97 core topics
+ 106 prerequisite topics taught
as needed · approximately 66 hours of instruction
including spaced review
An adaptive diagnostic (up to
40 questions) places the student on the course's knowledge
graph - topics already known are credited, and instruction begins exactly
at the learning frontier. Every topic is taught with a worked-example
lesson and auto-graded practice; a topic is mastered at
75%+ and then maintained through spaced reviews on an
expanding schedule. Mixed checks follow every 6 lessons;
each unit ends with a 12-item quiz, and course-wide assessments appear at
25%, 50%, 75%, and 100% mastery. Prerequisite gaps below the course are detected and taught rather
than skipped, so completion certifies the whole tower, not just the top.
| Exigence: What Made This Necessary
[H] |
Identify the pressure that called a text into being, and separate it from the occasion. |
| The Audience Under the Audience
[H] |
Tell apart who a text is addressed to, who it is written for, and who is meant to overhear it. |
| The Speaker Is a Construction
[H] |
Describe the version of a writer that a text builds, and why that version fits the situation. |
| Stated Purpose and Working Purpose
[H] |
Separate what a text says it is doing from the job it is actually built to do. |
| What the Writer Was Not Free to Say
[H] |
Find the limits a situation places on a text, and read what those limits shaped. |
| Kairos: Why Now
[H] |
Judge how a text's timing changes what it can accomplish. |
| The Shape the Medium Demands
[H] |
Explain how the form a text is delivered in changes what it can and cannot do. |
| When a Text Changes Situations
[H] |
Track what happens to a text's meaning when it is carried out of the situation it was written for. |
| Ethos: The Credit a Text Builds
[H] |
Identify how a text earns, spends or refuses the reader's trust. |
| Pathos: Feeling Put to Work
[H] |
Explain how a text produces feeling, and what the feeling is being asked to do. |
| Logos: The Part That Survives Dislike
[H] |
Test the reasoning and evidence in an argument on its own terms. |
| Which Appeal Is Carrying the Weight
[H] |
Decide which appeal a move depends on when a move is doing more than one thing. |
| Giving Ground on Purpose
[H] |
Analyze a concession as a trade: what was surrendered, and what it bought. |
| Word Choice as Strategy
[H] |
Explain what a chosen word does that its plainest alternative would not. |
| Arrangement, Repetition and the Short Sentence
[H] |
Show how sentence shape and order do persuasive work that the words alone do not. |
| Would This Move Land on This Reader
[H] |
Judge a strategy against the audience it was aimed at, including what it risks. |
| Finding the Claim
[H] |
Locate the exact proposition an argument is asking you to accept. |
| What the Evidence Can Carry
[H] |
Judge evidence by relevance, sufficiency and where it came from, not by how impressive it sounds. |
| The Reasoning in Between
[H] |
Name the unwritten step that connects a piece of evidence to the claim it is offered for. |
| What the Argument Is Standing On
[H] |
Surface the unstated premise an argument needs, and test what happens if it fails. |
| Concession, Rebuttal, and the Difference
[H] |
Tell apart granting a point, answering it, and refusing to engage with it. |
| Where the Reasoning Breaks
[H] |
Name what has gone wrong in a piece of reasoning, precisely enough to say what would fix it. |
| How Far the Claim Reaches
[H] |
Match the size of a claim to the size of the evidence behind it. |
| What Would Settle It
[H] |
Compare two arguments by asking what evidence would decide between them. |
| Attacking the Arguer
[H] |
Separate an attack on the person from a fair reason to check their evidence. |
| The Position Nobody Took
[H] |
Tell a reply that answers the stated position from one that answers an invented version of it. |
| After Is Not Because
[H] |
Test a causal claim against timing, confounding and the direction of the arrow. |
| The Sample That Chose Itself
[H] |
Judge a generalization by how its cases were gathered, not by how many there are. |
| Only Two Doors
[H] |
Tell a manufactured either/or from a choice that really does come down to two. |
| The Chain With No Links
[H] |
Test a chain of predicted consequences link by link for the mechanism that would carry it. |
| Borrowed Authority
[H] |
Weigh an appeal to expertise, numbers or tradition by what the source actually examined. |
| The Word That Changed Sides
