350 core topics
+ 159 prerequisite topics taught
as needed · approximately 161 hours of instruction
including spaced review
An adaptive diagnostic (up to
40 questions) places the student on the course's knowledge
graph - topics already known are credited, and instruction begins exactly
at the learning frontier. Every topic is taught with a worked-example
lesson and auto-graded practice; a topic is mastered at
75%+ and then maintained through spaced reviews on an
expanding schedule. Mixed checks follow every 6 lessons;
each unit ends with a 12-item quiz, and course-wide assessments appear at
25%, 50%, 75%, and 100% mastery. Prerequisite gaps below the course are detected and taught rather
than skipped, so completion certifies the whole tower, not just the top.
| What a Root Is
[M] |
Find the root inside a long word and tell it from a base word. |
| What the Common Roots Mean
[M] |
Know what the roots that build academic English actually mean. |
| Words That Share a Root
[H] |
Sort words into families by the root they are built on. |
| Words Built from Two Roots
[H] |
Read a word built out of two roots by putting both part meanings together, in order. |
| One Root, Many Prefixes
[H] |
Use the prefix to tell apart words built on the same root. |
| Reading a Word You Have Never Met
[H] |
Work out an unfamiliar word from its root and the sentence together. |
| When the Letters Lie
[H] |
Test a root by meaning, not by letters, and catch the look-alikes. |
| Greek Spelling Clues
[H] |
Spell the Greek words in science and math, and know why they look odd. |
| When the Clue Is Somewhere Else
[H] |
Find the meaning of a word when the clue sits in a different sentence. |
| Shades of Meaning
[H] |
Choose the word whose size matches what actually happened. |
| Words That Carry a Feeling
[H] |
Hear the approval or disapproval hidden inside a word choice. |
| Reporting or Arguing?
[H] |
Tell a sentence that reports from one that argues, and name the word doing it. |
| Word Parts Plus Context
[H] |
Take an unfamiliar word apart and check the pieces against the sentence. |
| Everyday Words With a School Meaning
[H] |
Catch a familiar word being used in its science, math, or history sense. |
| The Words the Directions Use
[H] |
Know the words that every subject and every test direction line uses. |
| Can You Swap That Word?
[H] |
Test a replacement word against meaning, size, and feeling all at once. |
| Noticing When Words Are Not Literal
[M] |
Tell when a sentence is not meant exactly as written. |
| Working Out What It Really Means
[M] |
Say in plain words what a figure of speech is telling you. |
| Similes
[M] |
Read a comparison made with like or as. |
| Metaphors
[M] |
Read a comparison that says one thing IS another. |
| Simile or Metaphor?
[M] |
Tell the two kinds of comparison apart. |
| Personification
[M] |
Spot something not human doing something only people do. |
| Hyperbole
[M] |
Read an exaggeration that nobody is meant to believe. |
| Idioms
[H] |
Learn set phrases whose meaning the words do not give you. |
| Naming the Device
[H] |
Say which kind of figurative language a sentence uses. |
| Three Kinds of School Word
[M] |
Sort a word into everyday, used in every subject, or belonging to one subject. |
| The Words Every Subject Uses
[H] |
Give the exact meaning of the words that show up in every subject. |
| The Everyday Word and the School Word
[H] |
Match a school word to the everyday wording that means the same thing. |
| One Word, Many Forms
[H] |
Choose the right form of an academic word for the slot it has to fill. |
| The Same Word in a Different Class
[H] |
Work out which meaning a familiar word carries in a school subject. |
| Command Words: What the Task Asks For
[H] |
Name what a direction word is telling you to do before you start writing. |
| Reading the Question Before You Answer It
[H] |
Say what a test question requires before looking at the choices. |
| How Sure Does the Writer Sound?
[H] |
Tell what a writer is claiming from the verb that carries the claim. |
| Topic or Theme?
