Many
[M] |
Catch the small facts - where, when, how many, which one - by ear. |
| What Happened First
[M] |
Put spoken events in the order they really happened. |
| Doing Two Things in Order
[M] |
Follow a spoken direction that has two parts in it. |
| Did I Really Hear That?
[M] |
Tell what a speaker actually said from what you filled in yourself. |
| What the Whole Thing Was About
[M] |
Say what a spoken passage was about, not one true piece of it. |
| The Question Nobody Answered
[H] |
Notice what a speaker left out, so you know what to ask about. |
| The Word Somebody Leans On
[H] |
Hear which part of a sentence a speaker is correcting. |
| The Big Idea of Something You Heard
[H] |
Say what a whole spoken talk was about, not just the part you remember. |
| The Part You Have to Hold On To
[H] |
Tell what a speaker really said from what merely sounds like it. |
| The Order the Speaker Told It
[H] |
Keep track of what came first, next and last in something you heard. |
| What the Speaker Wants You to Do
[H] |
Catch the one thing a speaker is actually asking of you. |
| The Reason the Speaker Gave
[H] |
Name the reason a speaker gave, not the best reason you can think of. |
| A Fact They Gave, an Opinion They Held
[H] |
Sort what a speaker could prove from what they simply believe. |
| Retelling What You Heard
[H] |
Retell a talk in your own words with nothing missing and nothing added. |
| The Question the Speaker Left Open
[H] |
Notice what a talk never told you and turn it into a question. |
| The Sentence That Carried the Claim
[H] |
Pick out the position a speaker was arguing for from everything else they said. |
| Support That Bears on the Claim
[H] |
Tell support that holds a position up from something true that was said beside it. |
| The Claim Nobody Backed Up
[H] |
Sort the claims a speaker backed up from the ones they only asserted. |
| The Answer That Missed the Point
[H] |
Say what a speaker's answer actually did with the point it was aimed at. |
| A Move Instead of a Reason
[H] |
Name what a speaker did in the place where a reason was supposed to go. |
| Where They Actually Disagree
[H] |
Find the one question two speakers answer differently. |
| How Far the Speaker Went
[H] |
Report a speaker's case exactly as far as it went and no further. |
| What You Would Still Need to Know
[H] |
Name the missing fact that would actually settle an argument you heard. |
| The Fragment in Longer Writing
[H] |
Find a fragment in writing long enough that the missing half is not obvious, and say which half is missing. |
| Run-Ons That Do Not Look Like Run-Ons
[H] |
Find the seam where a second sentence begins, and tell a run-on from a long sentence that is doing nothing wrong. |
| The Comma Splice and Three Ways to Fix It
[H] |
Recognize a comma holding two complete sentences together, and choose among the repairs that fix it. |
| Commas in a Series, and the Comma That Does Not Belong
[H] |
Punctuate a list of three or more, and tell a compound sentence from a sentence that merely has two verbs. |
| Commas Around a Part You Could Lift Out
[H] |
Decide whether a description is extra or identifying, and fence it on both sides or neither. |
| The Apostrophe When More Than One Owns It
[H] |
Form a plural possessive, and leave a plain plural alone. |
| Quoting a Source, Not a Speaker
[H] |
Quote a source exactly, mark where the quoting starts and stops, and paraphrase without the marks. |
| Capitals in Titles and Words Made From Names
[H] |
Capitalize a title the way print does, and keep the capital on an adjective built from a name. |
| The Word Pairs That Slip Through
[H] |
Choose between look-alike words using the sentence around them rather than a memorized rhyme. |
| What a Character Is After
[H] |
Work out what a character is after from what they do, not from what they say. |
| How You Know What They Want
[H] |
Point at the detail that makes a motive more than a guess. |
| Wanting Two Things at Once
[H] |
Name the two things a character wants at once, and see which one the choice puts on top. |
| What the Choice Costs
[H] |
Find what a choice costs a character, including the cost nobody in the story mentions. |
| Where the Change Shows
[H] |
Locate where a character changes when the text refuses to announce it. |
| What the Character Cannot See
[H] |
Read the gap between what a character believes and what the text shows. |
| Two People, One Event
[H] |
Use two reactions to one event to measure both people. |
| Would They Do That?
