690 core topics
· approximately 215 hours of instruction
including spaced review
An adaptive diagnostic (up to
40 questions) places the student on the course's knowledge
graph - topics already known are credited, and instruction begins exactly
at the learning frontier. Every topic is taught with a worked-example
lesson and auto-graded practice; a topic is mastered at
75%+ and then maintained through spaced reviews on an
expanding schedule. Mixed checks follow every 6 lessons;
each unit ends with a 12-item quiz, and course-wide assessments appear at
25%, 50%, 75%, and 100% mastery. Prerequisite gaps below the course are detected and taught rather
than skipped, so completion certifies the whole tower, not just the top.
| Hearing Rhymes
[E] |
Tell when two words end with the same sound. |
| Finding the Word That Does Not Rhyme
[E] |
Pick the odd word out of a rhyming set. |
| Counting Syllables
[E] |
Break a word into its beats. |
| Hearing the First Sound
[E] |
Tell which sound a word starts with. |
| Hearing the Last Sound
[E] |
Tell which sound a word ends with. |
| Hearing the Middle Vowel Sound
[E] |
Find the vowel sound in the middle of a short word. |
| Blending Sounds into Words
[M] |
Push separate sounds together to make a word. |
| Breaking Words into Sounds
[M] |
Split a word into every separate sound. |
| Taking a Sound Away
[M] |
Say a word again with one sound removed. |
| Changing One Sound
[M] |
Swap one sound for another to make a new word. |
| Words That Begin Alike
[E] |
Group words by their beginning sound. |
| What Makes a Sentence
[E] |
Tell a complete sentence from a group of words. |
| Naming Part and Telling Part
[E] |
Split a sentence into who it is about and what happens. |
| Capital Letters and End Marks
[E] |
Start every sentence with a capital and end it with a mark. |
| Choosing the Right End Mark
[E] |
Use a period, question mark, or exclamation point. |
| Capitalizing Names
[E] |
Capitalize names, places, days, months, and the word I. |
| Digraphs at the Start of a Word
[E] |
Read sh, ch, th, wh and ph at the beginning of a word. |
| Digraphs at the End of a Word
[E] |
Read sh, ch, th, ck and ng at the end of a word. |
| Counting Sounds, Not Letters
[M] |
Count the sounds in a word that contains a digraph. |
| ph Says /f/
[E] |
Read ph as the f sound. |
| Blends at the Start of a Word
[M] |
Read two and three consonants blended together at the start of a word. |
| Blends at the End of a Word
[M] |
Read blends like -nd, -mp, -st and -nk at the end of a word. |
| Three-Letter Blends
[M] |
Read str, spr, scr, thr and spl. |
| Blend or Digraph?
[M] |
Tell a blend from a digraph by listening to the sounds. |
| Reading Blend and Digraph Words
[M] |
Sound out and read a word containing a blend or a digraph. |
| Spelling Blends and Digraphs
[M] |
Write the right letters for a blend or digraph you hear. |
| -ng and -nk
[M] |
Hear the difference between the endings in ring and rink. |
| Long Vowel Sounds
[E] |
Hear a vowel saying its own name. |
| One Letter Changes the Word
[M] |
Add or remove a silent e and read the new word. |
| Short Vowel or Long Vowel?
[M] |
Decide from the spelling whether a vowel is short or long. |
| Reading Silent-e Words
[M] |
Read a silent-e word accurately, without dropping the e. |
| Spelling with Silent e
[M] |
Decide whether a word needs a silent e at the end. |
| Open Syllables: go, he, my
[M] |
Read a long vowel that got that way by ending the word. |
| The Silent e Makes No Sound
[M] |
Count the sounds in a silent-e word without counting the e. |
| When Silent e Breaks the Rule
[M] |
Know the common words where a final e does not make the vowel long. |
| What a Vowel Team Is
[M] |
Find the letters that team up to spell one vowel sound in a word. |
| Long a: ai and ay
[M] |
Read long a spelled with the vowel teams ai and ay. |
| Long e: ee and ea
[M] |
Read long e spelled with the vowel teams ee and ea. |
| Long o: oa and ow
[M] |
Read long o spelled with the vowel teams oa and ow. |
| Long i and Long u: igh, ie, ew, ue
[M] |
Read long i spelled igh or ie, and long u spelled ew or ue. |
| Which Spelling Goes Where
[H] |
Choose the right vowel team for a word from the way the word is built. |
| The Two Sounds of oo
[M] |
Decide which of its two sounds the vowel team oo is making. |
| Sounds That Are Neither Long Nor Short
[H] |
Read the vowel sounds in coin, cloud and saw. |
| One Team, Two Jobs
[H] |
Try a team's other sound when the first one does not make a real word. |
| When the r Takes Over the Vowel
[M] |
Find the vowel that an r has changed, and tell it from an r that only starts a blend. |
| ar Says /ar/
[M] |
Read the /ar/ sound, and know the words where a w changes it. |
| or Says /or/
[M] |
Read the /or/ sound, and know the words where a w changes it. |
| er, ir, ur: One Sound, Three Spellings
[M] |
Hear that er, ir and ur all make the same sound. |
| Choosing Between er, ir, and ur
[H] |
Pick the right spelling of the /er/ sound for a particular word. |
| Sorting the Five R-Controlled Spellings
[M] |
Group ar, or, er, ir and ur by the sound each one makes. |
| Soft c: When c Says /s/
[M] |
Decide whether a c says /k/ or /s/ by looking at the letter after it. |
| Soft g: When g Says /j/
[M] |
Read soft g, and know the common words that break the rule. |
| The Letter After Decides
[H] |
Use the following letter to predict what a c or g will say, even in a new word. |
| Counting Syllables by Vowel Sounds
[M] |
Count the syllables in a written word by counting its vowel sounds. |
| Closed Syllables: The Vowel Is Short
[M] |
Recognize a syllable that ends in a consonant and know its vowel is short. |
| Open Syllables: The Vowel Is Long
[M] |
Recognize a syllable that ends in a vowel and know that vowel is long. |
| Open or Closed? Deciding the Vowel Sound
[M] |
Use the last letter of a syllable to predict whether its vowel is long or short. |
| The Six Kinds of Syllable
[M] |
Name which of the six syllable types a chunk of a word is. |
| Two Consonants in the Middle
[M] |
Divide a word between two middle consonants and read the closed first syllable. |
| One Consonant in the Middle: Try Long First
[H] |
Divide a word with one middle consonant by trying the long vowel first, then flexing. |
| The -le Ending Takes One Consonant With It
[M] |
Split off a consonant-le ending and use what is left to set the first vowel. |
| Reading a Long Word You Have Never Seen
[H] |
Chunk an unfamiliar multisyllable word and read it one syllable at a time. |
| More Than One: Adding -s
[M] |
Make a naming word mean more than one by adding -s. |
| When a Word Hisses: Adding -es
[M] |
Add -es to words that end in s, x, z, ch, or sh. |
| Words That End in y
[M] |
Decide whether a y changes to i by looking at the letter before it. |
| Words That End in f or fe
[M] |
Change f to v before the plural ending on the words that take it. |
| Plurals That Do Not Take an Ending
[M] |
Use the plural of words that change instead of adding -s. |
| The -s That Means One, Not Many
[H] |
Tell a plural -s on a naming word from a verb -s that marks one doer. |
| Adding -ed and -ing
[H] |
Apply the doubling, drop-e and y-to-i rules when an ending goes on. |
| Two Words Made Into One
[H] |
Match a contraction to the two words it stands for, both ways. |
| Where the Apostrophe Goes
[H] |
Place the apostrophe exactly where the missing letters used to be. |
| Finding the Base Word
[M] |
Strip the extra parts off a word to find the word underneath. |
| What a Prefix Means
[M] |
Know what the common prefixes do to a word. |
| Using a Prefix to Read a Word
[M] |
Work out what a prefixed word means without being told. |
| What a Suffix Means
[M] |
Know what the common suffixes add to a word. |
| Using a Suffix to Read a Word
[M] |
Work out what a word with a suffix means. |
| Building Words from Parts
[M] |
Put a prefix, base word, and suffix together into one word. |
| Reading a Word You Have Never Seen
[H] |
Work out an unfamiliar word from its prefix, base, and suffix. |
| Spelling Changes When You Add an Ending
[H] |
Apply the three rules for adding a suffix to a base word. |
| Endings Change a Word's Job
[M] |
See how a suffix turns one kind of word into another. |
| Choosing the Right Form
[H] |
Pick the form of a word that a sentence actually needs. |
| What a Root Is
[M] |
Find the root inside a long word and tell it from a base word. |
| What the Common Roots Mean
[M] |
Know what the roots that build academic English actually mean. |
| Words That Share a Root
[H] |
Sort words into families by the root they are built on. |
| Words Built from Two Roots
[H] |
Read a word built out of two roots by putting both part meanings together, in order. |
| One Root, Many Prefixes
[H] |
Use the prefix to tell apart words built on the same root. |
| Reading a Word You Have Never Met
[H] |
Work out an unfamiliar word from its root and the sentence together. |
| When the Letters Lie
[H] |
Test a root by meaning, not by letters, and catch the look-alikes. |
| Greek Spelling Clues
[H] |
Spell the Greek words in science and math, and know why they look odd. |
| Words That Sound the Same
[M] |
Recognize two words that share one sound and nothing else. |
| Choosing the Right Spelling
[M] |
Use the meaning of a sentence to choose between two spellings. |
| its and it's, your and you're
[M] |
Tell a contraction from a possessive using the long-form test. |
| One Spelling, Two Meanings
[H] |
Use the sentence to choose between two unrelated meanings of one word. |
| One Word, Many Meanings
[H] |
Pick which of a word's several related meanings a sentence is using. |
| Words That Are Nearly Twins
[H] |
Separate two words that look almost alike and mean nothing alike. |
| The Mistake a Spell Checker Misses
[H] |
Find a word that is spelled correctly and is still the wrong word. |
| Same Spelling, Different Sound
[H] |
Decide how a word is pronounced from the job it does in the sentence. |
| Words That Go Together
[M] |
Spot the word that belongs with a group, and the word that does not. |
| Naming the Group
[M] |
Give a group of words the name that covers all of them. |
| Parts and Wholes
[M] |
Tell a piece of something from one kind of something. |