[M] |
Tell the subject of a story apart from what the story says about it. |
| What a Character Learns
[M] |
Find the theme by watching what a character understands at the end that they did not understand at the start. |
| The Moral a Story States
[H] |
Read a stated moral or saying and check what the story actually backs up. |
| Saying a Theme in One Sentence
[H] |
Word a theme so it is neither about one character nor true of every story. |
| The Evidence for a Theme
[M] |
Point to the detail that actually supports a theme, not just a true detail. |
| Themes Nobody Writes Down
[H] |
Work out a theme from an ending, a silence, or a word the writer chose. |
| Objects That Carry the Message
[H] |
Read the object or image a story keeps returning to. |
| What a Story Does Not Say
[H] |
Refuse a lesson the text will not support, including the tidy one. |
| Who Is Telling This
[M] |
Find the teller of a text before deciding what the text means. |
| How Much the Teller Knows
[H] |
Work out how far a teller can see, and what is therefore missing. |
| What the Teller Cannot See
[H] |
Assemble what a text shows but its teller has not noticed. |
| What a Person Makes of It
[H] |
Separate what happened from what a person in the text made of it. |
| Words That Give a View Away
[H] |
Notice the single words that carry a teller's attitude. |
| One Event, Two Views
[H] |
Explain why two honest accounts of one event can disagree. |
| Telling It From Somewhere Else
[H] |
Predict what changes when the same events get a different teller. |
| Why the Author Chose This Teller
[H] |
Explain what a writer gains and loses by choosing a particular teller. |
| Lines, Stanzas and Where a Poem Breaks
[M] |
Read a poem's shape on the page as part of what it means. |
| Rhyme, Rhyme Scheme and Poems Without Either
[M] |
Hear rhyme, name the pattern it makes, and read a poem that has none. |
| Repetition, Alliteration and the Sound of a Line
[M] |
Notice what a poem's sounds are doing besides rhyming. |
| The Picture a Poem Puts in Your Head
[M] |
Read the sensory pictures a poem or a stage sets, and say what they do. |
| Figures of Speech Inside a Poem
[H] |
Read similes, metaphors and personification where poems pack them tightest. |
| Who Is Talking in a Poem
[M] |
Identify the voice speaking a poem, and what that voice reveals. |
| What the Poem or the Scene Is Saying
[H] |
State what a poem or a scene is finally about, in a sentence. |
| How a Play Is Written Down
[M] |
Read a script: cast list, scene heading, dialogue and stage directions. |
| Reading What a Scene Is Really Doing
[H] |
Work out what characters want, what blocks them, and what they will not say. |
| Comparing on the Same Point
[H] |
Name one point that both texts speak to before you say anything about either of them. |
| Two Characters, Side by Side
[H] |
Compare two characters by what each one decides, not by what each one is called. |
| What the Setting Changes
[H] |
Ask what a setting makes possible or impossible, not just what it looks like. |
| Patterns of Events Across Stories
[H] |
Recognize the shape two stories share, and find the exact place where they stop sharing it. |
| Same Idea, Different Story
[H] |
State what each text says about a shared subject, then compare the two statements. |
| Two Tellers of One Event
[H] |
Compare who is telling each text and what that teller was in a position to know. |
| The Same Story in Another Form
[H] |
Compare what a poem, a play, a story or an explanation can and cannot carry. |
| Making a Comparison That Says Something
[H] |
Write a comparison that names the shared point, the difference, and why the difference matters. |
| Why the Author Wrote It
[H] |
Name what a text was built to do, not just what it is about. |
| The Evidence for a Purpose
[H] |
Point to the move in the text that proves what the writer wanted. |
| Why This Part Is Here
[H] |
Explain the job a single paragraph, sentence or phrase is doing. |
| Who It Was Written For
[H] |
Work out the reader a text was aimed at, and how you can tell. |
| The Author's Point of View
[H] |
Say what the writer thinks about the subject, even when no opinion is stated. |
| Words That Take a Side
[H] |
Notice how a writer's wording steers what a reader concludes. |
| Facts, Judgments, and Honest Uncertainty
[H] |
Sort what can be checked from what is argued, and spot a writer naming their own limits. |
| Two Writers, One Subject
[H] |
Compare two texts on one subject and find the exact point where they part. |
| Stated or Implied?
[H] |
Tell what a text says outright from what it only lets you conclude. |
| What One Detail Tells You
[H] |
Draw the conclusion a single detail supports, and stop there. |
| The Line That Proves It
[H] |
Given a claim, find the sentence in the text that actually supports it. |
| Putting Two Details Together
[H] |
Reach a conclusion that no single sentence in the text states. |
| An Objective Summary
[H] |
Say what a text argued, in its own terms, without taking a side. |
| Deciding What to Leave Out
[H] |
Cut the details a summary can lose, and keep the ones it cannot. |
| Which Evidence Is Strongest
[H] |
Choose between two relevant details by asking which one settles it. |
| Inference or Guess?