[H] |
Judge which actions fit a character's record and which would need a change the text never shows. |
| What a Scene Sets Up
[H] |
Name what a scene plants for later, and say what a later page would have to stop and explain if the plant were not there. |
| What the Opening Withholds
[H] |
Say what a first page or first paragraph keeps back, and what the story buys by keeping it back. |
| Why It Is Told Out of Order
[H] |
Tell story order apart from telling order, and say what moving an event out of its place buys the writer. |
| What the Backward Look Explains
[H] |
Name the exact thing a backward look explains, and say why it arrives where it does rather than anywhere else. |
| Where the Story Turns
[H] |
Find the moment a part of a story stops being able to go back, and defend the exact line you chose. |
| What Would Be Lost If This Were Cut
[H] |
Remove a scene, a sentence or a detail in your head, and name exactly what stops working in the pages around the hole. |
| Reading From Where the Excerpt Sits
[H] |
Use a note about where an excerpt falls in a longer work to decide what the page may assume and what its job is. |
| Where a Part Stops, and Why There
[H] |
Explain what the last line of a scene, chapter or story closes, and what it deliberately leaves open. |
| What an Image Does to the Feeling
[H] |
Name the mood a passage builds and point at the nouns and verbs that build it, instead of naming a feeling the subject suggests. |
| Where the Feeling Turns
[H] |
Find the line where a passage's mood changes and name what changed it, rather than pointing at the biggest event. |
| What a Comparison Claims
[H] |
Say what a comparison asserts about the thing compared, and say what it deliberately does not assert. |
| How One Word Colors a Description
[H] |
Name what a chosen word adds that a plainer word would not - a person, a history, an audience, an attitude - not just whether it sounds good or bad. |
| Why the Same Thing Keeps Coming Back
[H] |
Track a detail that appears more than once and say what the later appearances gain from the earlier ones. |
| When a Thing Starts to Stand for Something
[H] |
Say what an object has come to stand for and point at the words in the text that paid for it. |
| What a Description Tells You That Nobody Says
[H] |
Read a description as evidence about the person doing the describing and the situation they are in, not only about the thing described. |
| How Far a Reading Goes
[H] |
Sort a proposed reading into supported, merely allowed, or ruled out, and name the words that decide it. |
| Which Sentence Is the Claim
[H] |
Find the one sentence a piece of argument is trying to get you to accept, and tell it apart from the facts and reasons that hold it up. |
| The Reasons Under a Claim
[H] |
Pick out the reasons a writer gives for a claim, and say what job each one is doing in the argument. |
| Reason or Evidence?
[H] |
Tell a reason apart from the evidence offered for it, and spot a sentence that looks like evidence but never measures anything. |
| What a Fact Is Doing There
[H] |
Follow a piece of evidence to the reason it was put there to support, and describe the chain that connects them. |
| The Reason Nobody Backed Up
[H] |
Find the reason a writer states and then never supports, and say what kind of evidence would be needed to fix it. |
| Evidence That Does Not Fit
[H] |
Judge whether a piece of evidence actually supports the reason it is attached to, even when the evidence itself is perfectly true. |
| What the Writer Expects You to Agree With
[H] |
Name the step an argument needs but never states - the thing the writer counts on the reader already believing. |
| What Would Change the Conclusion
[H] |
Say which new fact would do the most damage to an argument, and which missing evidence would settle it. |
| What a Paragraph Is Doing for the Whole
[H] |
Name the job one paragraph does for the article around it, not just what the paragraph says. |
| What a Transition Claims
[H] |
Say what relationship a connecting word claims between two parts - and read the relationship when there is no connecting word at all. |
| Where the Comparison Does the Explaining
[H] |
Find the comparison a nonfiction writer is using as a tool, and say exactly what it explains and what it does not claim. |
| What a Heading Promises
[H] |
Read a heading as a promise with two halves, then check whether the section under it pays. |
| Why This Shape and Not Another
[H] |
Say what a writer's choice of organization makes possible, and what a different order would have cost. |
| What a Swap Would Cost
[H] |
Test the order of an article by moving a paragraph in your head and naming exactly what breaks. |
| A Shape Inside a Shape
[H] |
Tell the structure of a whole text apart from the structure of one paragraph sitting inside it. |
| The Order Inside a Paragraph
[H] |
Explain why the sentences inside one paragraph sit in the order they do, and decide where a new sentence belongs. |
| Who Made This, and Where It Turned Up
[H] |
Read the frame around a text - who wrote it, where it appeared, when - and say what that settles and what it leaves open. |
| Who Gains If You Believe It
[H] |
Name what a writer stands to gain from a reader's belief, and use that to decide where to look rather than what to conclude. |