| Words That Mean Almost the Same
[M] |
Find a word that means nearly the same as another word. |
| Words That Mean the Opposite
[M] |
Find the word that means the opposite of another word. |
| How Two Words Go Together
[H] |
Name the relationship between a pair of words. |
| Some Words Are Stronger
[M] |
Put words with the same meaning in order of how strong they are. |
| Choosing the Word That Fits
[H] |
Choose the word whose strength matches what the sentence says. |
| When the Sentence Just Tells You
[M] |
Find a word's meaning written into the sentence itself. |
| A Nearby Word That Means the Same
[M] |
Use a synonym elsewhere in the passage to unlock a word. |
| When a Contrast Points the Other Way
[M] |
Use a contrast word to work out the opposite meaning. |
| Working Back From Examples
[M] |
Use a list of examples to work out the category. |
| When There Is No Clue Word
[H] |
Work out a meaning from the whole situation. |
| Naming the Clue
[M] |
Say which kind of context clue a sentence is using. |
| Putting Your Guess Back In
[H] |
Check a guessed meaning by reading the sentence again with it. |
| Words With More Than One Meaning
[M] |
Choose the meaning a sentence needs, not the one you thought of first. |
| When the Clue Is Somewhere Else
[H] |
Find the meaning of a word when the clue sits in a different sentence. |
| Shades of Meaning
[H] |
Choose the word whose size matches what actually happened. |
| Words That Carry a Feeling
[H] |
Hear the approval or disapproval hidden inside a word choice. |
| Reporting or Arguing?
[H] |
Tell a sentence that reports from one that argues, and name the word doing it. |
| Word Parts Plus Context
[H] |
Take an unfamiliar word apart and check the pieces against the sentence. |
| Everyday Words With a School Meaning
[H] |
Catch a familiar word being used in its science, math, or history sense. |
| The Words the Directions Use
[H] |
Know the words that every subject and every test direction line uses. |
| Can You Swap That Word?
[H] |
Test a replacement word against meaning, size, and feeling all at once. |
| Noticing When Words Are Not Literal
[M] |
Tell when a sentence is not meant exactly as written. |
| Working Out What It Really Means
[M] |
Say in plain words what a figure of speech is telling you. |
| Similes
[M] |
Read a comparison made with like or as. |
| Metaphors
[M] |
Read a comparison that says one thing IS another. |
| Simile or Metaphor?
[M] |
Tell the two kinds of comparison apart. |
| Personification
[M] |
Spot something not human doing something only people do. |
| Hyperbole
[M] |
Read an exaggeration that nobody is meant to believe. |
| Idioms
[H] |
Learn set phrases whose meaning the words do not give you. |
| Naming the Device
[H] |
Say which kind of figurative language a sentence uses. |
| Three Kinds of School Word
[M] |
Sort a word into everyday, used in every subject, or belonging to one subject. |
| The Words Every Subject Uses
[H] |
Give the exact meaning of the words that show up in every subject. |
| The Everyday Word and the School Word
[H] |
Match a school word to the everyday wording that means the same thing. |
| One Word, Many Forms
[H] |
Choose the right form of an academic word for the slot it has to fill. |
| The Same Word in a Different Class
[H] |
Work out which meaning a familiar word carries in a school subject. |
| Command Words: What the Task Asks For
[H] |
Name what a direction word is telling you to do before you start writing. |
| Reading the Question Before You Answer It
[H] |
Say what a test question requires before looking at the choices. |
| How Sure Does the Writer Sound?
[H] |
Tell what a writer is claiming from the verb that carries the claim. |
| Who the Story Is About
[E] |
Name the characters in a story and say what one of them is like. |
| Where the Story Happens
[M] |
Name the place a story happens, and say why that place matters. |
| When the Story Happens
[M] |
Say what time of day, day of the week, or season a story happens in. |
| How a Character Feels
[M] |
Name a feeling a story shows through what a character does. |
| What a Character Wants
[M] |
Say what a character is trying to get or trying to do. |
| What Happens in the Story
[M] |
Pick out the things that happen, and which one matters most. |
| Why It Happened
[M] |
Explain why something in a story happened, using the story. |
| Character, Setting, or Event?
[M] |
Sort a piece of a story into character, setting, or event. |
| Who the Story Is About
[E] |
Name the character a story follows. |
| First, Next, and Last
[M] |
Say what happened first, what came in between, and what came last. |
| Putting the Whole Story in Order
[M] |
Arrange all the events of a story from beginning to end. |
| Finding the Problem
[M] |
Name what goes wrong in a story. |
| Finding the Solution
[M] |
Say how a story's problem gets resolved. |
| Summarizing a Story
[H] |
Retell a story keeping only what matters. |
| Knowing What to Leave Out
[H] |
Spot the detail a summary does not need. |
| Beginning, Middle, End
[M] |
Say which part of a story an event belongs to, and what that part is for. |
| What a Character Wants, and What Is in the Way
[M] |
Name both halves of a story problem: the want and the thing blocking it. |
| What Kind of Trouble Is It?
[M] |
Tell trouble with a person from trouble with the world or with yourself. |
| The Tries That Do Not Work
[M] |
Follow the middle of a story as a run of attempts, and say why each fails. |
| The Moment It Turns
[H] |
Find the one moment after which a story cannot go back. |
| How It Ends, and What Is Different
[H] |
Say how a story settles - fixed, gone around, or accepted - and what changed. |
| Because of That, Not And Then
[H] |
Follow a plot as a chain of causes instead of a list of events. |
| Topic or Theme?
[M] |
Tell the subject of a story apart from what the story says about it. |
| What a Character Learns
[M] |
Find the theme by watching what a character understands at the end that they did not understand at the start. |
| The Moral a Story States
[H] |
Read a stated moral or saying and check what the story actually backs up. |
| Saying a Theme in One Sentence
[H] |
Word a theme so it is neither about one character nor true of every story. |
| The Evidence for a Theme
[M] |
Point to the detail that actually supports a theme, not just a true detail. |
| Themes Nobody Writes Down
[H] |
Work out a theme from an ending, a silence, or a word the writer chose. |
| Objects That Carry the Message
[H] |
Read the object or image a story keeps returning to. |
| What a Story Does Not Say
[H] |
Refuse a lesson the text will not support, including the tidy one. |
| Who Is Telling This
[M] |
Find the teller of a text before deciding what the text means. |
| How Much the Teller Knows
[H] |
Work out how far a teller can see, and what is therefore missing. |
| What the Teller Cannot See
[H] |
Assemble what a text shows but its teller has not noticed. |
| What a Person Makes of It
[H] |
Separate what happened from what a person in the text made of it. |
| Words That Give a View Away
[H] |
Notice the single words that carry a teller's attitude. |
| One Event, Two Views
[H] |
Explain why two honest accounts of one event can disagree. |
| Telling It From Somewhere Else
[H] |
Predict what changes when the same events get a different teller. |
| Why the Author Chose This Teller
[H] |
Explain what a writer gains and loses by choosing a particular teller. |
| Lines, Stanzas and Where a Poem Breaks
[M] |
Read a poem's shape on the page as part of what it means. |
| Rhyme, Rhyme Scheme and Poems Without Either
[M] |
Hear rhyme, name the pattern it makes, and read a poem that has none. |
| Repetition, Alliteration and the Sound of a Line
[M] |
Notice what a poem's sounds are doing besides rhyming. |
| The Picture a Poem Puts in Your Head
[M] |
Read the sensory pictures a poem or a stage sets, and say what they do. |
| Figures of Speech Inside a Poem
[H] |
Read similes, metaphors and personification where poems pack them tightest. |
| Who Is Talking in a Poem
[M] |
Identify the voice speaking a poem, and what that voice reveals. |
| What the Poem or the Scene Is Saying
[H] |
State what a poem or a scene is finally about, in a sentence. |
| How a Play Is Written Down
[M] |
Read a script: cast list, scene heading, dialogue and stage directions. |
| Reading What a Scene Is Really Doing
[H] |
Work out what characters want, what blocks them, and what they will not say. |
| Comparing on the Same Point
[H] |
Name one point that both texts speak to before you say anything about either of them. |
| Two Characters, Side by Side
[H] |
Compare two characters by what each one decides, not by what each one is called. |
| What the Setting Changes
[H] |
Ask what a setting makes possible or impossible, not just what it looks like. |
| Patterns of Events Across Stories
[H] |
Recognize the shape two stories share, and find the exact place where they stop sharing it. |
| Same Idea, Different Story
[H] |
State what each text says about a shared subject, then compare the two statements. |
| Two Tellers of One Event
[H] |
Compare who is telling each text and what that teller was in a position to know. |
| The Same Story in Another Form
[H] |
Compare what a poem, a play, a story or an explanation can and cannot carry. |
| Making a Comparison That Says Something
[H] |
Write a comparison that names the shared point, the difference, and why the difference matters. |
| What the Whole Text Is About
[M] |
Say in a few words what a whole true text is about. |
| Key Details You Can Point To
[M] |
Find a fact the text really states, and point to where it says so. |
| Questions a Text Can Answer
[M] |
Tell which questions a text answers and which ones it never touches. |
| New Words in a True Text
[M] |
Work out what a new word means from the sentences around it. |
| Titles, Labels, and Captions
[M] |
Use the title, labels, captions, and contents page to find what you need. |
| Two Facts That Go Together
[M] |
Say how one fact in a text leads to another. |
| Which Fact Matters Most
[M] |
Choose the facts worth telling back and leave the rest out. |
| Topic or Main Idea?