[H] |
Spot the step that goes past what the text can carry. |
| What Your Sources Are Really About
[H] |
State the one question a set of sources is answering, precisely enough to compare them. |
| Where Sources Agree
[H] |
Find the ground two sources share before you look at where they split. |
| Where Sources Disagree
[H] |
Locate the exact sentence where two sources stop agreeing. |
| A Fact Fight or a Meaning Fight
[H] |
Tell whether two sources disagree about what happened or about what it means. |
| What Each Source Chose to Include
[H] |
Notice what one source puts first, and what another leaves out entirely. |
| Choosing the Source That Can Answer It
[H] |
Match a question to the source that is actually able to answer it. |
| Building One Answer from Several Sources
[H] |
Write one sentence that holds everything the sources support and nothing more. |
| What None of the Sources Tells You
[H] |
Name the question your sources leave open, and what would answer it. |
| Technical Words: Parts and Context
[M] |
Work out a science word from its parts and from the sentence around it. |
| How a Science Text Is Built
[M] |
Name the shape a science passage is built in, and use it to find the point. |
| Reading the Numbers in a Science Text
[M] |
Read a figure in prose for its unit, its size and how sure it is. |
| Models and Where They Break
[H] |
Judge a scientific model by what it predicts and by what it leaves out. |
| Claim, Evidence, and Reasoning
[H] |
Separate what a science text asserts from what it shows, and the link between. |
| Reading an Investigation
[H] |
Read a described experiment for what it changed, held steady and can show. |
| Cause, Correlation, and Coincidence
[H] |
Tell a cause from two things that merely happen together. |
| What the Science Actually Says
[H] |
Use what a passage taught you to answer a real life-science question. |
| Words Earth Science Redefines
[M] |
Read an earth science term for its exact meaning, not its everyday one. |
| Numbers Too Big to Picture
[H] |
Handle the huge distances, slow rates and long times an earth science text reports. |
| Diagrams That Cannot Be to Scale
[H] |
Judge an earth science model or diagram by what it is built to show. |
| Loops, Not Lines
[H] |
Follow a cause around a loop instead of straight down a list. |
| What Can and Cannot Be Predicted
[H] |
Tell a real prediction from a question no method can answer. |
| How We Know What Nobody Watched
[H] |
Name the measurement that supports a claim about something nobody saw happen. |
| What the Science Actually Says
[H] |
Use what a passage taught you to answer a real earth or space science question. |
| When Science Changes Its Mind
[H] |
Trace how new evidence overturned an idea scientists had accepted. |
| Physical Science Words, Defined in Place
[M] |
Work out a physical science term from the sentence that introduces it. |
| The Point of a Physical Science Text
[M] |
Find the mechanism a physical science passage is really explaining. |
| Running the Mechanism Forward
[M] |
Say why something physical happens, and follow the chain past one step. |
| Reading the Measurements
[M] |
Read numbers in a science passage for size, unit and what they compare. |
| Which Sentence Actually Proves It
[H] |
Point to the detail in a science text that settles a particular claim. |
| Reading a Fair Test
[H] |
Find what an investigation changed and what it deliberately held still. |
| What the Better Design Costs
[H] |
Name what an engineering choice gives up in exchange for what it gains. |
| Using the Physics on a New Case
[H] |
Apply a mechanism from the passage to a situation the passage never named. |
| Reading a Source Like a Historian
[H] |
Ask who made a source, when, and what they wanted it to do. |
| Claims and the Evidence Under Them
[H] |
Separate what a history text asserts from what it shows. |
| When Sources Disagree
[H] |
Compare accounts of the same event instead of trusting one. |
| What the Wording Gives Away
[H] |
Notice how a writer's word choices shape what you conclude. |
| Putting a Source Back in Its Moment
[H] |
Read a source against what its writer could and could not know. |
| Summarizing Without Losing the Argument
[H] |
Write a summary that keeps the point, not just the facts. |
| Chains of Cause in History
[H] |
Follow why one thing led to another, and where the chain stops. |
| Whose Account Is This
[H] |
Work out whose view a history text carries, and who is missing. |
| What the History Actually Says
[H] |
Answer questions about the events themselves, from the text. |
| Civics Words With Exact Jobs
[H] |
Work out what a government word means from the sentence around it. |
| Who Holds Which Power
[H] |
Sort any government action by which job it is and at which level. |
| Steps, and Where They Stop
[H] |
Follow a civic process in order and find the points where it can end. |
| The Claim and the Support Under It
[H] |
Separate what a civics text asserts from what actually backs it up. |
| What a Rule Does After It Is Made
[H] |
Trace the effects a rule produces, including the ones nobody wrote down. |
| Who a Rule Lands On
[H] |
Ask whose interest a rule or an account serves, and who it leaves out. |
| What This Text Wants From You
[H] |
Identify what a civic text was written to make its reader do or think. |
| Economics Words in Context
[H] |
Pin down an economics term from the sentences around it. |
| The Cost of What You Did Not Choose
[H] |
Name what was given up when somebody in the text made a choice. |
| Why a Price Moved
[H] |
Explain a change in price by what happened to supply or to demand. |
| Reading the Numbers in the Text
[H] |
Work out what a figure in a social studies text does and does not measure. |
| Claims About Money, and What Backs Them
[H] |
Separate what an economics text asserts from what it actually shows. |
| Who Gains and Who Loses
[H] |
Trace a decision to the people it helped and the people it cost. |
| How Culture Moves and Changes
[H] |
Follow a practice as it travels between peoples and is changed by them. |
| What the Social Studies Actually Says
[H] |
Answer questions about the economics and the cultures themselves. |
| Past, Present, or Future?