| Saw It, or Was Told It
[H] |
Trace a claim back through everyone it passed through, and separate what a writer witnessed from what reached them secondhand. |
| Reported, or Concluded
[H] |
Separate what a writer observed or measured from what the writer worked out on top of it, and notice where the second step happened. |
| What You Are Not Being Told
[H] |
Find the number, comparison or group a text leaves out, and say why that absence changes what the text can support. |
| How Would You Check One Claim
[H] |
Choose the move that would actually settle a specific claim, using a record or a measurement outside the text that made it. |
| The Same Fact in Two Places
[H] |
Explain how one true fact can leave opposite impressions in two texts, without either text saying anything false. |
| What This Source Is Good Evidence For
[H] |
Decide what a source can actually support, instead of deciding whether the source is trustworthy. |
| Finding the Root Inside a Long Word
[H] |
Find the piece of a long word that carries its core meaning, and say what that piece means. |
| Building a Meaning Out of the Parts
[H] |
Build a working meaning for a word you have never met, and let the sentence decide whether you built the right one. |
| What the Prefix Is Doing
[H] |
Say what a prefix is doing to the root behind it, and tell it from the prefixes it looks like. |
| One Base, Four Prefixes
[H] |
Choose which prefixed form of a base word a sentence actually needs. |
| Two Endings, Two Different Words
[H] |
Choose between two endings on the same base that fill the same slot and make different claims. |
| The Same Root in Two Classes
[H] |
Recognize one root doing the same work in science, in social studies and in English. |
| When the Parts Do Not Add Up
[H] |
Catch the words whose parts predict one meaning while the word means another. |
| Endings That Tell You What Kind of Word It Is
[H] |
Read a technical word from any class by reading what its ending says the word names. |
| Ladders of Strength
[H] |
Rank near-synonyms from the weakest to the strongest. |
| The Word the Facts Support
[H] |
Pick the word whose size matches the record, and reject the one that adds a fact. |
| The Word That Fits the Reader
[H] |
Choose the wording that fits a stated reader, and spot the one word that does not. |
| One Word Swapped
[H] |
Say what changed when a neutral word was traded for a loaded one - and what did not. |
| Praise Here, Complaint There
[H] |
Judge a word by the sentence it is in, not by a list of positive and negative words. |
| What It Says and How It Makes Them Look
[H] |
Separate what a sentence asserts from the impression its wording leaves. |
| Taking the Verdict Out
[H] |
Rewrite a loaded sentence so every fact survives and the judgment does not. |
| The Attitude the Words Add Up To
[H] |
Name a writer's tone precisely and find the line that is carrying it. |
| What the Task Verb Makes You Hand In
[H] |
Say what an assignment verb requires you to produce, and pick the answer that produces it. |
| The Word a Science Class Means Narrowly
[H] |
Use the narrow meaning a subject gives a familiar word, and decide cases with it. |
| Two Words a Subject Keeps Apart
[H] |
Sort a statement into the right one of two terms a subject refuses to let you blur. |
| The Slot a Word Has to Fit
[H] |
Choose the academic word that fits the frame a sentence has already set, not just the one that means the right thing. |
| A Definition That Actually Defines
[H] |
Write and recognize a definition that names the category and what sets the term apart from its neighbors. |
| The Words for What the Numbers Did
[H] |
Describe a set of numbers in the exact words a subject uses for rise, fall, steadiness and size of change. |
| Saying It the Way the Assignment Asked
[H] |
Rewrite a spoken sentence in report language without adding, dropping or inflating anything. |
| The Assignment That Asks for Two Things
[H] |
Find both products a two-part prompt requires, and say which half an answer is still missing. |
| Three Sentences Into One
[H] |
Fold short sentences into one without losing a fact or inventing one. |
| Which Fact the Sentence Is About
[H] |
Choose which fact becomes the sentence's own statement and which get folded in as description. |
| The Words a Sentence Ends On
[H] |
Move the when, the where and the who-said-so out of the last position and leave it for what happened. |
| What a Paragraph Drums On
[H] |
Hear when every sentence in a paragraph opens the same way, and say what the repeated opening is. |
| Starting the Sentence Somewhere Else
[H] |
Move a when, a where or a describing phrase to the front without changing what the sentence says. |
| The Short Sentence That Lands
[H] |
End a run of long sentences with a short one that says what they showed. |
| The Sentence That Says It Again
[H] |
Find the sentence that adds nothing an earlier sentence had not already said. |
| Naming What a Paragraph Needs
[H] |
Check a draft paragraph against the four faults this unit names and say which one it has. |
| Putting the Doer Back Into the Sentence
[H] |
Rewrite a sentence that hides who acted, using the doer the paragraph has already given you, and change nothing else. |
| When the Passive Is the Right Choice