[M] |
Tell what a text is about from what it says about it. |
| Finding the Main Idea
[M] |
Say in one sentence what a whole text is telling you. |
| Main Ideas That Are Not Written Down
[H] |
Work out the main idea when no sentence states it. |
| Details That Back It Up
[M] |
Find the fact in a text that supports a particular idea. |
| Choosing the Best Title
[M] |
Pick a title that names the main idea rather than one detail. |
| Writing a Summary
[H] |
Retell a text keeping only what matters. |
| Telling a Detail from the Main Idea
[M] |
Spot the sentence that is only a detail. |
| What a Heading Promises
[M] |
Use a title or a heading to say what a part of a page will be about. |
| Finding the Page You Need
[M] |
Use a contents page, an index, and headings to find a fact fast. |
| Bold Words and the Glossary
[M] |
Notice a word printed in bold and look it up where the book keeps meanings. |
| The Words Under a Picture
[M] |
Read a caption for what it adds to the picture and to the text. |
| Reading a Labeled Diagram
[M] |
Follow labels and arrows to read a drawing that names its own parts. |
| Reading a Chart
[M] |
Read across a row and up a column, and name what the numbers leave out. |
| Reading a Map and Its Key
[M] |
Use a key, a compass rose, and a scale to read what a map is showing. |
| Why the Author Put It There
[M] |
Say what a text feature does that the sentences alone could not do. |
| Words That Give the Shape Away
[M] |
Spot the words and sentences that tell you how a nonfiction text is organized. |
| Description: Groups, Parts and Kinds
[M] |
Recognize a text that describes one thing closely or sorts things into kinds. |
| Sequence: Time Order and Steps
[M] |
Follow a text built on the order things happen or the order they are done. |
| Compare and Contrast
[M] |
Read a text that sets two things side by side and says how they are alike and different. |
| Cause and Effect
[M] |
Trace a text where each thing described makes the next thing happen. |
| Problem and Solution
[M] |
Read a text that states a difficulty and then what was done about it. |
| Naming the Structure of a Whole Text
[H] |
Decide which structure a whole passage is built on, and notice when it uses more than one. |
| Why the Writer Chose That Shape
[H] |
Explain what a text's structure does for the reader, and what would be lost in another shape. |
| Why the Author Wrote It
[H] |
Name what a text was built to do, not just what it is about. |
| The Evidence for a Purpose
[H] |
Point to the move in the text that proves what the writer wanted. |
| Why This Part Is Here
[H] |
Explain the job a single paragraph, sentence or phrase is doing. |
| Who It Was Written For
[H] |
Work out the reader a text was aimed at, and how you can tell. |
| The Author's Point of View
[H] |
Say what the writer thinks about the subject, even when no opinion is stated. |
| Words That Take a Side
[H] |
Notice how a writer's wording steers what a reader concludes. |
| Facts, Judgments, and Honest Uncertainty
[H] |
Sort what can be checked from what is argued, and spot a writer naming their own limits. |
| Two Writers, One Subject
[H] |
Compare two texts on one subject and find the exact point where they part. |
| Stated or Implied?
[H] |
Tell what a text says outright from what it only lets you conclude. |
| What One Detail Tells You
[H] |
Draw the conclusion a single detail supports, and stop there. |
| The Line That Proves It
[H] |
Given a claim, find the sentence in the text that actually supports it. |
| Putting Two Details Together
[H] |
Reach a conclusion that no single sentence in the text states. |
| An Objective Summary
[H] |
Say what a text argued, in its own terms, without taking a side. |
| Deciding What to Leave Out
[H] |
Cut the details a summary can lose, and keep the ones it cannot. |
| Which Evidence Is Strongest
[H] |
Choose between two relevant details by asking which one settles it. |
| Inference or Guess?
[H] |
Spot the step that goes past what the text can carry. |
| What Your Sources Are Really About
[H] |
State the one question a set of sources is answering, precisely enough to compare them. |
| Where Sources Agree
[H] |
Find the ground two sources share before you look at where they split. |
| Where Sources Disagree
[H] |
Locate the exact sentence where two sources stop agreeing. |
| A Fact Fight or a Meaning Fight
[H] |
Tell whether two sources disagree about what happened or about what it means. |
| What Each Source Chose to Include
[H] |
Notice what one source puts first, and what another leaves out entirely. |
| Choosing the Source That Can Answer It
[H] |
Match a question to the source that is actually able to answer it. |
| Building One Answer from Several Sources
[H] |
Write one sentence that holds everything the sources support and nothing more. |
| What None of the Sources Tells You
[H] |
Name the question your sources leave open, and what would answer it. |
| The Main Idea of a Science Text
[M] |
Find what a science passage is really explaining. |
| Science Words Defined in Place
[M] |
Work out a technical word from the sentence that introduces it. |
| Following a Process in Order
[M] |
Track the steps of a life cycle or a process. |
| Cause and Effect in Science
[M] |
Say why something happens, using the text. |
| Comparing Two Living Things
[M] |
Say how two organisms or processes differ, and why. |
| Finding the Evidence
[M] |
Point to the sentence that proves a claim. |
| What the Science Actually Says
[H] |
Use what the passage taught you to answer a real science question. |
| Technical Words: Parts and Context
[M] |
Work out a science word from its parts and from the sentence around it. |
| How a Science Text Is Built
[M] |
Name the shape a science passage is built in, and use it to find the point. |
| Reading the Numbers in a Science Text
[M] |
Read a figure in prose for its unit, its size and how sure it is. |
| Models and Where They Break
[H] |
Judge a scientific model by what it predicts and by what it leaves out. |
| Claim, Evidence, and Reasoning
[H] |
Separate what a science text asserts from what it shows, and the link between. |
| Reading an Investigation
[H] |
Read a described experiment for what it changed, held steady and can show. |
| Cause, Correlation, and Coincidence
[H] |
Tell a cause from two things that merely happen together. |
| What the Science Actually Says
[H] |
Use what a passage taught you to answer a real life-science question. |
| The Main Idea of an Earth Science Text
[M] |
Find what an Earth or space passage is really explaining. |
| Science Words Defined Right There
[M] |
Work out an Earth or space term from the sentence that introduces it. |
| Following a Cycle in Order
[M] |
Track the steps of an Earth or space process in the right order. |
| Cause and Effect in Earth Science
[M] |
Say why something on Earth or in space happens, using the text. |
| Comparing Two Things in Space and on Earth
[M] |
Say how two places, bodies, or processes differ, and why it matters. |
| Numbers in a Science Text
[M] |
Read the measurements in a science passage and reason with them. |
| Finding the Evidence
[M] |
Point to the detail that actually proves a claim about Earth or space. |
| What the Science Actually Says
[H] |
Use what a passage taught you to answer a real Earth or space question. |
| Words Earth Science Redefines
[M] |
Read an earth science term for its exact meaning, not its everyday one. |
| Numbers Too Big to Picture
[H] |
Handle the huge distances, slow rates and long times an earth science text reports. |
| Diagrams That Cannot Be to Scale
[H] |
Judge an earth science model or diagram by what it is built to show. |
| Loops, Not Lines
[H] |
Follow a cause around a loop instead of straight down a list. |
| What Can and Cannot Be Predicted
[H] |
Tell a real prediction from a question no method can answer. |
| How We Know What Nobody Watched
[H] |
Name the measurement that supports a claim about something nobody saw happen. |
| What the Science Actually Says
[H] |
Use what a passage taught you to answer a real earth or space science question. |
| When Science Changes Its Mind
[H] |
Trace how new evidence overturned an idea scientists had accepted. |
| Physical Science Words, Defined in Place
[M] |
Work out a physical science term from the sentence that introduces it. |
| The Point of a Physical Science Text
[M] |
Find the mechanism a physical science passage is really explaining. |
| Running the Mechanism Forward
[M] |
Say why something physical happens, and follow the chain past one step. |