[H] |
Track a key word through an argument and catch it changing meaning partway. |
| Naming the Flaw
[H] |
Say precisely which defect an argument has - and say when it has none. |
| The Question the Sources Are Arguing About
[H] |
State the proposition a set of sources is actually at issue over, and what each one is answering. |
| How One Source Stands to Another
[H] |
Describe the relation between two sources more precisely than agree or disagree. |
| Comparing Like with Like
[H] |
Test whether two pieces of evidence are about the same object, population, period and definition before setting them side by side. |
| Real Conflict and Apparent Conflict
[H] |
Tell a genuine contradiction from two sources measuring different things, and locate where a real one would have to live. |
| Putting a Source to Work
[H] |
Use a source inside your own argument instead of summarizing it in turn. |
| What a Source Can Be Cited For
[H] |
Match the claim you make to what the source actually measured. |
| Staking a Position the Sources Support
[H] |
Write a thesis that is neither a summary of the sources nor a refusal to choose between them. |
| What the Set Cannot Settle
[H] |
Name the question a source set leaves open and the evidence that would close it. |
| Who Made This, and What Were They Rewarded For
[H] |
Judge a source by its expertise, its incentives and what it discloses - without treating an interest as a verdict. |
| Checking a Source by Leaving It
[H] |
Verify a claim from outside the page that makes it, using independent records rather than the page's own account of itself. |
| Following a Claim Back to Its Origin
[H] |
Trace a reported finding through each retelling to the document it started in, and name what changed on the way. |
| The Frame Around the Facts
[H] |
Analyze how headline, emphasis, order and image shape a reader's conclusion without any sentence being false. |
| Numbers That Are True and Misleading
[H] |
Interrogate a statistic for its denominator, its base rate, its measurement and how its sample was drawn. |
| Does the Evidence Reach the Conclusion
[H] |
Test whether the evidence offered actually supports the claim made, and name what would count against it. |
| Why This Reached You
[H] |
Explain how ranking, sharing and timing decide what you see, and why a feed cannot measure how common a view is. |
| Is the Evidence What It Claims to Be
[H] |
Test whether an image, clip or recording is genuine and correctly placed - and say so when the answer is that you cannot tell. |
| Same Fact, Different Verdict
[H] |
Choose the word that carries the verdict you want without changing the claim you are making. |
| How Strong Is Too Strong
[H] |
Pick the rung of a word ladder the evidence actually supports. |
| Where the Judgment Is Hiding
[H] |
Find the word that is arguing inside a sentence of facts, and take it out without losing anything. |
| Softening It and Sharpening It
[H] |
Tell a euphemism from a plain statement, and a strong true sentence from one that overclaims. |
| The Level of the Diction
[H] |
Match the level of your words to the occasion, and tell inflated diction from necessary technical language. |
| Naming a Tone Precisely
[H] |
Name a writer's attitude with the word the evidence supports, not the nearest feeling. |
| Where the Tone Turns
[H] |
Locate the sentence where a writer's attitude changes, with or without a signal word. |
| What the Word Choices Add Up To
[H] |
Read a writer's position out of an accumulation of choices he never states as an opinion. |
| Which Clause the Reader Believes
[H] |
Put the fact you are asserting in the main clause and the fact you are conceding in the subordinate one. |
| Items That Have to Match
[H] |
Keep every item in a series - and every half of a not only / but also pair - in the same grammatical form. |
| The Phrase That Grabs the Wrong Subject
[H] |
Check what an opening phrase actually attaches to, and repair it without changing who did what. |
| What a Limiting Word Limits
[H] |
Place only, just and even where they belong, and pin a modifier that could belong to either side of it. |
| Adding Detail Without Adding a Sentence
[H] |
Name and build the four free modifiers: appositive, participial phrase, relative clause and absolute phrase. |
| Semicolon, Colon, Dash
[H] |
Choose the mark the joint between two clauses actually calls for, and keep a comma-heavy list readable. |
| Active, Passive, and the Missing Actor
[H] |