[M] |
Tell from the verb whether a sentence is about the past, the present, or the future. |
| Building the Past Tense with -ed
[H] |
Add -ed to a verb and make the spelling changes the ending forces. |
| Verbs That Do Not Take -ed
[H] |
Use the past tense of the irregular verbs, and keep it apart from the participle. |
| Actions Caught in the Middle
[H] |
Use am, is, are, was, were and will be with an -ing verb to show an action in progress. |
| Have, Has and Had
[H] |
Use have, has and had with a past participle, and say what had adds. |
| Keeping the Tense Steady
[H] |
Notice a sentence that slips into a different tense and put it back. |
| Making the Verb Match Its Subject
[H] |
Match a present-tense verb, including am, is and are, to its subject. |
| Subjects That Trick You
[H] |
Find the real subject when a phrase, a group word or a There sentence hides it. |
| Clause, or Just a Phrase?
[H] |
Tell an independent clause, a dependent clause, and a phrase apart. |
| Prepositions and the Phrases They Start
[H] |
Find a prepositional phrase and say where it starts and stops. |
| The Subject Is Never Inside the Phrase
[H] |
Ignore the prepositional phrase and match the verb to the real subject. |
| All Seven Coordinating Conjunctions
[H] |
Choose among the seven - and, but, or, so, for, nor, and yet - by what each one claims. |
| The Comma Before a Joining Word
[H] |
When a joining word holds two halves together, the comma goes in only if a whole sentence follows it. |
| Subordinating Conjunctions
[H] |
Use because, although, unless, until, and their kin to say how two ideas relate. |
| Where the Comma Goes in a Complex Sentence
[H] |
Comma after a leading dependent clause, none after a trailing one. |
| Conjunctions That Come in Pairs
[H] |
Use both...and, either...or, neither...nor, and not only...but also, with matching halves. |
| Simple, Compound, Complex
[H] |
Name the structure of any sentence by counting its clauses. |
| The Sentence the Others Are About
[H] |
Find or choose the sentence a paragraph is built on. |
| The Sentence That Does Not Belong
[H] |
Spot a sentence that wanders off the paragraph's point. |
| Naming Why It Does Not Fit
[H] |
Say what is wrong with an off-point sentence, not just which it is. |
| Details That Actually Support
[H] |
Choose detail that backs the claim you made. |
| Ending Without Adding
[H] |
Close a paragraph by landing the point, not opening a new one. |
| Linking Words Between Sentences
[H] |
Use a transition that states the real relationship. |
| Where One Paragraph Ends
[H] |
Find the point where a new idea starts and split there. |
| A Claim or a Fact?
[H] |
Tell a position someone could argue with from a fact they could check. |
| The Reason Under a Claim
[H] |
Find the sentence that says why a position holds. |
| A Reason That Just Says It Again
[H] |
Spot a reason that goes in a circle instead of forward. |
| Evidence That Actually Proves It
[H] |
Tell measured evidence from a stronger way of repeating an opinion. |
| Claims You Cannot Defend
[H] |
Recognize a claim pushed past what any evidence could support. |
| Answering the Other Side
[H] |
Answer the strongest objection instead of talking past it. |
| The Shape of an Argument
[H] |
Name the job each sentence in an argument is doing. |
| Explaining or Arguing?
[H] |
Tell a sentence that explains from one that argues, tells a story, or gives orders. |
| Saying What You Will Explain
[H] |
Open a report with a sentence that says what about the subject will be explained. |
| Putting Facts Where They Belong
[H] |
Group related facts under the heading that answers the same question. |
| Sentences That Add Something
[H] |
Develop a point with real information instead of repeating it louder. |
| Defining a Word for Your Reader
[H] |
Write a definition that names the kind of thing and what sets it apart. |
| The Exact Word
[H] |
Use the subject's own word instead of describing your way around it. |
| Sounding Like a Report
[H] |
Keep the writer, the reader, and casual talk out of an explanation. |
| Your Own Words, the Same Facts
[H] |
Restate a source's fact in your own wording without changing it. |
| Starting Where the Story Starts
[M] |
Begin a story inside the moment instead of outside it. |
| Telling It in an Order a Reader Can Follow
[H] |
Keep events in order and mark the jumps with real time signposts. |
| Showing a Feeling Instead of Naming It
[H] |
Replace a named feeling with something a reader can watch. |
| The Detail That Earns Its Place
[H] |
Choose details that do a job instead of filling space. |
| Dialogue That Does a Job
[H] |
Keep the lines that change something and cut the ones that do not. |
| Slowing Down the Part That Matters
[H] |
Spend sentences in proportion to what a moment is worth. |
| One Narrator, One Time
[H] |
Hold a story in the same tense and the same person all the way through. |
| An Ending That Lands
[H] |
End by showing what is different now. |
| The Shape of a Story
[H] |
Name the job each sentence in a story is doing. |
| Revising and Editing Are Different Jobs
[M] |
Tell a change that fixes what a piece says from one that fixes how it is written. |
| Cutting Words That Do No Work
[H] |
Cut the words that repeat something the sentence has already said. |
| Pronouns That Point at Nothing
[H] |
Find a pronoun a reader cannot trace back and rewrite it so they can. |
| The Sentence in the Wrong Place
[H] |
Find the sentence a reader meets before they can understand it. |
| Where the Describing Words Landed
[H] |
Put a describing phrase next to the thing it is supposed to describe. |
| Lists That Match
[H] |
Build every item in a list out of the same kind of phrase. |
| Tense That Slips
[H] |
Keep a whole piece in one tense, and put a slipped sentence back. |
| What a Spellchecker Cannot Catch
[H] |
Catch a correctly spelled word that is the wrong word. |
| Finding the Error and Naming It
[H] |
Find the one error in a sentence, name what kind it is, and fix just that. |
| A Question Worth Researching
[M] |
Turn a subject into a question that sources can actually settle. |
| The Words Worth Searching
[H] |
Pull the searchable words out of a research question. |
| Choosing the Right Reference Work
[H] |
Match a research need to the reference work built to answer it. |
| Finding It Inside the Book
[H] |
Use contents, index, glossary and title page for what each is for. |
| Guide Words and Alphabetical Order
[H] |
Use guide words to decide whether a word is on a page. |
| Does This Source Answer My Question?