[H] |
Say what the passive voice is doing in a sentence instead of treating it as a mistake. |
| The Verb Matches the Subject, Not the Nearest Noun
[H] |
Find the real subject across an interrupting phrase and give it the verb it needs. |
| Group Words, and the Number They Keep
[H] |
Keep a verb and a pronoun on the same number as the word they both point back to. |
| The Pronoun With Nothing to Point At
[H] |
Catch a pronoun that could mean either of two things, or nothing at all, and fix it without changing the sentence. |
| The Sentence That Slips Out of Tense
[H] |
Hold one tense across a paragraph, and tell a real slip from a shift the meaning requires. |
| Staying With the Same Person
[H] |
Notice writing that stops describing someone and starts addressing the reader, and put it back. |
| Forms Speech Allows and Writing Does Not
[H] |
Choose the edited form of the constructions that are ordinary in speech and get marked in school writing. |
| Which Sentence Is the Counterclaim
[H] |
Tell a counterclaim from a reason, a fact both sides accept, and a complaint that is not aimed at the claim at all. |
| The Other Side at Its Strongest
[H] |
Pick the version of the objection that is worth answering instead of the version that is easiest to knock over. |
| Saying What They Actually Said
[H] |
Report an objection without a sneering verb, an invented motive, a shrunken count, or a smaller version of the claim. |
| Conceding Without Giving Up
[H] |
Grant the part of an objection that is true without granting the argument along with it. |
| The Sentence That Turns It Back
[H] |
Answer a counterclaim with a reason it does not settle the question, rather than with the claim again. |
| Arguing With Something Nobody Said
[H] |
Spot a rebuttal that answers a claim the other side never made, and name the claim it answered instead. |
| Where the Counterclaim Goes
[H] |
Place the counterclaim paragraph by asking whether the reader already holds the objection. |
| The Four Moves, and the One That Is Missing
[H] |
Check a counterclaim paragraph for all four moves, including the ones a draft only pretends to make. |
| Summary or Paraphrase?
[H] |
Tell a summary of a whole passage from a paraphrase of one sentence, and know which one a writing job is asking for. |
| The Paraphrase That Is Too Close
[H] |
Spot the two ways a restatement is still the source's writing: the same shape with new words, or a new shape with the source's words inside it. |
| Building the Sentence Again
[H] |
Rebuild a source sentence so the writing is yours and the claim is still the source's. |
| When to Quote and When to Say It Yourself
[H] |
Decide whether a sentence needs the source's exact words or only the information in it. |
| Telling the Reader Who Is Speaking
[H] |
Introduce a quotation so the reader knows whose words they are - including when the source is quoting somebody else. |
| The Verb That Reports Honestly
[H] |
Choose a reporting verb that matches how certain the source was, which way the point cuts, and whether it looks forward or back. |
| Fitting a Quotation Into Your Own Sentence
[H] |
Build a sentence that has a slot for the quoted words, so the whole thing reads as one sentence. |
| Cutting a Quotation Without Changing It
[H] |
Use three dots and square brackets to shorten and adjust a quotation while the source's claim survives intact. |
| Words Come in Sizes
[M] |
Put words that mean almost the same thing in order of how strong they are. |
| Who Felt It More?
[H] |
Use two words to tell which person felt something more strongly - and say when you cannot. |
| Same, Opposite, or Stronger?
[H] |
Say how two related words go together: the same, opposite, one stronger, or simply different. |
| Does the Word Match What Happened?
[H] |
Judge whether a writer's feeling word is the right size for what the text actually shows. |
| The Sentence Picks the Word
[H] |
Choose the word whose strength matches what the sentence actually says. |
| How Sure Does It Sound?
[H] |
Tell how certain a speaker is, and pass a hedged statement on without hardening it into a fact. |
| How Do You Know?
[H] |
Pick the word that tells how a person came by something: saw it, was told, worked it out, or has no idea. |
| What the Character Really Felt
[H] |
Name a character's feeling from what they do, even when their own words say something else. |
| The Word for the Job
[M] |
Name the job a teacher's directions are asking for. |
| Did the Answer Do the Job?
[H] |
Pick the sentence that does the job the directions asked for, out of four that are all true. |
| One Word, Two Jobs
[H] |
Tell which meaning a familiar word is carrying in the sentence in front of you. |
| Using a Word the Class Way
[H] |
Find the sentence that uses a word the way a science, math or social studies book uses it. |
| The Science Word for It
[H] |
Choose the science word that names the thing a sentence is describing. |
| The Social Studies Word for It
[H] |
Choose the social studies word that names what a sentence is about. |
| The Word the Book Would Explain
[H] |
Find the subject word inside a science or social studies sentence. |
| The Exact Word, Not the Vague One
[H] |
Replace a vague word with the exact one the sentence actually shows. |