| Reading the Measurements
[M] |
Read numbers in a science passage for size, unit and what they compare. |
| Which Sentence Actually Proves It
[H] |
Point to the detail in a science text that settles a particular claim. |
| Reading a Fair Test
[H] |
Find what an investigation changed and what it deliberately held still. |
| What the Better Design Costs
[H] |
Name what an engineering choice gives up in exchange for what it gains. |
| Using the Physics on a New Case
[H] |
Apply a mechanism from the passage to a situation the passage never named. |
| The Main Idea of a History Text
[M] |
Find what a history passage is really about. |
| Putting Events in Time Order
[M] |
Work out what happened first, and how much time passed. |
| History Words in Context
[M] |
Work out what a historical term means from the text around it. |
| Causes and Consequences
[M] |
Explain why something happened, and what it led to. |
| Evidence in a History Text
[M] |
Point to the detail that actually proves a claim. |
| Whose Story Is Being Told
[H] |
Notice whose point of view a history text takes, and who is missing. |
| What the History Actually Says
[H] |
Use what the passage taught you to answer a real history question. |
| Reading a Source Like a Historian
[H] |
Ask who made a source, when, and what they wanted it to do. |
| Claims and the Evidence Under Them
[H] |
Separate what a history text asserts from what it shows. |
| When Sources Disagree
[H] |
Compare accounts of the same event instead of trusting one. |
| What the Wording Gives Away
[H] |
Notice how a writer's word choices shape what you conclude. |
| Putting a Source Back in Its Moment
[H] |
Read a source against what its writer could and could not know. |
| Summarizing Without Losing the Argument
[H] |
Write a summary that keeps the point, not just the facts. |
| Chains of Cause in History
[H] |
Follow why one thing led to another, and where the chain stops. |
| Whose Account Is This
[H] |
Work out whose view a history text carries, and who is missing. |
| What the History Actually Says
[H] |
Answer questions about the events themselves, from the text. |
| Civics Words With Exact Jobs
[H] |
Work out what a government word means from the sentence around it. |
| Who Holds Which Power
[H] |
Sort any government action by which job it is and at which level. |
| Steps, and Where They Stop
[H] |
Follow a civic process in order and find the points where it can end. |
| The Claim and the Support Under It
[H] |
Separate what a civics text asserts from what actually backs it up. |
| What a Rule Does After It Is Made
[H] |
Trace the effects a rule produces, including the ones nobody wrote down. |
| Who a Rule Lands On
[H] |
Ask whose interest a rule or an account serves, and who it leaves out. |
| What This Text Wants From You
[H] |
Identify what a civic text was written to make its reader do or think. |
| What the Key Tells You
[M] |
Read a map's key first, so its marks turn into meaning. |
| Which Way Is That?
[M] |
Say where one place is in relation to another, using the compass rose. |
| How Far Is That Really?
[M] |
Use a map's scale to turn a distance on paper into a distance on the ground. |
| Finding a Place Exactly
[H] |
Use grid squares, latitude and longitude to pin down where a place is. |
| Choosing the Right Map
[H] |
Match the kind of map to the question you are trying to answer. |
| The Shape Words
[M] |
Turn a geography text's shape words into a picture you can reason with. |
| People and the Land
[H] |
Explain how land shapes what people do, and how people change the land. |
| What a Map Cannot Tell You
[H] |
Name what a map left out, and judge what it can honestly be asked. |
| Economics Words in Context
[H] |
Pin down an economics term from the sentences around it. |
| The Cost of What You Did Not Choose
[H] |
Name what was given up when somebody in the text made a choice. |
| Why a Price Moved
[H] |
Explain a change in price by what happened to supply or to demand. |
| Reading the Numbers in the Text
[H] |
Work out what a figure in a social studies text does and does not measure. |
| Claims About Money, and What Backs Them
[H] |
Separate what an economics text asserts from what it actually shows. |
| Who Gains and Who Loses
[H] |
Trace a decision to the people it helped and the people it cost. |
| How Culture Moves and Changes
[H] |
Follow a practice as it travels between peoples and is changed by them. |
| What the Social Studies Actually Says
[H] |
Answer questions about the economics and the cultures themselves. |
| What a Noun Is
[E] |
Name the words that stand for a person, place, or thing. |
| Common Nouns and Proper Nouns
[M] |
Tell a general noun from the name of one particular thing. |
| What a Verb Is
[E] |
Name the words that tell what someone does. |
| Finding the Verb in a Sentence
[M] |
Pick out the verb inside a whole sentence. |
| Verbs That Do Not Show Action
[M] |
Find is, are, was and were doing a verb's job. |
| One Word, Two Jobs
[M] |
Decide whether a word is a noun or a verb from the sentence it is in. |
| Making the Verb Match
[M] |
Choose a verb form that matches one thing or many things. |
| Finding Both Parts
[M] |
Pick out the noun and the verb in the same sentence. |
| What an Adjective Is
[M] |
Name the words that tell what a noun is like. |
| Which Noun the Adjective Describes
[M] |
Match an adjective to the one noun it is telling you about. |
| Comparing: -er and -est
[M] |
Use the right form of an adjective to compare two things or many. |
| What an Adverb Is
[M] |
Name the words that tell more about what happened. |
| How, When, Where, How Often
[M] |
Say which question an adverb is answering. |
| Adjective or Adverb?
[H] |
Choose between a describing word and its -ly form. |
| What a Pronoun Is
[M] |
Replace a noun with the pronoun that fits its job. |
| The Noun a Pronoun Stands For
[H] |
Track a pronoun back to the noun it replaced. |
| I or Me, He or Him
[H] |
Pick the right pronoun form even when another person is named too. |
| The Four Kinds of Sentence
[M] |
Tell a statement, question, command, and exclamation apart. |
| Spotting a Fragment
[M] |
Tell when a group of words stops before it is a sentence. |
| Fixing a Fragment
[M] |
Add what is missing so a fragment becomes a sentence. |
| Spotting a Run-On
[M] |
Notice when two sentences have been jammed into one. |
| Three Ways to Fix a Run-On
[H] |
Repair a run-on, and choose the repair that fits the meaning. |
| Joining Two Sentences
[H] |
Combine short sentences with the joining word the meaning needs. |
| Sentence, Fragment, or Run-On?
[H] |
Sort any group of words into complete, too short, or too long. |
| Past, Present, or Future?
[M] |
Tell from the verb whether a sentence is about the past, the present, or the future. |
| Building the Past Tense with -ed
[H] |
Add -ed to a verb and make the spelling changes the ending forces. |
| Verbs That Do Not Take -ed
[H] |
Use the past tense of the irregular verbs, and keep it apart from the participle. |
| Actions Caught in the Middle
[H] |
Use am, is, are, was, were and will be with an -ing verb to show an action in progress. |
| Have, Has and Had
[H] |
Use have, has and had with a past participle, and say what had adds. |
| Keeping the Tense Steady
[H] |
Notice a sentence that slips into a different tense and put it back. |
| Making the Verb Match Its Subject
[H] |
Match a present-tense verb, including am, is and are, to its subject. |
| Subjects That Trick You
[H] |
Find the real subject when a phrase, a group word or a There sentence hides it. |
| Commas in a List
[M] |
Separate three or more items in a sentence with commas. |
| The Comma After an Opener
[M] |
Close off a word or phrase that comes before the main sentence. |
| The Comma Before and, but, or, so
[H] |
Use a comma when a joining word connects two whole sentences. |
| Commas Around the Person You Are Talking To
[H] |
Set off the name of the person being spoken to. |
| Commas in Dates, Places, and Letters
[H] |
Punctuate a full date, a city and state, and the lines of a letter. |
| Quotation Marks Around What Someone Says
[H] |
Punctuate a spoken line and the words that tell who said it. |
| Apostrophes in Contractions
[M] |
Put the apostrophe exactly where the missing letters were. |
| Apostrophes That Show Ownership
[H] |
Show who owns something with 's or s'. |
| its, it's, and the Plural That Needs No Apostrophe
[H] |
Choose between look-alike words that an apostrophe tells apart. |
| Clause, or Just a Phrase?