[H] |
Tell a source that answers your question from one that merely shares it. |
| Who Wrote It, and Why
[H] |
Weigh a source by its author, its date and its purpose. |
| Notes in Your Own Words
[H] |
Take a note that carries the idea without carrying the sentence. |
| Naming Where It Came From
[H] |
Record a source completely enough that a reader could find it. |
| The Idea the Whole Text Is Serving
[H] |
Name what a whole text is saying about its topic, and write a summary that keeps the point instead of the most memorable facts. |
| The Line That Settles It
[H] |
Choose the exact detail that settles a particular claim, rather than a detail that is merely true or merely nearby. |
| What the Text Made True Without Saying It
[H] |
Answer a question the text never answers outright, using a line on the page plus what you already know - and stop where the line stops. |
| What the Whole Thing Says About People
[H] |
State the theme or message of a text as a sentence about people, and check it against the ending the writer actually chose. |
| Why That Part Is in That Place
[H] |
Name how a text is put together, and explain what a particular paragraph or stanza is doing where the writer put it. |
| Whose Account Is This
[H] |
Work out whose account you are reading, what it lets them know, what it makes them want you to think, and whose view is missing. |
| A Word Inside Its Sentence
[H] |
Settle what a word or phrase means from the sentences around it, including figures of speech and ordinary words doing a special job. |
| Claim, Reason, and How Far the Evidence Reaches
[H] |
Trace a writer's claim to the reasons and evidence under it, and judge whether the evidence reaches as far as the claim does. |
| Peeling a Long Word Apart
[H] |
Take the prefix and the ending off a long word and find the root inside. |
| Endings You Read in One Piece
[H] |
Chop the last chunk off a long word and read it whole. |
| Chunking What Is Left
[H] |
Divide a long content-area word into chunks you can already read. |
| The Loud Chunk in a Long Word
[H] |
Find the syllable a long word is said loudest on. |
| Silent E Meets an Ending
[H] |
Decide whether a silent e survives when an ending is added. |
| Doubling in a Longer Word
[H] |
Decide whether the last consonant doubles when a base word is longer than one syllable. |
| When Y Becomes I
[H] |
Decide whether a final y changes to i when an ending is added. |
| Which Change Does This Word Need?
[H] |
Choose among the three spelling changes, including the case where none of them applies. |
| A Long Word in a Real Sentence
[H] |
Work out an unfamiliar long word from its parts and the sentence around it. |
| Breaking a Long Sentence Where It Breaks
[H] |
Group a long sentence at its clause and phrase joints instead of wherever your breath runs out. |
| Reading Straight Past an Aside
[H] |
Find the words a writer fenced off, and keep hold of the sentence while you read them. |
| Semicolons, Colons and Dashes Out Loud
[H] |
Give a semicolon, a colon, a dash and a set of parentheses the four different things they ask your voice to do. |
| The Sentence You Have to Regroup
[H] |
Notice when a sentence has handed you the wrong grouping, and find the word that proves it. |
| Dialogue Without Stumbling
[H] |
Say only the quoted words in a character's voice, and track who is talking when nobody is named. |
| The Word the Paragraph Tells You to Lean On
[H] |
Use what a paragraph has already said to decide which word in the next sentence carries the stress. |
| Saying What the Page Abbreviates
[H] |
Read titles, units, symbols and number ranges aloud as the words they stand for. |
| Mapping a Whole Paragraph Before You Read It
[H] |
Decide, from the marks alone, where your voice rests in a paragraph and where it keeps moving. |
| The Sentence That Carried the Claim
[H] |
Pick out the position a speaker was arguing for from everything else they said. |
| Support That Bears on the Claim
[H] |
Tell support that holds a position up from something true that was said beside it. |
| The Claim Nobody Backed Up
[H] |
Sort the claims a speaker backed up from the ones they only asserted. |
| The Answer That Missed the Point
[H] |
Say what a speaker's answer actually did with the point it was aimed at. |
| A Move Instead of a Reason
[H] |
Name what a speaker did in the place where a reason was supposed to go. |
| Where They Actually Disagree
[H] |
Find the one question two speakers answer differently. |
| How Far the Speaker Went
[H] |
Report a speaker's case exactly as far as it went and no further. |
| What You Would Still Need to Know
[H] |
Name the missing fact that would actually settle an argument you heard. |
| The Fragment in Longer Writing
[H] |
Find a fragment in writing long enough that the missing half is not obvious, and say which half is missing. |