Identify the passive, name what it leaves out, and tell when leaving the actor out is the honest choice. |
| Where the Main Clause Falls
[H] |
Tell a periodic sentence from a cumulative one, and rebuild either into the other without changing what it reports. |
| The Analytical Thesis
[H] |
Write a thesis that claims how a text works, not what it contains. |
| From Choice to Effect
[H] |
Say what a rhetorical choice does, not merely that it was made. |
| Summary Is Not Analysis
[H] |
Tell the difference between retelling a source and claiming something about it. |
| Choosing and Framing the Quotation
[H] |
Pick the words the claim turns on, and frame them so they do work. |
| The Line of Reasoning
[H] |
Order body paragraphs so each claim is made possible by the one before it. |
| Grounding the Analysis in Its Occasion
[H] |
Tie every claim about effect to a real audience, occasion and exigence. |
| Verbs, Hedges and the Analyst's Voice
[H] |
Choose verbs that carry a claim, and claim only what the text supports. |
| Revising a Rhetorical Analysis
[H] |
Diagnose a draft's structure before polishing any of its sentences. |
| The Question a Search Can Finish
[H] |
Turn a topic into a research question that names what would count as an answer. |
| The Source That Can Answer This Claim
[H] |
Match a claim to the kind of record that could contain it, rather than to a general ranking of sources. |
| What This Source Was Built to Know
[H] |
Interrogate a source by its method and its purpose rather than by whether you like its conclusion. |
| Paraphrase, Patchwriting and the Line Between
[H] |
Rebuild a source's idea in your own architecture instead of translating its sentence word by word. |
| Which Sentences Owe a Citation
[H] |
Decide what a sentence owes a source by asking what was taken, not by counting matching words. |
| Saying What the Source Can Support
[H] |
Report a source so that a reader who could see the whole of it would call your sentence fair. |
| Reading a Citation Before Reading the Source
[H] |
Read what an entry and its locator already tell you about a source you have not opened. |
| Where the Line Actually Is
[H] |
Reason about an academic integrity case by asking what a reader has been told, not what the writer intended. |
| Exigence: Why Now
[H] |
Identify the pressure that makes a text worth producing at a particular moment, and what a writer does when there isn't one. |
| The Speaker the Text Builds
[H] |
Describe the version of a speaker that a text constructs, and the moves that construct it. |
| Appeals as Choices, Not Labels
[H] |
Explain what a particular appeal is doing to a particular audience, without stopping at a name for it. |
| Where the Argument Puts Things
[H] |
Explain what the order of a text accomplishes, and what a different order would have cost. |
| Conceding, Qualifying, Refusing
[H] |
Track exactly what a writer gives away to the other side, and what the giving buys. |
| What the Evidence Is Doing
[H] |
Say what a piece of evidence measures, what claim it is attached to, and where it stops. |
| The Assumption Holding It Together
[H] |
Find the premise an argument needs but never defends, and test the argument by attacking it. |
| Tone, and What Restraint Costs
[H] |
Name a text's attitude precisely, and read the sentence shapes and omissions that produce it. |
| What the Prompt Is Actually Asking
[H] |
Take an exam prompt apart into the proposition, the reach and the materials before writing a word. |
| A Position Somebody Could Refuse
[H] |
Write a thesis an informed reader could disagree with, and qualify by naming a line rather than by hedging. |
| The Line of Reasoning
[H] |
Order the paragraphs the way the claim itself requires, so each one is a step the thesis needs. |
| Evidence, and the Sentence That Uses It
[H] |
Tell evidence from commentary, and write the sentence that says what the evidence establishes and how far. |
| Citing a Source for What It Can Carry
[H] |
Use a document for the claim it can actually support, and notice when it declined to take your side. |
| Building an Argument Out of a Set
[H] |
Give a synthesis essay the shape of your argument instead of the shape of the file. |
| The Concession That Costs Something
[H] |
Grant a real point and then show why you can still pay for it, on the objection's own subject. |
| Complexity, and the Ways It Is Faked
[H] |
Earn a sophisticated argument by doing something, not by sounding like somebody who has. |