[H] |
Tell an independent clause, a dependent clause, and a phrase apart. |
| Prepositions and the Phrases They Start
[H] |
Find a prepositional phrase and say where it starts and stops. |
| The Subject Is Never Inside the Phrase
[H] |
Ignore the prepositional phrase and match the verb to the real subject. |
| All Seven Coordinating Conjunctions
[H] |
Choose among the seven - and, but, or, so, for, nor, and yet - by what each one claims. |
| The Comma Before a Joining Word
[H] |
When a joining word holds two halves together, the comma goes in only if a whole sentence follows it. |
| Subordinating Conjunctions
[H] |
Use because, although, unless, until, and their kin to say how two ideas relate. |
| Where the Comma Goes in a Complex Sentence
[H] |
Comma after a leading dependent clause, none after a trailing one. |
| Conjunctions That Come in Pairs
[H] |
Use both...and, either...or, neither...nor, and not only...but also, with matching halves. |
| Simple, Compound, Complex
[H] |
Name the structure of any sentence by counting its clauses. |
| Naming Words and Names
[M] |
Tell a word that names one particular thing from a word that names a whole group. |
| Titles That Go With a Name
[M] |
Capitalize a title or family word when it is part of somebody's name. |
| Place Names and Directions
[M] |
Capitalize the name of a particular place, but not a kind of place or a direction. |
| Days, Months, and Holidays
[M] |
Capitalize days, months, and holidays - and leave the seasons alone. |
| Languages, Peoples, and School Subjects
[H] |
Capitalize languages, countries, and the people from them, but not school subjects. |
| Capitals Inside Quotation Marks
[H] |
Capitalize the first word of a quoted sentence, and know when the second half does not get one. |
| Which Words in a Title Get a Capital
[H] |
Capitalize the first word, the last word, and every important word in a title. |
| Quotation Marks or Italics
[H] |
Choose quotation marks for a piece of a work and italics for a whole work. |
| Every Capital Rule at Once
[H] |
Check a whole sentence and name the rule behind each capital letter. |
| Doubling at the End of a Short Word
[M] |
Double a final f, l, s or z after one short vowel. |
| Spelling /k/ at the End: ck, k or ke
[M] |
Choose ck, k or ke for the /k/ sound at the end of a word. |
| The Extra Letter a Short Vowel Asks For
[M] |
Write tch and dge after a short vowel, ch and ge everywhere else. |
| Same Sound, Different Place in the Word
[M] |
Use ai and oi inside a word, and ay, oy and y at the end. |
| Letters You Cannot Hear
[H] |
Spell words that keep a letter nobody says. |
| ie or ei
[H] |
Choose between ie and ei using the sound and the letter before it. |
| The /shun/ Ending: -tion, -sion or -cian
[H] |
Choose between -tion, -sion and -cian at the end of a word. |
| The Vowel You Cannot Hear
[H] |
Find an unstressed vowel by saying a related word out loud. |
| Catching It and Naming the Rule
[H] |
Find the misspelled word in a sentence and say which rule fixes it. |
| Knowing When You Have a Sentence
[M] |
Tell a finished sentence from a piece of one. |
| Saying More Than the Bare Fact
[M] |
Add detail that answers a question a reader would ask. |
| Verbs That Do the Work
[M] |
Choose a verb precise enough to replace a description. |
| Naming the Thing Exactly
[M] |
Replace a category word with the actual thing. |
| Joining Two Sentences
[M] |
Put two related sentences together without making a run-on. |
| Choosing the Right Joining Word
[M] |
Pick the joining word that states the real relationship. |
| Not Starting Every Sentence the Same Way
[H] |
Notice a repeated opening and rewrite one to break it. |
| The Sentence the Others Are About
[H] |
Find or choose the sentence a paragraph is built on. |
| The Sentence That Does Not Belong
[H] |
Spot a sentence that wanders off the paragraph's point. |
| Naming Why It Does Not Fit
[H] |
Say what is wrong with an off-point sentence, not just which it is. |
| Details That Actually Support
[H] |
Choose detail that backs the claim you made. |
| Ending Without Adding
[H] |
Close a paragraph by landing the point, not opening a new one. |
| Linking Words Between Sentences
[H] |
Use a transition that states the real relationship. |
| Where One Paragraph Ends
[H] |
Find the point where a new idea starts and split there. |
| A Claim or a Fact?
[H] |
Tell a position someone could argue with from a fact they could check. |
| The Reason Under a Claim
[H] |
Find the sentence that says why a position holds. |
| A Reason That Just Says It Again
[H] |
Spot a reason that goes in a circle instead of forward. |
| Evidence That Actually Proves It
[H] |
Tell measured evidence from a stronger way of repeating an opinion. |
| Claims You Cannot Defend
[H] |
Recognize a claim pushed past what any evidence could support. |
| Answering the Other Side
[H] |
Answer the strongest objection instead of talking past it. |
| The Shape of an Argument
[H] |
Name the job each sentence in an argument is doing. |
| Explaining or Arguing?
[H] |
Tell a sentence that explains from one that argues, tells a story, or gives orders. |
| Saying What You Will Explain
[H] |
Open a report with a sentence that says what about the subject will be explained. |
| Putting Facts Where They Belong
[H] |
Group related facts under the heading that answers the same question. |
| Sentences That Add Something
[H] |
Develop a point with real information instead of repeating it louder. |
| Defining a Word for Your Reader
[H] |
Write a definition that names the kind of thing and what sets it apart. |
| The Exact Word
[H] |
Use the subject's own word instead of describing your way around it. |
| Sounding Like a Report
[H] |
Keep the writer, the reader, and casual talk out of an explanation. |
| Your Own Words, the Same Facts
[H] |
Restate a source's fact in your own wording without changing it. |
| Starting Where the Story Starts
[M] |
Begin a story inside the moment instead of outside it. |
| Telling It in an Order a Reader Can Follow
[H] |
Keep events in order and mark the jumps with real time signposts. |
| Showing a Feeling Instead of Naming It
[H] |
Replace a named feeling with something a reader can watch. |
| The Detail That Earns Its Place
[H] |
Choose details that do a job instead of filling space. |
| Dialogue That Does a Job
[H] |
Keep the lines that change something and cut the ones that do not. |
| Slowing Down the Part That Matters
[H] |
Spend sentences in proportion to what a moment is worth. |
| One Narrator, One Time
[H] |
Hold a story in the same tense and the same person all the way through. |
| An Ending That Lands
[H] |
End by showing what is different now. |
| The Shape of a Story
[H] |
Name the job each sentence in a story is doing. |
| Revising and Editing Are Different Jobs
[M] |
Tell a change that fixes what a piece says from one that fixes how it is written. |
| Cutting Words That Do No Work
[H] |
Cut the words that repeat something the sentence has already said. |
| Pronouns That Point at Nothing
[H] |
Find a pronoun a reader cannot trace back and rewrite it so they can. |
| The Sentence in the Wrong Place
[H] |
Find the sentence a reader meets before they can understand it. |
| Where the Describing Words Landed
[H] |
Put a describing phrase next to the thing it is supposed to describe. |
| Lists That Match
[H] |
Build every item in a list out of the same kind of phrase. |
| Tense That Slips
[H] |
Keep a whole piece in one tense, and put a slipped sentence back. |
| What a Spellchecker Cannot Catch
[H] |
Catch a correctly spelled word that is the wrong word. |
| Finding the Error and Naming It
[H] |
Find the one error in a sentence, name what kind it is, and fix just that. |
| A Question Worth Researching
[M] |
Turn a subject into a question that sources can actually settle. |
| The Words Worth Searching
[H] |
Pull the searchable words out of a research question. |
| Choosing the Right Reference Work
[H] |
Match a research need to the reference work built to answer it. |
| Finding It Inside the Book
[H] |
Use contents, index, glossary and title page for what each is for. |
| Guide Words and Alphabetical Order
[H] |
Use guide words to decide whether a word is on a page. |
| Does This Source Answer My Question?
[H] |
Tell a source that answers your question from one that merely shares it. |
| Who Wrote It, and Why
[H] |
Weigh a source by its author, its date and its purpose. |
| Notes in Your Own Words
[H] |
Take a note that carries the idea without carrying the sentence. |
| Naming Where It Came From
[H] |
Record a source completely enough that a reader could find it. |
| What the End Mark Tells Your Voice
[M] |
Read a line the way its end mark says to read it. |
| Reading in Groups, Not One Word at a Time
[M] |
Group the words in a line the way they belong before you read it aloud. |
| Where the Marks Say Pause
[M] |
Pause where a comma is and stop where an end mark is, and nowhere else. |
| The Word You Lean On
[H] |
Choose which word to stress, and know what stressing it tells a listener. |
| Reading a Character's Voice
[H] |
Say only the quoted words in the character's voice, the way the tag says. |
| A Line Is Not a Sentence
[H] |
Read a poem by its punctuation instead of stopping at every line break. |
| Catching Yourself and Going Back
[H] |
Notice when what you read stopped making sense, and find the word to fix. |
| What Smooth Reading Is Made Of
[H] |
Name the five parts of fluent reading and tell which one a reader missed. |
| The Answer Is Right There
[M] |
Find the words in the text that answer the question. |
| What the Whole Thing Is About
[M] |
Say what a whole text is about, not just what one part of it says. |
| Which Question Does It Answer?