| Run-Ons That Do Not Look Like Run-Ons
[H] |
Find the seam where a second sentence begins, and tell a run-on from a long sentence that is doing nothing wrong. |
| The Comma Splice and Three Ways to Fix It
[H] |
Recognize a comma holding two complete sentences together, and choose among the repairs that fix it. |
| Commas in a Series, and the Comma That Does Not Belong
[H] |
Punctuate a list of three or more, and tell a compound sentence from a sentence that merely has two verbs. |
| Commas Around a Part You Could Lift Out
[H] |
Decide whether a description is extra or identifying, and fence it on both sides or neither. |
| The Apostrophe When More Than One Owns It
[H] |
Form a plural possessive, and leave a plain plural alone. |
| Quoting a Source, Not a Speaker
[H] |
Quote a source exactly, mark where the quoting starts and stops, and paraphrase without the marks. |
| Capitals in Titles and Words Made From Names
[H] |
Capitalize a title the way print does, and keep the capital on an adjective built from a name. |
| The Word Pairs That Slip Through
[H] |
Choose between look-alike words using the sentence around them rather than a memorized rhyme. |
| What a Character Is After
[H] |
Work out what a character is after from what they do, not from what they say. |
| How You Know What They Want
[H] |
Point at the detail that makes a motive more than a guess. |
| Wanting Two Things at Once
[H] |
Name the two things a character wants at once, and see which one the choice puts on top. |
| What the Choice Costs
[H] |
Find what a choice costs a character, including the cost nobody in the story mentions. |
| Where the Change Shows
[H] |
Locate where a character changes when the text refuses to announce it. |
| What the Character Cannot See
[H] |
Read the gap between what a character believes and what the text shows. |
| Two People, One Event
[H] |
Use two reactions to one event to measure both people. |
| Would They Do That?
[H] |
Judge which actions fit a character's record and which would need a change the text never shows. |
| What a Scene Sets Up
[H] |
Name what a scene plants for later, and say what a later page would have to stop and explain if the plant were not there. |
| What the Opening Withholds
[H] |
Say what a first page or first paragraph keeps back, and what the story buys by keeping it back. |
| Why It Is Told Out of Order
[H] |
Tell story order apart from telling order, and say what moving an event out of its place buys the writer. |
| What the Backward Look Explains
[H] |
Name the exact thing a backward look explains, and say why it arrives where it does rather than anywhere else. |
| Where the Story Turns
[H] |
Find the moment a part of a story stops being able to go back, and defend the exact line you chose. |
| What Would Be Lost If This Were Cut
[H] |
Remove a scene, a sentence or a detail in your head, and name exactly what stops working in the pages around the hole. |
| Reading From Where the Excerpt Sits
[H] |
Use a note about where an excerpt falls in a longer work to decide what the page may assume and what its job is. |
| Where a Part Stops, and Why There
[H] |
Explain what the last line of a scene, chapter or story closes, and what it deliberately leaves open. |
| What an Image Does to the Feeling
[H] |
Name the mood a passage builds and point at the nouns and verbs that build it, instead of naming a feeling the subject suggests. |
| Where the Feeling Turns
[H] |
Find the line where a passage's mood changes and name what changed it, rather than pointing at the biggest event. |
| What a Comparison Claims
[H] |
Say what a comparison asserts about the thing compared, and say what it deliberately does not assert. |
| How One Word Colors a Description
[H] |
Name what a chosen word adds that a plainer word would not - a person, a history, an audience, an attitude - not just whether it sounds good or bad. |
| Why the Same Thing Keeps Coming Back
[H] |
Track a detail that appears more than once and say what the later appearances gain from the earlier ones. |
| When a Thing Starts to Stand for Something
[H] |
Say what an object has come to stand for and point at the words in the text that paid for it. |
| What a Description Tells You That Nobody Says
[H] |
Read a description as evidence about the person doing the describing and the situation they are in, not only about the thing described. |
| How Far a Reading Goes
[H] |
Sort a proposed reading into supported, merely allowed, or ruled out, and name the words that decide it. |
| Which Sentence Is the Claim
[H] |
Find the one sentence a piece of argument is trying to get you to accept, and tell it apart from the facts and reasons that hold it up. |
| The Reasons Under a Claim
[H] |
Pick out the reasons a writer gives for a claim, and say what job each one is doing in the argument. |
| Reason or Evidence?