[M] |
Tell which questions a text can answer and which ones it cannot. |
| First, Next, Last
[M] |
Put the events or the steps of a text in the order they happen. |
| Who, Where, and How They Feel
[M] |
Name who a story is about, where it happens, and how the people feel. |
| Saying Why It Happened
[M] |
Give the reason something happened, using what the text says. |
| A Word You Can Work Out
[M] |
Work out what a new word means from the sentences around it. |
| Alike and Different
[H] |
Tell how two things in a text are alike and how they are different. |
| Who It Is About, Where, and When
[M] |
Name the person a text follows, the place it happens, and the time - even when the text never says them out loud. |
| What Happened First, Next, and Last
[M] |
Keep events in the order they happened, even when the text mentions them in a different order. |
| The Problem and How It Gets Fixed
[M] |
Name what is standing in a character's way, and name what finally moves it. |
| How Someone Feels, and How You Know
[M] |
Name a character's feeling from what the text shows, and notice when the feeling changes. |
| What the Whole Text Is About
[M] |
Say what a whole text is about instead of naming one detail from inside it. |
| Key Details, and the One That Proves It
[M] |
Go back and find the small fact a question asks for, then learn to pick the part of a text that proves a claim. |
| Why It Happened, and Why the Writer Said It
[H] |
Give the reason something happened, say why the writer put a part in, and use a reason the text gave you on a case it never mentioned. |
| A New Word or Phrase You Can Work Out
[H] |
Work out an unknown word - or a whole phrase - from the sentences around it instead of stopping. |
| Who, What, Where, When, Why, and How
[M] |
Answer a question about any text by going back and finding what the text actually says - even when it never says it in so many words. |
| Order, Steps, and What Made It Happen
[M] |
Keep events, steps and reasons hooked together in the right order, even when the text mentions them out of order. |
| What a Character Does About It
[M] |
Name how a character feels, and then name what the character actually does about it. |
| The Lesson a Story Teaches
[M] |
Say the lesson a story, folktale, poem or play is teaching, instead of retelling what happened in it. |
| The Main Topic, and What Each Part Adds
[M] |
Say what a whole true text is about, and say what one part of it is doing inside that whole. |
| Working Out a New Word or Phrase
[H] |
Use the sentences around an unknown word - or a whole phrase - to work out what it means, instead of stopping. |
| Why the Author Wrote It
[H] |
Name the job an author gave a text - to explain, to show how, to tell what really happened, or to talk you into something - and find the reasons an author gives. |
| Whose Voice Is This?
[H] |
Say who is telling a text, and see how two people can watch the same thing and describe it two different ways. |
| What the Whole Text Is About
[M] |
Say what a whole text is about, in any genre, instead of naming one striking detail from inside it. |
| The Detail That Proves It
[M] |
Go back and find the exact detail a question asks for, and pick the one piece of a text that actually proves a given claim. |
| Order, and Why It Happened
[M] |
Keep events in the order they really happened, and give the reason something happened using the text. |
| People on the Page
[M] |
Name what a character or speaker is like, how they feel, and how they change, using what the text shows rather than what it says outright. |
| The Lesson a Text Leaves You With
[H] |
State the message or lesson of a story, folktale, poem, play or life as a sentence about people, not as a one-word topic. |
| Words and Phrases You Can Work Out
[H] |
Work out an unfamiliar word from the sentences around it, and tell when a phrase does not mean what its words say. |
| Reading Between the Lines
[H] |
Answer a question the text never answers outright, using a clue from the page plus what you already know. |
| Why the Writer Wrote It That Way
[H] |
Name why a writer made a text, and why a particular part of it is there at all. |
| What the Whole Text Says
[H] |
State what a whole text says about its topic, in any genre, and tell a main idea apart from a striking detail. |
| The Detail, and the Line That Proves It
[H] |
Go back and find the exact detail a question asks for, and choose the one line in a text that actually proves a given claim. |
| How the Text Is Put Together
[H] |
Name the shape a text is built in, and say what a paragraph, a stanza or a stage direction is doing where it sits. |
| Working Out a Word, Plain or Not
[H] |
Work out what a word or phrase means from the text around it, including words that are not meant literally and words with a second meaning. |
| What the Text Does Not Say Outright
[H] |
Draw a conclusion the text supports but never states, and know where the text stops supporting you. |
| People, and What Changes Them
[H] |
Describe a character in depth from what they do, say and choose, and say what the setting or an event does to them. |
| The Message Under the Story
[H] |
State the message of a story, folktale, poem or scene as a sentence about life that the whole text supports. |
| Whose Account, and Why It Was Written
[H] |
Work out who is telling a text, whether the account is firsthand or secondhand, and what the writer wanted from you. |
| The Point, and How to Say It Short
[H] |
State what a whole text is saying about its topic, and summarize it without losing the point or adding your opinion. |
| The Line You Would Point At
[H] |
Pick the exact detail that settles a claim, rather than a detail that is merely true. |
| What the Text Made True Without Saying It
[H] |
Answer a question the text never answers outright, using a clue on the page plus what you already know - and stop where the clue stops. |
| The Shape of the Thing
[H] |
Name how a text is put together, and explain why a writer chose that shape and that order. |
| What the Whole Thing Says About People
[H] |
State the theme or message of a text as a sentence about people, and check it against the ending. |
| Who Is Telling You This
[H] |
Work out whose account you are reading, what that lets them know, and whose view is missing from the page. |
| Working Out a Word on the Page
[H] |
Use the sentences around a word to settle its meaning, including figurative phrases and ordinary words used in a special way. |
| Claims, Reasons, and Whether the Evidence Reaches
[H] |
Separate a writer's claim from the reasons under it, judge whether the evidence reaches that far, and name what the writer wanted the reader to do. |
| The Idea the Whole Text Is Serving
[H] |
Name what a whole text is saying about its topic, and write a summary that keeps the point instead of the most memorable facts. |
| The Line That Settles It
[H] |
Choose the exact detail that settles a particular claim, rather than a detail that is merely true or merely nearby. |
| What the Text Made True Without Saying It
[H] |
Answer a question the text never answers outright, using a line on the page plus what you already know - and stop where the line stops. |
| What the Whole Thing Says About People
[H] |
State the theme or message of a text as a sentence about people, and check it against the ending the writer actually chose. |
| Why That Part Is in That Place
[H] |
Name how a text is put together, and explain what a particular paragraph or stanza is doing where the writer put it. |
| Whose Account Is This
[H] |
Work out whose account you are reading, what it lets them know, what it makes them want you to think, and whose view is missing. |
| A Word Inside Its Sentence
[H] |
Settle what a word or phrase means from the sentences around it, including figures of speech and ordinary words doing a special job. |
| Claim, Reason, and How Far the Evidence Reaches
[H] |
Trace a writer's claim to the reasons and evidence under it, and judge whether the evidence reaches as far as the claim does. |
| The Idea the Whole Thing Is Built Around
[H] |
State what a whole text is about when it never says so, and write a summary that keeps its point instead of its most memorable fact. |
| The Line You Would Put Your Finger On
[H] |
Pick the one detail that settles a particular claim, and say why the other true details do not reach it. |
| What the Text Made True Without Printing It
[H] |
Build an answer the writer never wrote, from a clue on the page plus what you know - and stop exactly where the clue stops. |
| The Shape, and the Job of Each Part
[H] |
Name how a text is built, and explain what one paragraph is doing where it sits. |
| What the Whole Thing Says About People
[H] |
State a text's theme as a sentence about people, and check it against the ending the writer actually chose. |
| Who Is Telling You This, and Who Is Not
[H] |
Work out whose account you are reading, what it lets them know, what it keeps them from admitting, and whose view never appears. |
| Word Choice, and What It Is Doing to You
[H] |
Settle a word's meaning from the sentences around it, and name what a writer's particular choice of word is doing to the reader. |
| Claims, Reasons, and How Far the Evidence Reaches
[H] |
Separate a claim from its reasons and its evidence, and judge whether the evidence actually reaches as far as the claim goes. |
| Two Accounts of the Same Thing
[H] |
Compare what two texts on one subject emphasize, where they genuinely conflict, and what each kind of source can and cannot tell you. |
| The One Thing It Is All Serving
[H] |
State the idea a whole text is built to serve when it is never printed, and write a summary that carries the point instead of the best detail. |
| The Line You Would Put Your Finger On
[H] |
Pick the one detail that settles a particular claim, and say why the other true details do not reach it. |
| What the Text Made True Without Printing It
[H] |
Build an answer the writer never wrote, from clues on the page plus what you know, and stop exactly where the clues stop. |
| The Shape, and the Job of One Part
[H] |
Name how a text is built, and explain what one paragraph, line or stage direction is doing in the place where it sits. |
| What the Whole Thing Says About People
[H] |
State a text's theme as a sentence about people, and check it against the ending the writer actually chose. |
| What You Know That They Do Not
[H] |
Track the gap between what you have been told and what a person inside the text knows, in stories and in true accounts alike. |
| Word Choice, and What It Is Doing to You
[H] |
Settle a word's meaning from the sentences around it, and name what the writer's particular choice of word is doing to the reader. |
| How Far the Evidence Actually Reaches
[H] |
Separate a claim from its reasons and evidence, judge whether the evidence reaches as far as the claim goes, and spot a piece that does not belong at all. |
| When Two Accounts Do Not Agree
[H] |
Work out whether two texts on one subject disagree about a fact, about an interpretation, or about nothing at all. |
| Say It Straight First
[H] |
Restate a difficult passage accurately before you interpret it. |
| The Weight of One Word
[H] |
Ask why the writer chose this word and not the nearest alternative. |
| What the Sentence Shape Does
[H] |
Read the structure of a sentence as part of what it means. |
| The Image That Carries It
[H] |
Read a concrete detail or comparison for the abstract work it is doing. |
| Where the Tone Turns
[H] |
Name a text's attitude toward its subject, and find where it changes. |
| What the Text Will Not Say
[H] |
Draw a conclusion the words on the page require but never state. |
| The Line That Actually Proves It
[H] |
Choose the quotation that supports your claim, not the one nearest it. |
| Reading With a Pencil
[H] |
Mark a text so the second pass starts where the first one ended. |
| Where the Reading Stops
[H] |
Tell a reading the text supports from one you have supplied yourself. |
| What a Character Does Instead of Saying
[H] |
Read a character from conduct, from how other people behave around them, and from what nobody says out loud. |
| The Reason a Character Will Not Give
[H] |
Work out what a character actually wants when the reason they offer is not the reason they have. |
| The Distance Between the Telling and the Told
[H] |
Measure the distance between what a narrator claims and what the same text shows. |
| The Object That Does the Work
[H] |
Read the object, gesture or image that carries what the sentence refuses to state. |
| Voice as Evidence
[H] |
Use word choice, sentence shape and sentence length as evidence about the person speaking. |
| Set Against Each Other
[H] |
Use one character to see another, without letting the contrast turn into a verdict. |
| Characters Who Do Not Add Up
[H] |
Hold two true and incompatible things about one character at the same time instead of choosing between them. |
| What Changes, and What It Costs
[H] |
Locate the turn in a character, and say what the change leaves untouched and what it costs. |
| Stating a Theme as a Claim
[H] |
Write a theme as a sentence somebody could argue with, not a noun. |
| The Evidence a Theme Rests On
[H] |
Support a claim about theme with the detail that would break it if removed. |
| Motif: What Keeps Coming Back
[H] |
Track a repeating image or word, then say what changes between its first appearance and its last. |
| When an Object Starts Carrying the Meaning
[H] |
Read a symbol by the gap between what an object does and what the text keeps it for. |
| The Central Argument of a Nonfiction Text
[H] |
Name the one thing a writer wants conceded, as distinct from the subject. |
| Concession, Rebuttal, and What They Cost
[H] |
Tell a granted point from a denied one, and say what the writer bought with it. |
| Two Readings, One Text
[H] |
Say what a text settles, what it declines to settle, and which reading the evidence rules out. |
| How a Theme Gets Built
[H] |
Follow an idea from its first appearance through the place it is complicated to its last. |
| The Shape of the Whole
[H] |
Name how a narrative is arranged, separately from what happens in it. |
| Story Time and Telling Time
[H] |
Separate the order events happened in from the order the text reveals them. |
| Where the Story Turns
[H] |
Find the hinge - the point after which the same events mean something else. |
| Scene, Summary, and the Skipped Year
[H] |
Read the ratio between page time and story time as a statement of emphasis. |
| What the Structure Withholds
[H] |
Treat a missing piece as a shaped choice rather than an accident. |
| The Story Inside the Story
[H] |
Read the outer situation that contains a telling, not only the telling. |
| Strands Set Against Each Other
[H] |
Read the seam between two strands, where the writer has left the connection out. |
| How an Ending Works
[H] |
Judge an ending by what it does to the text behind it, not by what it settles. |
| Where the Line Stops
[H] |
Read a line break as a decision, and say what the break is doing. |
| The Shape the Poem Agreed To
[H] |
Identify a poem's form and say what obeying it costs and buys. |
| Counting the Beat, and What Breaks It
[H] |
Hear a poem's metrical pattern and read the places where it departs. |
| Rhyme, Near Rhyme and What They Yoke
[H] |
Read a rhyme scheme, hear a near rhyme, and say what the pairing does. |
| What the Sound Is Doing
[H] |
Name a sound pattern in a line and say what it does to the reading. |
| The Line That Comes Back
[H] |
Read a repeated line for what has changed around it. |
| The Image That Carries the Argument
[H] |
Read a concrete detail for the claim it is making without stating it. |
| The Voice and What It Will Not Say
[H] |
Identify a poem's speaker and read the gap between what is said and known. |
| Verse, Prose, and the Moment of the Switch
[H] |
Read the register a character is speaking in, and read what a change of register means. |
| Soliloquy and Aside
[H] |
Read a character thinking alone, and treat that thinking as an argument rather than a confession. |
| The Stage Directions Inside the Dialogue
[H] |
Reconstruct what happens physically on stage from the lines themselves. |
| Quibbles: One Word Doing Two Jobs
[H] |
Read a pun as an argument being made, not as a joke interrupting one. |
| Image Patterns and What They Argue
[H] |
Follow an image across a scene and say what claim it is quietly making. |
| What the Line Does Not Say
[H] |
Read the meaning a character conveys by refusing to state it. |
| What the Audience Knows
[H] |
Track the gap between what the audience knows and what a character knows, and say what the gap does to a line. |
| Persuasion in Front of an Audience
[H] |
Analyze a stage speech as a set of moves aimed at the people standing there. |
| Reading the Period Off the Page
[H] |
Name the period habits a text is using from the writing itself, without being told the label. |
| Evidence for a Claim About a Text
[H] |
Test a claim about a text against the detail that would actually settle it. |
| Form Carries the History
[H] |
Explain what a technical choice about narration asserts about what can be known. |
| The Moment That Made the Text
[H] |
Connect what a text worries about to the conditions it was written in - and say how far the connection reaches. |
| Movements Answer Other Movements
[H] |
Identify what a text is refusing, and read the refusal as part of its argument. |
| One Subject, Two Periods
[H] |
Compare two treatments of the same material and locate exactly where the periods part. |
| Reading a Text Forward, Not Backward
[H] |
Keep a later fact, a later word, or a later verdict from being smuggled into a reading. |
| Who Gets Counted In
[H] |
Ask how a movement's roster was assembled, and what a roster can and cannot measure. |
| Verbal Irony: Words Against Meaning
[H] |
Detect a speaker who means something other than what the words say, and name what the gap is doing. |
| Situational Irony: Aim Against Outcome
[H] |
Tell an ironic outcome from a merely unfortunate one by testing it against the aim that produced it. |
| Dramatic Irony: What the Audience Carries
[H] |
Track what a reader knows that a character does not, and say what the gap does to the lines that follow. |
| The Gap Between a Speaker and the Text
[H] |
Measure the distance between what a speaker claims about himself and what the text puts on the page - including when the distance is zero. |
| Satire: Finding the Target
[H] |
Separate what a satire pretends to be from what it wants you to think worse of. |
| How Satire Works on a Reader
[H] |
Name the technique a satire is using and say what it buys that a plain complaint could not. |
| Is It Irony at All?