[H] |
Tell a reason apart from the evidence offered for it, and spot a sentence that looks like evidence but never measures anything. |
| What a Fact Is Doing There
[H] |
Follow a piece of evidence to the reason it was put there to support, and describe the chain that connects them. |
| The Reason Nobody Backed Up
[H] |
Find the reason a writer states and then never supports, and say what kind of evidence would be needed to fix it. |
| Evidence That Does Not Fit
[H] |
Judge whether a piece of evidence actually supports the reason it is attached to, even when the evidence itself is perfectly true. |
| What the Writer Expects You to Agree With
[H] |
Name the step an argument needs but never states - the thing the writer counts on the reader already believing. |
| What Would Change the Conclusion
[H] |
Say which new fact would do the most damage to an argument, and which missing evidence would settle it. |
| What a Paragraph Is Doing for the Whole
[H] |
Name the job one paragraph does for the article around it, not just what the paragraph says. |
| What a Transition Claims
[H] |
Say what relationship a connecting word claims between two parts - and read the relationship when there is no connecting word at all. |
| Where the Comparison Does the Explaining
[H] |
Find the comparison a nonfiction writer is using as a tool, and say exactly what it explains and what it does not claim. |
| What a Heading Promises
[H] |
Read a heading as a promise with two halves, then check whether the section under it pays. |
| Why This Shape and Not Another
[H] |
Say what a writer's choice of organization makes possible, and what a different order would have cost. |
| What a Swap Would Cost
[H] |
Test the order of an article by moving a paragraph in your head and naming exactly what breaks. |
| A Shape Inside a Shape
[H] |
Tell the structure of a whole text apart from the structure of one paragraph sitting inside it. |
| The Order Inside a Paragraph
[H] |
Explain why the sentences inside one paragraph sit in the order they do, and decide where a new sentence belongs. |
| Who Made This, and Where It Turned Up
[H] |
Read the frame around a text - who wrote it, where it appeared, when - and say what that settles and what it leaves open. |
| Who Gains If You Believe It
[H] |
Name what a writer stands to gain from a reader's belief, and use that to decide where to look rather than what to conclude. |
| Saw It, or Was Told It
[H] |
Trace a claim back through everyone it passed through, and separate what a writer witnessed from what reached them secondhand. |
| Reported, or Concluded
[H] |
Separate what a writer observed or measured from what the writer worked out on top of it, and notice where the second step happened. |
| What You Are Not Being Told
[H] |
Find the number, comparison or group a text leaves out, and say why that absence changes what the text can support. |
| How Would You Check One Claim
[H] |
Choose the move that would actually settle a specific claim, using a record or a measurement outside the text that made it. |
| The Same Fact in Two Places
[H] |
Explain how one true fact can leave opposite impressions in two texts, without either text saying anything false. |
| What This Source Is Good Evidence For
[H] |
Decide what a source can actually support, instead of deciding whether the source is trustworthy. |
| Finding the Root Inside a Long Word
[H] |
Find the piece of a long word that carries its core meaning, and say what that piece means. |
| Building a Meaning Out of the Parts
[H] |
Build a working meaning for a word you have never met, and let the sentence decide whether you built the right one. |
| What the Prefix Is Doing
[H] |
Say what a prefix is doing to the root behind it, and tell it from the prefixes it looks like. |
| One Base, Four Prefixes
[H] |
Choose which prefixed form of a base word a sentence actually needs. |
| Two Endings, Two Different Words
[H] |
Choose between two endings on the same base that fill the same slot and make different claims. |
| The Same Root in Two Classes
[H] |
Recognize one root doing the same work in science, in social studies and in English. |
| When the Parts Do Not Add Up
[H] |
Catch the words whose parts predict one meaning while the word means another. |
| Endings That Tell You What Kind of Word It Is
[H] |
Read a technical word from any class by reading what its ending says the word names. |
| Ladders of Strength
[H] |
Rank near-synonyms from the weakest to the strongest. |
| The Word the Facts Support
[H] |
Pick the word whose size matches the record, and reject the one that adds a fact. |
| The Word That Fits the Reader
[H] |
Choose the wording that fits a stated reader, and spot the one word that does not. |
| One Word Swapped
[H] |
Say what changed when a neutral word was traded for a loaded one - and what did not. |
| Praise Here, Complaint There
[H] |
Judge a word by the sentence it is in, not by a list of positive and negative words. |
| What It Says and How It Makes Them Look
[H] |
Separate what a sentence asserts from the impression its wording leaves. |
| Taking the Verdict Out
[H] |
Rewrite a loaded sentence so every fact survives and the judgment does not. |
| The Attitude the Words Add Up To
[H] |
Name a writer's tone precisely and find the line that is carrying it. |
| What the Task Verb Makes You Hand In
[H] |
Say what an assignment verb requires you to produce, and pick the answer that produces it. |
| The Word a Science Class Means Narrowly
[H] |