[H] |
Decide whether a text is ironic by naming the gap, rather than by how the text makes you feel. |
| Ambiguity: What a Text Refuses to Settle
[H] |
Say what a text settles, what it deliberately leaves open, and which readings its evidence rules out. |
| Exigence: What Made This Necessary
[H] |
Identify the pressure that called a text into being, and separate it from the occasion. |
| The Audience Under the Audience
[H] |
Tell apart who a text is addressed to, who it is written for, and who is meant to overhear it. |
| The Speaker Is a Construction
[H] |
Describe the version of a writer that a text builds, and why that version fits the situation. |
| Stated Purpose and Working Purpose
[H] |
Separate what a text says it is doing from the job it is actually built to do. |
| What the Writer Was Not Free to Say
[H] |
Find the limits a situation places on a text, and read what those limits shaped. |
| Kairos: Why Now
[H] |
Judge how a text's timing changes what it can accomplish. |
| The Shape the Medium Demands
[H] |
Explain how the form a text is delivered in changes what it can and cannot do. |
| When a Text Changes Situations
[H] |
Track what happens to a text's meaning when it is carried out of the situation it was written for. |
| The Voice on the Page Is a Made Thing
[H] |
Work out who is speaking, to whom, and what they want from being believed. |
| What the Text Will Not Say
[H] |
Read the meaning a text carries in its evasions, pauses and unasked-for denials. |
| The Image That Does the Arguing
[H] |
Read a figure as a move in an argument rather than as an ornament on one. |
| Tone, and the Distance a Writer Keeps
[H] |
Hear the attitude a text takes toward its material and toward you. |
| Form as an Argument
[H] |
Explain what a form promises a reader, and what a writer's departure from it means. |
| A Theme Held Open
[H] |
State what a text argues about how things are, and then test it on the part that resists. |
| Movements in Argument With Each Other
[H] |
Read a text against what it was written to oppose, and ask who wrote the label you are using. |
| The Line That Settles It
[H] |
Choose the quotation that separates your reading from the nearest rival reading. |
| The Machinery in Plain Sight
[H] |
Read a repeated phrase, a fixed opening or a stock scene as equipment a performer needs, and then ask where this writer chose to put it. |
| The Comparison Brings Its Own World
[H] |
Read an extended comparison as an argument, asking what world it imports and whose side that world turns out to be on. |
| What the Culture Is Paying For
[H] |
Work out what a heroic story treats as the reward, and read the hero as an argument a culture is having with itself. |
| Two Full Explanations, Both Kept
[H] |
Hold a divine cause and a human cause in the same event without letting one of them cancel the other. |
| Where the Poem Puts the Cut
[H] |
Follow how an epic is arranged - the digression, the ring, the delayed return - and say what the arrangement is for. |
| The Audience Knows First
[H] |
Track the gap between what an audience has worked out and what a character still believes, and say what the gap is doing. |
| Who Is Given a Line
[H] |
Notice who a victory story lets speak, who it keeps offstage, and what the arrangement is doing. |
| How the Words Got Here
[H] |
Ask by what route a text reached you, and what the route did to it, before arguing about what it means. |
| Every Line Is a Decision
[H] |
Read a translated sentence as one option that somebody selected, and name what the selection ruled out. |
| Two Versions, One Original
[H] |
Compare two renderings of the same text and say precisely what each one bought and what it paid. |
| The Word That Takes a Paragraph
[H] |
Name the four things a translator can do with a term that has no English equivalent, and what each one costs. |
| What Happens to the Shape
[H] |
Track what a poem's meter, rhyme and repetition do when they meet a language that cannot supply them. |
| The Voice the Translator Picks
[H] |
Hear the level of a translated voice - formal or plain, warm or official - and ask what the choice does to the speaker. |
| What the First Readers Already Knew
[H] |
Spot the knowledge an original audience brought to a text, and judge how a translation handles a reader who does not have it. |
| The Apparatus Around the Text
[H] |
Read the title, cover, introduction and notes as arguments about how the book inside should be taken. |
| Judging a Translation You Cannot Check
[H] |
Build an argument about a translation using evidence a reader without the source language actually has. |
| The Shape You Brought With You
[H] |
Name the pattern you think you are seeing, then test whether it is in the text or in you. |
| There Is No Original
[H] |
Treat the text in front of you as one version among others, and say what that version does differently. |
| The Room the Story Was Told In
[H] |
Reconstruct the teller, the listener and the occasion before deciding what a traditional story means. |
| Motif, Symbol, Archetype
[H] |
Name the level of the thing you noticed, and say what evidence a claim at that level would need. |
| What the Story Authorizes
[H] |
Identify what a myth or tale accounts for in the listener's own world, and what would be unsettled without it. |
| The Lesson That Arrives from Outside
[H] |
Separate the lesson printed at the end of a tale from what the tale itself shows, and say who attached it. |
| What a Change of Body Costs
[H] |
Read a transformation as an event with consequences, and say what the new form is afterward used for. |
| Who Is Described and Who Speaks
[H] |
Count who speaks in their own voice, who is only reported, and who appears in a story without appearing in the record of it. |
| Scene and Summary
[H] |
Tell a single dramatized moment from a stretch of time compressed, and find the sentence where one becomes the other. |
| Showing a State, and Only That State
[H] |
Write behavior a reader can name one particular feeling from, instead of naming it for them or labeling the gesture you just wrote. |
| Filter Verbs, and the One That Has to Stay
[H] |
Cut saw, heard, felt and noticed where they only add distance, and keep them where they are the only thing holding a belief apart from a fact. |
| What This Narrator Can Know
[H] |
Hold a story to what its narrator can see, hear or think, and tell a character's inference from the narration's own claim. |
| Tags, Beats and What Goes Between Them
[H] |
Punctuate a dialogue tag, an action beat, and a quotation interrupted in the middle by its tag. |
| Information a Character Would Not Say
[H] |
Spot the line that exists to inform the reader, and tell it from a line that raises the same history for a reason of its own. |
| The Detail That Does Two Jobs
[H] |
Choose the concrete detail a reader can reach the withheld conclusion from, instead of a detail that is merely vivid. |
| What the Scene Changes
[H] |
Find the sentence where a scene changes what a character knows, what they can still take back, or what the next scene is able to do. |
| The Image Instead of the Statement
[H] |
Put a thing in front of the reader's senses instead of naming the feeling you want them to have. |
| Naming the Figure Exactly
[H] |
Tell seven figures of speech apart by what each one actually does to the sentence. |
| What the Sounds Are Doing
[H] |
Name the sound device a line is built on, and say where in the words the repetition sits. |
| True, Slant, and Eye Rhyme
[H] |
Judge a rhyme with your ear instead of your eye, and name the four kinds a poet can use. |
| Reading a Rhyme Scheme
[H] |
Label the pattern of line endings in a stanza with letters, including when the rhymes are slant. |
| Scanning a Line
[H] |
Count a line's syllables, hear where the stresses fall, and name the meter that results. |
| Where the Line Breaks
[H] |
Tell an end-stopped line from an enjambed one, and see what a break does to the words on either side of it. |
| Fixed Forms and Free Verse
[H] |
Identify the fixed forms by the promises each one makes about length, repetition, rhyme, and meter. |
| Revising a Poem
[H] |
Find the three cuts - the worn comparison, the mixed picture, and the line that explains the poem - that improve a draft more than any addition would. |
| The Lede and What It Promises
[H] |
Read a news lede for the fact it selects and the story it obligates the rest of the piece to deliver. |
| How a News Story Is Stacked
[H] |
Explain why a news story is ordered by a reader's need rather than by time, and predict what disappears when it is cut. |
| Who Says So
[H] |
Trace every sentence in a report to what the reporter saw, what a document says, or what a person claimed - and notice when a verb adds a judgment. |
| On the Record, and What Anonymity Costs
[H] |
Weigh a source by the condition they spoke under, the reason they are unnamed, and what the paper did besides take their word. |
| What a Quotation Is For
[H] |
Decide when a speaker's exact words earn their space and when a paraphrase serves the reader better. |
| News, Analysis, Editorial, Column
[H] |
Tell the four kinds of newspaper writing apart from the sentences themselves rather than from the label above them. |
| Balance, Weight and the Manufactured Middle
[H] |
Separate how much space each side of a story receives from what stands behind each side's claims, and name what the reporting has not settled. |
| Names, Harm and What a Paper Owes Afterward
[H] |
Judge a newsroom decision by what it costs the person it lands on, what it gives the reader, and whether the paper disclosed that it made a choice. |
| Meeting the Argument
[H] |
Decide whether a reply actually answered the argument in front of it, or landed somewhere beside it. |
| If It Ends Even
[H] |
Say which side has to prove what, and what follows when nobody has proved it. |
| The Sentence That Decides
[H] |
Find the term whose meaning settles the dispute, and see what each proposed meaning would decide. |
| What the Question Is Doing
[H] |
Read a question in a cross-examination or from a bench as a move, and name what it is trying to get. |
| When Both Sides Are Right
[H] |
Compare two proved harms out loud, using likelihood, size, timing and whether the thing can be undone. |
| Giving Ground on Purpose
[H] |
Recognize a concession as a move, and say what it costs and what it buys. |
| Evidence, and Labels on Evidence
[H] |
Separate what a source says from what a speaker says it says, and name the move when the two differ. |
| Built for the Ear
[H] |
Explain what a spoken argument does differently because a listener cannot go back. |
| What the Frame Left Out
[H] |
Read an image for the decision at its edges - what was excluded, and what the exclusion does to a viewer. |
| Everything Inside the Frame
[H] |
Say what the arrangement inside a shot - light, staging, color, selection - is doing to the viewer's reading of it. |
| The Argument in the Join
[H] |
Name the claim a cut makes by placing one shot next to another, and test whether the material supports it. |
| Speed, Duration, and the Unbroken Take
[H] |
Work out what a shot's length or speed is asserting, and which questions duration can and cannot settle. |
| The Track You Are Not Listening To
[H] |
Separate sound the characters can hear from sound only the audience can, and say what each one is telling the viewer to do. |
| Whose Account You Are Standing Inside
[H] |
Identify whose knowledge and whose interests an image places a viewer inside, and how that placement was built. |
| What an Image Can Prove
[H] |
State precisely what a photograph or a recording establishes, and where its authority stops. |
| What the Display Was Built to Answer
[H] |
Read a chart, poster or graphic as a made argument, without treating every design decision as a trick. |