Use the narrow meaning a subject gives a familiar word, and decide cases with it. |
| Two Words a Subject Keeps Apart
[H] |
Sort a statement into the right one of two terms a subject refuses to let you blur. |
| The Slot a Word Has to Fit
[H] |
Choose the academic word that fits the frame a sentence has already set, not just the one that means the right thing. |
| A Definition That Actually Defines
[H] |
Write and recognize a definition that names the category and what sets the term apart from its neighbors. |
| The Words for What the Numbers Did
[H] |
Describe a set of numbers in the exact words a subject uses for rise, fall, steadiness and size of change. |
| Saying It the Way the Assignment Asked
[H] |
Rewrite a spoken sentence in report language without adding, dropping or inflating anything. |
| The Assignment That Asks for Two Things
[H] |
Find both products a two-part prompt requires, and say which half an answer is still missing. |
| Three Sentences Into One
[H] |
Fold short sentences into one without losing a fact or inventing one. |
| Which Fact the Sentence Is About
[H] |
Choose which fact becomes the sentence's own statement and which get folded in as description. |
| The Words a Sentence Ends On
[H] |
Move the when, the where and the who-said-so out of the last position and leave it for what happened. |
| What a Paragraph Drums On
[H] |
Hear when every sentence in a paragraph opens the same way, and say what the repeated opening is. |
| Starting the Sentence Somewhere Else
[H] |
Move a when, a where or a describing phrase to the front without changing what the sentence says. |
| The Short Sentence That Lands
[H] |
End a run of long sentences with a short one that says what they showed. |
| The Sentence That Says It Again
[H] |
Find the sentence that adds nothing an earlier sentence had not already said. |
| Naming What a Paragraph Needs
[H] |
Check a draft paragraph against the four faults this unit names and say which one it has. |
| Putting the Doer Back Into the Sentence
[H] |
Rewrite a sentence that hides who acted, using the doer the paragraph has already given you, and change nothing else. |
| When the Passive Is the Right Choice
[H] |
Say what the passive voice is doing in a sentence instead of treating it as a mistake. |
| The Verb Matches the Subject, Not the Nearest Noun
[H] |
Find the real subject across an interrupting phrase and give it the verb it needs. |
| Group Words, and the Number They Keep
[H] |
Keep a verb and a pronoun on the same number as the word they both point back to. |
| The Pronoun With Nothing to Point At
[H] |
Catch a pronoun that could mean either of two things, or nothing at all, and fix it without changing the sentence. |
| The Sentence That Slips Out of Tense
[H] |
Hold one tense across a paragraph, and tell a real slip from a shift the meaning requires. |
| Staying With the Same Person
[H] |
Notice writing that stops describing someone and starts addressing the reader, and put it back. |
| Forms Speech Allows and Writing Does Not
[H] |
Choose the edited form of the constructions that are ordinary in speech and get marked in school writing. |
| Which Sentence Is the Counterclaim
[H] |
Tell a counterclaim from a reason, a fact both sides accept, and a complaint that is not aimed at the claim at all. |
| The Other Side at Its Strongest
[H] |
Pick the version of the objection that is worth answering instead of the version that is easiest to knock over. |
| Saying What They Actually Said
[H] |
Report an objection without a sneering verb, an invented motive, a shrunken count, or a smaller version of the claim. |
| Conceding Without Giving Up
[H] |
Grant the part of an objection that is true without granting the argument along with it. |
| The Sentence That Turns It Back
[H] |
Answer a counterclaim with a reason it does not settle the question, rather than with the claim again. |
| Arguing With Something Nobody Said
[H] |
Spot a rebuttal that answers a claim the other side never made, and name the claim it answered instead. |
| Where the Counterclaim Goes
[H] |
Place the counterclaim paragraph by asking whether the reader already holds the objection. |
| The Four Moves, and the One That Is Missing
[H] |
Check a counterclaim paragraph for all four moves, including the ones a draft only pretends to make. |
| Summary or Paraphrase?
[H] |
Tell a summary of a whole passage from a paraphrase of one sentence, and know which one a writing job is asking for. |
| The Paraphrase That Is Too Close
[H] |
Spot the two ways a restatement is still the source's writing: the same shape with new words, or a new shape with the source's words inside it. |
| Building the Sentence Again
[H] |
Rebuild a source sentence so the writing is yours and the claim is still the source's. |
| When to Quote and When to Say It Yourself
[H] |
Decide whether a sentence needs the source's exact words or only the information in it. |
| Telling the Reader Who Is Speaking
[H] |
Introduce a quotation so the reader knows whose words they are - including when the source is quoting somebody else. |
| The Verb That Reports Honestly
[H] |
Choose a reporting verb that matches how certain the source was, which way the point cuts, and whether it looks forward or back. |
| Fitting a Quotation Into Your Own Sentence
[H] |
Build a sentence that has a slot for the quoted words, so the whole thing reads as one sentence. |
| Cutting a Quotation Without Changing It
[H] |
Use three dots and square brackets to shorten and adjust a quotation while the source's claim survives intact. |